African American Visual Artists in France by Maïca Sanconie

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Donald Friedman's Interviews : Writers as Visual Artists by Maurice Géracht

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AN ANALYTICAL OVERVIEW OF THE LEVEL OF VISUAL-ARTISTIC DEVELOPMENT IN UPPER PRIMARY SCHOOL STUDENTS by Jerneja Herzog, Kristinka Selaković

“…The paper examines the visual-artistic development of students within the context of art education. …”
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Inside and outside the city: an outline of the geography of visual artists in Brussels (19th‑21st centuries) by Tatiana Debroux

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The role of artists in urban regeneration. For a sensory approach to the city by Aili Vahtrapuu

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Instagram and Artistic Platforms as Revenue Streams for Artists in Serbia by Jelena Novaković

Subjects: “…visual artists…”
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Tamar Stone’s Art: Rewriting the Female Body by Candela Delgado-Marín

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Sources and Contexts of Modernism in the Art of Vilnius in the Interwar Period by Iwona Luba

Subjects: “…Vilnius Society of Visual Artists…”
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Gracjan Achrem-Achremowicz: Vilnius Print-Maker, Graphic Designer, Bibliophile and Publisher by Katarzyna Kulpińska

Subjects: “…Vilnius Society of Visual Artists…”
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Fragments ou le format comme mise en œuvre et en acte d’une pensée de la Relation by Virginie Brinker

“…By focusing on the relationships between texts and images – representative of a lifelong cooperation between the poet, slammer and novelist Marc Alexandre Oho Bambe and the visual artist Fred Ebami – this article aims to show that the chosen format achieves the Relation as exemplified by Glissant, by interweaving aesthetic, philosophical and political principles shared by the authors. …”
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Vedere con il disegno, or Art is Made With the Eyes by Daniele Colistra

“…Manfredo Massironi was a visual artist –or rather: a ‘visual operator’, as he defined himself– who never loved conventions. …”
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Fables « intermédiales » du temps, entre « mémoire du futur » et « mémoire de l’oubli » : L’Énigme du retour de Dany Laferrière et Ghosts are Guests de Myriam Hornard... by Sabrina Parent

“…As part of the theoretical framework for the analysis of narratives, this paper intends to demonstrate that the novel by Dany Laferrière, L’Énigme du retour, belongs to a poetics of “memory of the future” while the work by visual artist Myriam Hornard, Ghosts are Guests, embodies a poetics of “memory of oblivion.” …”
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Haunting Europe: Bodies, Borders, and the Arts of Commemoration by Osman Balkan

“…This article examines three such interventions in Europe, focusing on the Berlin-based Center for Political Beauty’s The Dead are Coming campaign, as well as Asmat, a short film by Ethiopian-Italian director Dagmawi Yimer, and Turkish visual artist Banu Cennetoğlu’s The List. It argues that acts of mourning and memorialization can bolster claims for more inclusive forms of citizenship and political community by destabilizing ethnocentric and territorially bounded conceptions of membership, identity, and solidarity. …”
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Complexity in Simplicity: Darel Carey on Op Art and the Responsive Eye by Ben Ghida Djamil

“…This interview with visual artist Darel Carey explores his deep interest in optical perception and spatial illusions. …”
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Tracing Ruskin’s Threads: Legacies in Linen, Lace and Place by Dickinson, Rachel, Kelly, Déirdre

“…Co-authored by an academic and a visual artist, the paper takes a transdisciplinary approach, coupling traditional scholarship with practice research responses to Ruskin, lace and place. …”
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"Because I could Not Stop for Death" de Mary Caponegro ou la poétique de l’empreinte by Anne Ullmo

“…In 2001, Jonathan Safran Foer published A Convergence of Birds, a collection of poems and narrative fictions in tribute to visual artist Joseph Cornell. The essay "Because I could Not Stop for Death" is Mary Caponegro’s poetic response to a shadow box Cornell dedicated to Emily Dickinson, Towards the Blue Peninsula. …”
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Quadri di un’esposizione: un’analisi del film Brama di vivere by Alberto Boschi

“…Starring Kirk Douglas as Vincent Van Gogh, Lust for Life (directed by Vincente Minnelli, 1956) is one of the most celebrated Hollywood biopics focusing on the life of a visual artist. This essay aims to offer further food for thought thanks to a detailed and systematic scrutiny of the film, that nevertheless takes into consideration the most significant critical reviews and analyses from the previous decades. …”

« Geste dans geste, comme un gant »: Mains tendues à la préhistoire chez Jean-Loup Trassard et Miquel Barceló by Chloé Morille

“…Writer Jean-Loup Trassard seeks to reconstruct the time-honoured gestures initiated by Neolithic man and about to be forgotten, while visual artist Miquel Barcélo reintroduces the hand in contemporary art, his works being freely inspired by the hand prints of Palaeolithic cave artists. …”
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The artist as a political vandal and moral witness: Lucienne Rickard’s Extinction Studies by Billy Badger

“…Yet, Rickard’s interplay between destruction of art, as art, and in art represents a unique opportunity for the Tasmanian visual artist to assert effective political agency. In the following, I investigate the characteristics of Extinction Studies that justify the twin appellations of political art and ideological vandalism as the testimony of a moral witness to what is commonly referred to as the sixth mass extinction.…”
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Entre mouvement et ancrages : les spatialités d’artistes mobiles by Fabien Barthélémy, Camille Boichot

“…What do the Rolling Stones’ worldwide tours and a visual artist who is coming to settle in a gentrified place of a cultural capital such as Berlin have in common? …”
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