Ralph Waldo Emerson, ou le génie de l’imitation by Thomas Constantinesco

“…Emerson’s essays testify to the writing subject’s desire for originality, his will to stop “[groping] among the dry bones of the past” (Nature, 27) in order to project himself ahead, literally to ex-press himself. …”
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Écrire l’histoire des femmes musulmanes en Europe du Sud-Est. Archives associatives et trajectoires d’engagement en Bosnie dans la première moitié du xxe siècle by Fabio Giomi

“…This article examines the possibilities and limitations of the archives of voluntary associations for writing the history of Muslim women during the first half of the twentieth century. …”
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L’histoire muette by Sabine Ehrmann

“…The creation of the landscape observatories included, to a certain extent, a rather radical and innovative proposition from a historiographical standpoint : that of writing history with photographic images. However, such an historical undertaking does not imply the same conditions as the representation of the landscape but rather the elaboration of a didactic tool able to describe what unavoidably eludes photography : the reasons behind changes or the absence of changes ; or at least some assumptions concerning such reasons.…”
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Money Talks: Language, Work and Authorship from The Music of Chance to Sunset Park by Aliki Varvogli

“…The argument focuses on Auster’s treatment of the subject of money and its relationship to matters of authorship, language and work. Much of Auster’s writing since his early days of monetary struggle has returned to the problems of poverty and precarity that artists and authors often face. …”
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„Kdykoliv jsem měla volnou chvilku, něco jsem sepisovala.“ Dílo Justiny Siegemund v kontextu raně novověkých ženských přírodovědných spisů z německojazyčných oblastí... by Hana Jadrná Matějková

“…On the basis of comparison of their treatises the study tries to find out the potential existence of some patterns of “women’s writing” in the field of natural sciences in the Early Modern Period. …”
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Pour une genèse de la compétence paysagiste by Bernadette Blanchon-Caillot

“…It leans on a methodological axis within the description, between reading and writing, is the favourite tool and on a historical axis focused on the 1939-1975 period in France, the period of the profession’s pioneers as well as the period of the grand ensemble, a favourable hotbed to assess the notions of site and modernity. …”
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Rule Britannia, Brexit and Cornish Identity by Ella Westland

“…So too did Daphne’s move from Menabilly to Kilmarth, her personal relationship to Cornish people, and her continuing need for Cornwall as she faced her retirement from writing fiction.…”
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Le Front populaire dans les récits historiques pour la jeunesse by Patricia Richard-Principalli

“…It is a question of understanding the place, quantitative and qualitative, of the Popular Front among historical narratives for youth, to analyze their writing strategies and their stakes, in order to understand what transmission is here at work. …”
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The Satirical Vision of Canadian/Scottish Songwriter, Poet, and Novelist Graeme Williamson by Victor Kennedy

“…This paper will analyse several of Williamson’s song lyrics, poems, short stories, and his novel, Strange Faith, to show how his writing presents a critical view of modern society.…”
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Ross Macdonald, Redivivus? by Robert Lance Snyder

“…During his lifetime this author of detective fiction had both ardent champions and occasional detractors, but an examination of The Doomsters (1958), The Galton Case (1959), The Far Side of the Dollar (1965), and The Goodbye Look (1969) reinforces the judgment of Bernard A. Schopen, a scholar writing four years before Macdonald’s death, that his work “fully deserves evaluation as literature” and “purposeful art,” not least because of his trenchant critique of the American Dream.…”
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Cook, les Instructions officielles de l’Amirauté et les recommandations de la Royal Society by Jean-Stéphane MASSIANI

“…To what extent did they influence Cook’s writing? Was he able to free himself from these directives and break away from the Admiralty injunctions to ultimately produce a self-governing text? …”
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Midiologia, linguagem e poesia by Luciano Barbosa Justino, Simone Dália de Gusmão Aranha

“…We also think that poetry, main- ly because it has dialogued on a non-stop basis with such processes, has much to tell us about what we hold, following the track of Régis Debray (1995) and Lévy (1997), to be the three ages of intelligence, centered on voice, writing and on digi- tal video.…”
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Memories of “wretched eminent things” (5.5.113): Remembrance and Posterity in John Webster’s Duchess of Malfi (1613–1614). by Louis André

“…One of the key moments of John Webster’s The Duchess of Malfi (1613-14) is the writing of the Duchess’s will. On the surface, memory is a state in which princes must consider their own mortality. …”
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A Critical Review “Phenomenology and Mysticism” by Yahya Solati

“…Furthermore, this book contains problems in content and writing considered as a serious downsides of the book…”
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The Influence of Shakespearean Theatricality on Emily Dickinson’s Lyrical Self by Adeline Chevrier-Bosseau

“…This paper considers Shakespeare’s works as a creative matrix to Dickinson’s writing, whose own theatricality is also underlined through the study of several performances of identity in the correspondence as well as in the poems. …”
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Contextualising the findings - the Orkney social pedagogy evaluation by Evelyn Vrouwenfelder

“…It also describes ‘what happened next’ in Orkney and considers this in terms of academic writing on learning transfer and sustainability of evaluation outcomes. …”

George Eliot and Islamic Culture by Dallel Chenni

“…Indeed, while Eliot’s various and dispersed comments often reflect a shallow, essentially prejudiced view of the matter, her writing in fact evolved towards more tolerant views over the years.…”
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Pater’s Poikilia — auto-références, métaphores et impressions dans Platon et le platonisme (1893) by Jean-Baptiste Picy

“…Evidencing still active longings to fulfil the initial Heraclitean intentions set out in « Diaphaneitè » (1864), the last work to be published in his life-time thus reasserts its position in the continuum of Pater’s permanently interconnected writing and time-conscious quest for « dry light ».…”
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Re-imagining Africa: revisiting Rider Haggard’s legacy in modern times with particular reference to South Africa by Lindy STIEBEL

“…Rider Haggard (2009), a commissioned volume, which also evaluated Haggard’s legacy both in terms of academic interest and popular culture in the later twentieth century. My interest in writing this current piece is to look again at Haggard a decade on and update my earlier findings with contemporary references to Haggard, in terms of his literary, popular culture and academic legacies.…”
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La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill by Élisabeth Angel-Perez

“…To opt for the artifice of constrained writing for the stage is the way that Martin Crimp or Caryl Churchill have elected, after Tom Stoppard, to confess the difficuty there is to use language in our post-Adornian world. …”
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