Autophagy activation in response to cigarette smoke: Exploring the disparity in laryngeal cancer incidence and outcomes between sexes in South Korea by Min Ji Kim, Jisu Hong, Hyo Won Chang, Yun-Hee Lee, Jun-Pyo Myong, Ah Ra Jung, Yoon Se Lee, Minsu Kwon

“…The changes in autophagy-related markers were analyzed after exposure to human vocal fold fibroblast (hVFF) and cigarette smoke extract (CSE). …”
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Im Niemandsland zwischen strengem Satz und Historismus. Zur Krise der Kontrapunktlehre im mittleren 19. Jahrhundert by Florian Edler

“…Heinrich Bellermann reacted to this multitude of problems by redefining the rules of vocal polyphony. He did so by reinstating modal fundamentals as the defining principle. …”
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Urlinie und Zwölftonreihe als Zeitgenossinnen by Martin Eybl

“…At first glance, the two Viennese musicians Heinrich Schenker and Arnold Schönberg pursued thoroughly contradictory goals: Schoenberg, a pioneer of new music, sought to further develop and consolidate the composition of atonal music; Schenker, a vocal opponent of modernism, attempted to analytically grasp the structure of tonal music in a new way and establish its immutable validity once and for all. …”
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New Sources and Old Methods. Reconstructing and Applying the Music-Theoretical Paratext of Johann Sebastian Bach’s Compositional Pedagogy by Derek Remeš

“…In attempting to determine how Johann Sebastian Bach taught composition, this article draws on recent archival discoveries to claim that it was not the ornamented, vocal Choralgesänge, but the simpler, thoroughbass-centered Choralbuch style that played a central role in Bach’s pedagogy. …”
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Koro Ve Orkestra /Oda Müziğinde Seslendirme/Yorumlama Başarım Gücü Üzerine Program Odaklı Bir İnceleme - A Program Based Analysis Of Performing Success In Choir And Orchestra/Chamb... by H. Seval Köse, M. Can Çiftçibaşı

“…“Choir and orchestra/chamber music performing success interview form” was prepared to be filled in by the instructors of related courses (participants).Research results show that definitional curricula of the choir and orchestra/chamber music courses among the A coded courses in music teaching undergraduate program do focus on performance target; that the students often come to classes unprepared; that they do not show sufficient understanding and rigour for making music together; their grade-oriented view of studying is underlined; their attendance to concerts, festivals etc. is found beneficial in terms of their motivation; and it is emphasized that the level differences between students have a negative effect on making music together and their performing success.In this regard, it is recommended that, being the two most effective components of choir and orchestra/chamber music performing success, the individual instrumental and vocal education courses’ implementation and outcome characteristics would be reviewed along with the effective research results.Keywords: Music teaching, undergraduate program, performance, performing success.…”
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Karel Janeček − a leading figure in Czech Music Theory and Pedagogy: his theoretical writings from the 1930s and 1940s by Miloš Hons

“…Therefore, he limited the historical aspect and applied his specific analytical and compositional method to explain the basics of vocal counterpoint. Karel Janeček (1903–1974) war eine führende Persönlichkeit im Begründungsprozess einer modernen tschechischen Musiktheorie. …”
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Selected Abstracts of the 20th International Workshop on Neonatology and Pediatrics; Cagliari (Italy); October 23-26, 2024 by --- Various Authors

“…LONG-TERM EFFECTS OF EARLY VOCAL CONTACT, BY PARENTS’ BOOK-READING, FOR PRETERM NEWBORNS IN NICUs • C. …”
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Cross-linguistic rhythmic patterns in Persian-English bilingual speakers: Implications for speaker recognition by Homa Asadi, Maral Asiaee

“…Using various rhythmic measures, including consonantal and vocalic duration, we explored cross-linguistic differences, individual consistency, and speaker identification potential. …”
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Evaluating biotic and abiotic drivers of avian community mobbing responses along urban gradients in Southern California by Benjamin Ewing, Eric M. Wood, Ari Martínez

“…We conducted predator simulations by using playback of the vocalizations of the Western Screech‐owl, Megascops kennicottii, which is a predatory species that elicits a mobbing response from other birds. …”
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The syllabification of /sw/ in Italian and the phonological status of /w/ by Piero Cossu

“…Previous studies have reported a dual status of /w/ in Italian, consonantal in loanwords versus vocalic in native lexemes, apparently dependent on the graphemic form of /w/, i.e. …”
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R post-vocalique et histoire de l’anglais by Jacques Durand

“…In this paper, I explore the way in which a different norm emerged in England and in the United States concerning the pronunciation of post-vocalic r’s: the R. P. norm (or ‘BBC English’ in the terms of Roach and Hartman’s 1997 edition of Daniel Jones’ English Pronouncing Dictionary) is non-rhotic, whereas the US norm (or ‘Network English’ for the same authors) is rhotic. …”
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Palatal assibilation before [w]? The case of Armenian, Saka, and Luwian by Hans Henrich Hock

“… Three branches of Indo-European ­—Luwian, Armenian, and East Iranian (Khotanese) Saka— seem have undergone asssibilation of PIE palatal-prevelar stops before [w], a development contrasting with the general outcome of these stops in Armenian and Saka, and with their apparent outcome before [- front] vocalic segments in Luwian. So far, no principled phonetic or phonological explanations for this behavior have been proposed. …”
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Le texte syriaque de la ṭablītō éthiopienne : une réponse aux remarques du Pr. Dr. Michael Waltisberg by Alain Desreumaux

“…Dr Waltisberg for his correction of vocalization and for his grammatical contribution. He confirms the unusual form of the verb in the formula and the meaning of bad as a shortcut of which he lists many examples. …”
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Thrush nightingales adjust the peak frequency and structure of their songs in response to different types of experimental noise by Michał Budka

“…Abstract Animals employ various strategies to minimize the overlap of their vocalizations with other sounds, thereby enhancing the effectiveness of their communication. …”
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Dairy cows' responses to 2 separation methods after 3 months of cow-calf contact by Anina Vogt, Susanne Waiblinger, Rupert Palme, Uta König von Borstel, Kerstin Barth

“…However, a significant increase in vocalizations and searching behavior compared with baseline was present with both methods. …”
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Bouches béantes et voix blanches dans le théâtre de Howard Barker by Vanasay Khamphommala

“…This paper explores the ambiguous treatment of vocality in the work of Howard Barker, whose theatre appears as an attempt to conjure up the voice of the dead. …”
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Analyse de la production de voyelles anglaises par des apprenants francophones, l’acquisition du contraste /ɪ/–/iː/ à la lumière des k-NN by Adrien Méli, Nicolas Ballier

“…From a longitudinal corpus of 12 speakers recorded at the university of Paris Diderot over two years, it is shown that in spite of gaps in the numbers of occurrences of tokens for each category, and in spite of the impossibility to use cross-validation, the k-NN method is a reliable means to account for the quality of learners’ vocalic realizations.…”
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Onomatopeyas del chino moderno by Qiao Yun

“…La segunda, los rasgos fonológicos que presentan las onomatopeyas en sus estructuras silábicas, formas reduplicadas, consonantes, vocales, etc. La tercera estudia cómo las onomatopeyas también participan en la formación de términos, donde quedan incluidas las palabras compuestas, los verbos, los adjetivos descriptivos, los adverbios y también, entre otros casos, cómo las onomatopeyas pueden funcionar como verbos.…”
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Caractérisation éthologique de l’émotivité chez le cercopithèque de Brazza (Cercopithecus neglectus) by Helene Meunier, Philippe Bec, Catherine Blois-Heulin

“…We highlighted three types of behavioural responses: (1) an important neophobia characterized by a lot of threatening vocalizations toward the unknown object and very few approaches; (2) less threats and more approaches of the new object and (3) few or no reaction toward the object. …”
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The Polyphonic Structure of John Lyly’s Plays by Francis Guinle

“…Les pièces de John Lyly sont particulièrement intéressantes du point de vue musical, non seulement parce qu’elles comportent de nombreuses chansons, ce qui se comprend aisément puisqu’elles sont écrites pour une troupe formée des enfants de deux chapelles, mais aussi parce que l’on peut y discerner une polyphonie vocale constituée par les voix des différents groupes de personnages. …”
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