THE USE OF HOT-CHROME VANADIUM WHITE IRON FOR WOODCUTTING TOOLS by A. V. Alifanov

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Optimizing woodcutting with zirconia-toughened alumina: Processing, performance, and industrial insights by Tamanna Thakur, Stefan Heinen, Bruno Ehrle, Gurdial Blugan

“…Since the 1950s, the woodcutting industry has relied heavily on tungsten carbide (WC) cutting tools to overcome the challenges posed by the complex structure of wood, including hard knots and abrasive elements such as sand and tannic acids. …”
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Blindness and Design: Kneass’ Philadelphia Magazine for the Blind (1899) by Vanessa Warne

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Framing the Woman Poet: William Archer’s Poets of the Younger Generation (1902) by Sarah Parker

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Lire/voir The Ballad of Reading Gaol d’Oscar Wilde à la lumière de l’expressionnisme by Xavier Giudicelli

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Annegret Marx, When Images Travel to Ethiopia … Impact of the Evangelium Arabicum printed 1590 in Rome on a 17th Century Ethiopian Gospel: Documentation and Synoptic Presentation o... by Jacopo Gnisci

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SUMMARIES. Why Have There Been No Great Female Artists? History of Art in Poland Fifty Years Since the Publication of Linda Nochlin's Famous Essay by various

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La Crucifixion aux saintes femmes du Grand séminaire de Strasbourg. Expressivité et sens de la nature dans l’art allemand vers 1520 by Christian Heck

“…There are many features that evoke the Danube style, formerly known as the Donauschule : an intensely expressive atmosphere, a breath that animates the natural world and connects it with human beings, and the Mantegnesque motif of the group of Holy Women, taken from a woodcut by Albrecht Altdorfer. The execution on oak suggests that it was made in the Baltic region, which would be consistent with its possible provenance from Saxony-Lauenburg, and calls for a better understanding of its possible relationship with the art of Erhard Altdorfer, active in Schwerin from 1512 to 1561.…”
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La relation texte-image dans les pièces gothiques by Marion Pouspin

“…These booklets, composed of a few sheets and illustrated with little more than one or two woodcuts, form an interesting corpus, in some respects, to grasp the social action of the relationships between text and image. …”
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