Les grandes messes panarabes : festivals et biennales d’art arabe dans les années 1970 by Alia Nakhli

“…Our purpose has been to give voice to the aspirations of artists seeking to promote a tradition of dialogue and exchange on issues of national and ethnic identity, even if such events were financed by regimes whose vision of art was essentially utilitarian and propagandistic. …”
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Relire pour nous relier by Cassandre Martigny

“…This article will analyse how these authors unravel the source texts to weave a new text that gives voice to the character itself and restores the place of love and couple relationships through a liberating language. …”
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« No ifs or buts. / I didn’t say if or but, I said no » : Le sujet et son désir contre le discours de la psychiatrie by Nicolas Pierre Boileau

“…The body that was once abused, exposed, mistreated in Blasted, to the extent that it was unbearable in performance, is reduced to a voice, in 4.48 Psychosis, whose language defies the laws of grammar and which seems to circulate like a bodiless soul. …”
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Oxygen consumption in the sandy beaches of the Vistula River: Goods and services of the ecosystem by Patrycja Słodownik, Krzysztof W. Opaliński

“…The study could become a very important voice in the debate about the future of the Vistula River. …”
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The biblical view of humanity and the promotion of the rights of persons with disabilities: the call and mission of the church by P. White

“…The article concludes that the church has a missional call to serve as the home and prophetic voice for the marginalised in society. …”
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Finding a rhythm within by Jan-Albert van den Berg

“…In this newly composed polyphonous melody, my own voice is audibly and rhetorically integrated with the resonant tone of development within practical theology and pastoral care. …”
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Réécriture des pièces de Shakespeare : l’enjeu de la modernité ? by Estelle Rivier

“…Not surprisingly, Shakespeare’s plays have constantly been adapted on stage and in the cinema to comment upon contemporary facts and to voice either political or social concerns. But the same plays have also been the pretexts for other plays, written in modern English so as to serve new prospects. …”
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Mentoring student teachers within Ireland’s further education and training sector by Deirdre Tinnelly

“…However, mentoring relationships seem highly variable. At present the voice of mentors is underrepresented within Irish research. …”
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Contact entre patois et français en Suisse romande de 1800 à 1970 : l’unilinguisme revisité by Dorothée Aquino-Weber, Sara Cotelli Kureth, Christel Nissille

“…Our diversified corpus (newspapers, cacologies, dictionaries and language columns) allowed us to observe a unified voice on the long term, which accepts regional words under specific conditions. …”
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Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ? by Sarah Hatchuel

“…The disclosure of illusion is framed by a wish to channel the spectators’ reception, in a filmic discourse that attempts to turn the author’s point of view into an authoritative voice.…”
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Tipologii feminine în dramaturgia lui Romulus Guga by Cristina Rotaru

“…Masks of the ego, female characters, all these are tuning forks that allow the voice deep down to take the shape of the word, designed as a poetic message and sent from the creator to the audience with whom it cohabitates in a moral ambiguity that is specific to the resolute time.…”
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Mobiliser par le consentement : la communication du gouvernement suisse durant la COVID-19 by Sébastien Salerno, Patrick Amey

“…By establishing measures in order to face the sanitary crisis, the Federal Council, through the President's voice, chose to promote a virtuous consent bond with the population. …”
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Mexican Pointy Boots and the Tribal Scene: Global Appropriations of Local Cultural Practices in the Virtual Age by Helena Simonett, César Burgos Dávila

“…Our approach to analyze música tribal, a specific type of Mexican “tribal” electronic dance music that partially originated in Monterrey cumbia and, correspondingly, appealed to youths situated outside the mainstream, is to understand musical practices as related to the re-territorialization of foreign cultural practices that give a voice of social legitimacy to historically marginalized individuals.…”
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“94° à l'ombre” (Rennes - années 1990-2000). Le lien sonore par-delà la peine by Gaïd Andro, Fanny Le Bonhomme

“…What do these radio programmes give voice to? What do families and relatives have to say, and to whom? …”
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We Don’t Know What We Want”: The Ups and Downs of Global Travel in Dave Eggers’s You Shall Know Our Velocity (2002) by Małgorzata Rutkowska

“…Dave Eggers’s You Shall Know Our Velocity (2002) can be read as a (post) modern voice in the ongoing debate on educational, transformative and redemptive po- tential of foreign travel for the young Americans in the late 1990s. …”
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The priests and the descendents of Levi in the book of Malachi by K. W. Weyde

“… The article argues that the phrase “the descendants of Levi” in Mal 3:3 includes both priests and Levites and that the author of the book of Malachi was an inspired temple preacher, or writer, who probably belonged to the ranks of priests or Levites. He was a voice of the late 5th century, who with prophetic authority, like his predecessors, the earlier prophets, among others criticised the priests’ misconduct of the sacrificial cult (Mal 1:6–2:9). …”
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Multilingual Speech Emotion Research Based on Data Mining by Yanting Yu

“…Moreover, this paper uses fuzzy variables to describe the external uncertain environmental factors and intuitively shows the relationship between each technology, that is, clearly shows how actions and external environmental factors affect their action results, which is helpful in understanding the voice emotional risk problem from the root. In addition, this paper uses the basic knowledge of credibility theory to transform the model and finally transform the model into an optimal control problem. …”
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Transactions en eaux troubles : résurgences de la voix shakespearienne dans Moby-Dick by Ronan Ludot-Vlasak

“…This resurgence of the Shakespearean voice is double: although the dramatic element in the novel is often associated with the figure of Ahab, Ishmael also incorporates Shakespearean lines into his narrative. …”
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"Under Ben Bulben" : la montagne chez W.B. Yeats ou la rencontre du moi et du Soi by Michel Dufour

“…The article shows how, by drawing on multiple traditions and unifying them aesthetically into a complex symbol, the poet strives to embody the universal voice of the Self…”
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Traduire en collectif le théâtre italien contemporain. Les enjeux politiques de La Langue du bourricot by Paolo Bellomo, Céline FRIGAU MANNING

“…Collaborative translation appears here as a dialectical space of listening and observing, which renounces individual possession and works slowly towards the transformation of the text into a collective voice. The Langue du bourricot is for its members both a point of departure and arrival: the gesture of translating itself, as much as the traductorial decisions and the choice of texts, seeks to found a political project.…”
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