Historia e historización, ficción y metaficción en Los surcos del azar, de Paco Roca by Jacqueline Sabbah

“…From this counterpoint between the desire to testify and the claim of an assumed artifice, he offers a reflection on the contributions and specificities of memory, discourse and the literary genre of comics in the writing of History.…”
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« A good place to throw ashes to the wind » : « Revenir du pays des morts » ou les soubresauts de la pensée dans Percival Everett by Virgil Russell, de Percival Everett. by Sylvie Bauer

“…The result is a form of “convulsive” writing, as Deleuze would have it, pushing language towards its limits and raising the question of meaning.…”
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Settled by David Mann

“…The collection was produced over the course of a Creative Writing Masters programme at the University of Witwatersrand, under the supervision of Ivan Vladislavic. …”
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A selective agraphia of Kana by K. Abe, R. Yokoyama

“…He had well-preserved ability for comprehension, reading, and writing Kanji (ideogram). Kana errors consisted of substitution with another letter while the number of target words was well preserved. …”
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Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet by Rodolphe Solbiac

“…This study investigates the modes of intertextuality at play in the writing of Ramabai Espinet’s novel The Swinging Bridge. …”
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Billy and Oliver: an approach to promoting resilience and improving interaction in two residential child care settings by Charlotte Wilson, John Mackland, Jessica Cundy

“…We are writing this paper as practitioners at Barnardo's Linksfield Service in Aberdeen, and Barnardo's Caern Project in Edinburgh. …”

L. Woodhead, An introduction to Christianity by B. Zuiddam

“…The title fails to deliver. The style of writing and the knowledge of church history and theology required to read this book intelligently place it beyond the reach of common mortals. …”
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François Gros : un coeur intelligent et bon qui ne savait pas dire non by Buc, Marie-Hélène

“…Here I recall some privileged moments in my interactions with François: when he helped me obtain a grant for an NGO; when I participated in the work of COPED; when I returned to hospital medicine, his support for writing and publishing books that give patients a voice.…”
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Escritura y lucha armada en la posguerra española: ¡Tortura! (1949) by Mercedes Yusta Rodrigo

“…is both an example of popular and proletarian writing, in the vein of the literature popularized by collections such as La novela ideal, and a testimony to the experience of the anti-Franco guerrillas, recounted in the heat of the moment. …”
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Territoires de la mémoire en deux webdocumentaires : EntreVilas et Híbridos by Julia Salles, Daniela Zanetti, Tatiana Levin

“…Considering the processual perspective of territorialization, we analyze the Brazilian webdocumentaries mentioned as vectors for constructing and writing memory on territories.…”
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CHRISTIANITY, ART AND TRANSFORMATION by J.W. De Gruchy

“… In this article, two papers, previously published in A Theological Odyssey. My Life in Writing (2014a), both based on Christianity, Art and Transformation (2001), are conflated. …”
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RELIABILITY СONTROL OF ELECTRIC NETWORK SYSTEM AT JOINT-STOCK COMPANY «LENENERGO» UNDER CONDITIONS OF POWER ENGINEERING MODERNIZATION by A. P. Vasiliev, A. G. Tourlov

“…This social and political movement causes revaluation of reliability control of electric network system policy at Joint-Stock Company «Lenenergo», elaboration and development of methods and means for solution of integrated problems involving the whole process from putting into operation till equipment writing off.…”
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From Parody to Rewriting: Margaret Mitchell’s GoneWith the Wind (1936) vs Alice Randall’s The Wind Done Gone (2001) by Isabelle Roblin

“…When after many difficulties, Alice Randall published The Wind Done Gone, the question of the very nature of the novel came to the foreground, from a constitutional as well as a literary standpoint: was it a parodic re-writing of Margaret Mitchell’s Gone With the Wind, and as such protected by the First Amendment; or was it just a “steal” of famous characters and situations, and as such submitted to the strict laws of copyright? …”
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Jean-Baptiste, « une voix lointaine » by Sylvie Giraud

“…Research in the “avant-texte” restitutes in its entirety the writing chronology of this episode, from the outline up to the final manuscript, thus revealing the whole construction in the details of its conception, structure and organization.…”
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Borrowing another voice or the Cyrano complex by Julie Vatain

“…It then enquires into the processes implied in the translation of such a wide vocal range for foreign actors, questioning the relationship of the audience to the foreign and the familiar, and considering the paradigms of hiding and revealing one’s voice which are involved in writing, acting and translating a play.…”
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The Mutant Problem: X-Men, Confirmation Bias, and the Methodology of Comics and Identity by Martin Lund

“…Engaging with a few common assumptions presented in writing on X-Men comics(1963–1970, 1975–1991) and identity, it offers alternative interpretations on the series’ engagement with the Cold War, civil rights, individual authenticity, persecution, and the Holocaust. …”
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The Book of Repetition: Rachel Cusk and Maternal Subjectivity by Clare HANSON

“…It argues that what is distinctive about Cusk’s writing on motherhood is her focus first on the disjunctions between subjective experience and public discourses of motherhood and secondly on the fissures within maternal subjectivity which are, in part, a consequence of this disjunction. …”
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“L’anello che non tiene”: ai margini di un sistema ortografico by Riccardo Regis, Matteo Rivoira

“…While the first is generally used for writing the Piedmontese variety of Turin, the last two prove to be the most typical tool to write the Occitan varieties of Italy. …”
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« Caminè, caminè » : l’écriture du mouvement dans L’Anconitana d’Angelo Beolco, dit Ruzante by Françoise Decroisette

“…In the early sixteenth century, Angelo Beolco, better known as Ruzante, created in his stage writing a poetic use of gesture that affirms the increasing omnipotence of the visual over the textual. …”
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Charles-Édouard Jeanneret’s Local Patriotism in La Construction des villes and Erneuerungsbewegung in Germany by Sayuri Hayakawa, Takahiro Taji

“…In 1910, Jeanneret began writing a text entitled La Construction des villes, when regionalism was en vogue on a central European scale. …”
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