Variability and accuracy of multiple saliva pepsin measurements in laryngopharyngeal reflux patients by Jerome R. Lechien, Francois Bobin

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Correction: Integrated different forms of business communication by using internet telephony (2017, vol.5, no.2, str.29-35) by Bjelobaba Goran, Savić Ana, Stefanović Hana

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De la ventriloquie au trauma by Marc Amfreville

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Do so replacement and the argument/adjunct distinction in Merge-based syntax by Yuji Shuhama

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Le silence et le cri : Salomé, d’Oscar­­ Wilde à Richard Strauss by Pascal Aquien

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“A medley of voices”, polyphonie et discours rapportés dans Lolita de Nabokov by Yannicke Chupin

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Theatre and Psychoanalysis: or Jung on Martin Crimp's Stage: “100 Words” by Solange Ayache

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Wearable Voice Dosimetry System by Marcos Llorente, Adam Podhorski, Secundino Fernandez

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Materializations of oricha voice through divinations in Cuban Santería by Kristina Wirtz

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« L’étrangeté vocalique » dans quelques nouvelles de Flannery O’Connor et de Barry Hannah by Claudia Desblaches

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Voice Quality in British English. Its Nature, Functions and Applications by Stephan Wilhelm

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Conflicting Voices: An analysis of Intralingual translation from British English to American English by Linda PILLIÈRE

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A Continuity of Voices in Russell Banks’s A Permanent Member of the Family by Anne-Laure Tissut

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Injection laryngoplasty during transoral laser microsurgery for early glottic cancer: a randomized controlled trial by Ayham Al Afif, Matthew H. Rigby, Colin MacKay, Timothy F. Brown, Timothy J. Phillips, Usman Khan, Jonathan R. B. Trites, Martin Corsten, S. Mark Taylor

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Speech Recognition for the Sterile Interaction with Information Systems in the Surgical Area by Schrüfer Katrin V., Noortwijck Pascal, Junger Denise, Burgert Oliver

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Un « opéra radiophonique » : Ariane de Georges Delerue et Michel Polac by Jérôme Rossi

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Brown Bear, Brown Bear, What Can You See? Exploring the Tension Between Strategic Choices and Claimants’ Voices in Environmental Litigation in the EU by Reilly Anne Dempsey Willis

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Bouches béantes et voix blanches dans le théâtre de Howard Barker by Vanasay Khamphommala

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Gertrude Stein et l’écriture des voix by Cristina De Simone

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À l’écoute des adaptations de Madame Bovary by Mary Donaldson-Evans

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