Repackaging as a Strategy to Increase Efficiency in Extension Programs by Laura Sanagorski

“… Repackaging is a way to reuse the research and writing one has done on a particular topic by formatting it in multiple formats for several audiences. …”
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Dracula : mécanique des fluides et roman des angoisses circulatoires by Maël Baussand

“…This study will hence discuss how Stoker’s ”fluid mechanics” conveys an ”aesthetics of trouble”, and how its overflowing serves a cathartic purpose with a direct link to the writing of female protagonists.  …”
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The impact of personality and approaches to learning on information behaviour

“…The subjects will be approximately 500 university students writing their dissertation. In a pilot study it was shown that personality traits can be related to approaches to learning. …”
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EFFECT OF COAT COLOR MUTATIONS ON HAIR AND SKIN STRUCTURE IN POLECATS (MUSTELA PUTORIUS) by O. I. Fedorova

“…The results were used in writing a manual on the assessment of breeding achievements in farm-bred polecats and in the testing of a new breeding achievement, the Tsvetkov breed.…”
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The Book of Portraiture by Anne-Laure Tissut

“…Through its constitutive play on imitation –each chapter taking up a form of writing, in the larger sense of the term, and a genre specific to a given time–, The Book of Portraiture offers an original vision of innovation in art while questioning the notions of author and subject. …”
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WHAT IS IMPORTANT FOR POSTGRADUATES TO KNOW ABOUT THE ACADEMIC TEXTS? by Nataliya I. Kolesnikova

“…This paper is a continuation of a series of articles to assist graduate and postgraduate students of different specialties in writing their own scientific texts of different genres (abstract, article, dissertation, etc). …”
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Ambivalent Cosmopolitanisms : Literature,           Embalmment and Postcolonial Mobilities [Cosmopolitismes      ambivalents : Littérature, embaumement et mobilités postcoloniales]... by Srilata Ravi

“…This reading, through the lens of ambivalent cosmopolitanisms, of one of Maryse Condé’s lesser-known novels, Les belles ténébreuses (2008), demonstrates that the Guadeloupean writer’s engaged writing does not represent hybridity, mobility and navigability as uncritical features of a globalized world. …”
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L’écrit sur la tombe : entre nécessité pratique, souci pour le salut et élaboration doctrinale. À travers la documentation épigraphique de la Normandie médiévale by Vincent Debiais

“…If it’s difficult to locate in the texts the speech of Church on death, the examination of the epitaphs and other commemorative texts allows considering the various functions of the writing on the tomb and seeing how it answers at the same time to circumstances of burial, needs for commemoration and eschatological concerns.…”
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Public Speaking by Ricky Telg

“…This 3-page fact sheet shares the basics about gathering information and organizing, writing, and delivering speeches. Written by Ricky Telg and published by the UF Department of Agricultural Education and Communication, August 2011. …”
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Thomas Hardy entre fiction et poésie by Jean-Charles Perquin

“…In 1898, he suddenly decided to stop writing fiction and devote himself to poetry only. …”
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Utilizing Basic Digital Photography Techniques on the Farm by Ricky Telg, Carly Barnes, Adrienne Boyette

“… This 3-page fact sheet focuses on plant and livestock photography and caption writing and outlines tips for taking digital photographs on the farm using a basic digital or cell phone camera. …”
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Une genre de nouvelle discrimination chromatique by R. J. Aeschlimann

“…To prove that gender-neutral language [or inclusive writing] should be as multifarious as the possibilities of shoes' colour, this narrative distinguish between twelve types of non-heterosexist phrasing, made to measure to so many categories of persons.…”
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La presencia del actor libertario en las luchas sociales en Argentina by Carlos Fos

“…This libertarian aesthetics was put into action by means of creative writing workshops as well as the staging of dramas and monologues where the influence of popular theatre forms was quite present.   …”
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A critique of terms and symbols in school mathematics by Robertas Vilkas

“… Criticism of some terms and symbols of school mathematics is presented, and recommendations are given. The problem of writing decimal fractions using a comma and the resulting semicolon when separating such numbers, which contradicts not only the international symbols of mathematics, but also the general rules of the Lithuanian language, is discussed separately. …”
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Quelles archives pour quelle histoire ? Enquêter sur le Fonds européen de développement depuis le Mali by Bouakary Ouattara

“…Lastly, the article examines the consequences of these asymmetries on the writing of agricultural development history in Mali.…”
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Robert Louis Stevenson and the ‘Optic Nerve’. Portraiture in Weir of Hermiston by Clotilde De Stasio

“…Not much has been written so far about the marked visuality in the opening chapters and the influence of the Scottish painter Raeburn on Stevenson’s writing. I shall try to demonstrate that, while delineating the powerful image of the Scottish Judge, Lord Braxfield, the writer had in mind his portrait by Raeburn. …”
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Ebola Virus and SARS-CoV-2: Similarities and Differences by Robert C. SIZEMORE, Md S. ZAMAN

“…The interme- diate animals for Ebola virus include primates, antelopes and various rodents, and contact with these ani- mals resulted in infection of humans. As of this writing, the intermediate host for SARS-CoV-2 remains a mystery although pangolins have been implicated. …”
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Rock Art Conservation and Geotourism: A practical example from Foum Chenna engravings site, Morocco by Mohamed Abioui, Lhassan M Barki, Mohammed Benssaou, Abdelkrim Ezaidi, Nezha El Kamali

“…The rock art was a way of expressing their thoughts, culture and beliefs, before the invention of writing. The engravings represent an archive of an ancient civilization which developed over thousands of years throughout North Africa, from the Atlantic to Egypt and from the Atlas Mountains to the Sahel. …”
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Reading from the Guts: of Text and Disgust by Solveig Dunkel

“…I don’t know if it’s vile trash or provocative writing. It made me feel very strong emotions, which is usually a hallmark of good writing in my opinion, but the emotions were so, so unpleasant […]. …”
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