Tout est faux. Henry VIII de Shakespeare et Fletcher ou comment on falsifie l’histoire by Anne Teulade

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Popularising Gardening: William Robinson and the Transmission of Garden Knowledge in the Illustrated Press by Aurélien Wasilewski

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La Vision artistique de la montagne : panorama, pli ou plongée ? by Marie-Madeleine Martinet

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« Hamlet et le texte freudien : phénoménologie de l’interprétation » by Patrick Di Mascio

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‘A Decent Respect to the Opinions of Mankind’ by Jacques Pothier

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Blindness and Design: Kneass’ Philadelphia Magazine for the Blind (1899) by Vanessa Warne

Subjects: “…Archer (William)…”
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Writing Out of Place: Wordsworth and Woolf in London by Laurent Folliot, Juliana Lopoukhine

Subjects: “…William Wordsworth…”
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Framing the Woman Poet: William Archer’s Poets of the Younger Generation (1902) by Sarah Parker

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The History of Miss Jane Pittman by Christopher Mulvey

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« Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch by Virginie Yvernault

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Réflexions sur l’appropriation du théâtre historique élisabéthain par la scène britannique contemporaine : usages de Macbeth dans Thirteenth Night de Howard Brenton (1981) et Dunsi... by Line Cottegnies

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A literatura com a tesoura na mão: sobre Brandão, Burroughs e Gysin by Joaquim Adelino Dantas de Oliveira

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Debata kuchenna. Historia jednego nagrania i jednego zdjęcia by Marcin Giżycki

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“Ethereal Journeys” of a Wanderer in William Cowper and Yahya Kemal Beyatlı by Şafak Altunsoy

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‘Modern gardeners’ with Rustic Ideals: Fruitful Congruencies between John Ruskin and William Robinson by Aurélien Wasilewski

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Conflicting Images of Women in Hollywood 1930s Cinema by Raphaëlle Costa de Beauregard

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Updating the “cost factor” in the William fine risk assessment method following economic power: A case study of selected production industries in Iran by Bafrin Moloudpourfard, Morteza Tahamipour Zarandi, Mostafa Pouyakian

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Tracing Ophelia from Millais to Contemporary Art: Literary, Pictorial and Digital Icons by Laurence Roussillon-Constanty

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L’Irrésistible Ascension d’Arturo Ui, une pièce « d’histoire immédiate » ? by Emmanuelle Hénin

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Shakespeare en prison : le cas d’Avignon by Florence March

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