El orquestín mestizo de Cusco by Luis Fernando Prudencio Mendoza

“…Básicamente, la conformación instrumental del orquestín comprende instrumentos melódicos, como la quena, el violín y la mandolina, instrumentos armónicos, como el pampapiano, el acordeón y el arpa, y un set de instrumentos rítmicos agrupados en un solo instrumento al que se denomina yasbán o jazz-band. …”
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Locuciones españoles con nombre de instrumento musical by Mario García-Page

“…Entre las conclusiones que pueden extraerse, puede afirmarse que son muy pocos los nombres de instrumento musical que han logrado generar locuciones y que la mayoría son instrumentos bastante conocidos (guitarra, piano, acordeón, platillo, tambor, flauta, violín, gaita, pandereta, castañuela, bombo, pito, etc.) e incluso propios del ámbito español o europeo, aunque con carácter universal; asimismo, los corpus de los cuatro diccionarios no son coincidentes, ni son estables (p. ej., varían de una edición a otra). …”
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REGIONALE MERKMALE DER SIEBENBÜRGISCH-UNGARISCHEN VOLKSMUSIK by István ALMÁSI

“…Oszkár Dincsér reviewed the folk groups of two members, playing on the violin and the „gardon”, popular in the villages of Csík and Gyimes. …”
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EpigenomeViewer: A Shiny Web Application for Visualizing Methylation Patterns Across Biological Samples by Nurul Syakima Ab Mutalib

“…Users can upload their differentially methylated probes and explore methylation patterns using publication-ready figures, such as violin plots, heatmaps, and correlation matrices. …”
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Investigation of the Acoustic Properties of Chemically Impregnated Kayu Malam Wood Used for Musical Instrument by Md. Faruk Hossen, Sinin Hamdan, Md. Rezaur Rahman

“…The results suggested that the chemically impregnated Kayu Malam wood polymer nanocomposite (WPNC) is suitable for making soundboards of violin and guitar instruments to be played longer without losing tone quality.…”
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“IT IS EMOTION AND STRENGTH THAT WE ARE CONVEYING THROUGH MUSIC” by Adél FEKETE

“…While other children were still learning how to talk, she first started her piano lessons at the age of three, completing her passion for music by gradually adding two other instruments: the violin and the flute. The first major success of the young flautist was her Carnegie Hall debut at the age of 21. …”
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El zapateo en las tradiciones afrocriollas de la costa peruana: una mirada a lo musical by Ricardo López Alcas

“…Centralmente, planteamos el estudio de los elementos sonoro-musicales de ambas tradiciones analizando los toques instrumentales de la guitarra y el uso del tabladillo en el zapateo criollo, y el toque del violín, la voz y la campanilla en el hatajo de negritos. …”
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The Seasons by James Thomson and the Baltic German Poetry about the Seasons in the Era of Baltic Enlightenment by Kairit Kaur

“…Some years before Thomson the famous Italian composer Antonio Vivaldi had created his violin concerto The Four Seasons (1718) and a German poet and senator from the city of Hamburg, Barthold Hinrich Brockes, had started to publish his series Irdisches Vergnügen in Gott (Earthly Delight in God) (1721–1748) in which he meticulously described many objects from and views of nature as God’s creations, inspired by English and Dutch physical theology. …”
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»Das Geschriebene darf nicht ernst genommen werden – das Geschriebene muß todernst genommen werden«. Zur Notation und Interpretation musikalischer Gesten im Schaffen György Kurtágs... by Tobias Bleek

“…Im Zentrum steht die Entwicklung von Kurtágs Notationspraxis von der traditionellen Notation im Streichquartett op. 1 (1959) über die relative Dauernnotation in den Acht Duos für Violine und Cimbalom op. 4 (1960/61) bis zur Ausweitung der Notationsformen in der Klaviersammlung Játékok (1973ff.). …”
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