Introduction by Élisabeth Angel-Perez, François Laroque

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An Intimate Relationship. The City, the River, and their Wor(l)ds. Echoes from New Orleans and Vicinity by Mario Maffi

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Avant-propos : Représenter l’histoire immédiate sur les scènes britanniques modernes et post-modernes by Élisabeth Angel-Perez, Line Cottegnies, Virginie Yvernault

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Rorty the Reformer? by Harvey Cormier

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The Network behind the Chronicle by Leah Shopkow

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A filosofia como virtude para o comando by Pedro Brosina Musella

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L’autobiographie ou l’art de la vie dans A Small Boy and Others de Henry James by Thomas Constantinesco, Agnès Derail

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D. G. Rossetti’s Trip to Paris and Belgium: A Journey Between Past and Present by Raphaël Rigal

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Reading from the Guts: of Text and Disgust by Solveig Dunkel

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Social Undertones in William Robinson’s Crusade Against ‘Architects’ Gardens’: a ‘Costly Ugliness to Our Beautiful Home-landscapes’ (Robinson 1892, XIII) by Aurélien Wasilewski

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Avant propos by François Laroque

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Histoire de la réception et histoire du livre by Roger Chartier

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A Pilgrim’s Progress to Slab City in The Royal Family by William T. Vollmann by Françoise Palleau-Papin

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Politique tragique vs. politique comique ? Richard III de Shakespeare et A Game at Chess de Middleton by Clotilde Thouret

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‘Savages’ and Spiritual Engines: Feeling the Machine in H. G. Wells’s Time Machine and ‘Lord of the Dynamos’ by Tamara Ketabgian

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INCOGNITO AND THE NEW DIPLOMACY: THE CASE OF TSAR PETER by M. Jansson

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Le puits de ténèbres — Rencontre avec Guillaume Séverac-Schmitz, metteur en scène, et Clément Camar-Mercier, traducteur et dramaturge, autour de La Duchesse d’Amalfi (Création, Cra... by Line Cottegnies, Guillaume Séverac-Schmitz, Clément Camar-Mercier

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Gauguin, Buffalo Bill, and the Cowboy Hat by Nancy Mowll Mathews

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Nieznane polonika kanadyjskie – William John Rose i jego archiwalna spuścizna by Tomasz Pudłocki

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Handwritten pre-Tridentine Pontificals by Jan Miazek

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