›Lead Sheet‹-Notation vom Vaudeville bis zum iReal Pro. Zur Geschichte der Notationsformen des Jazz und ihren musiktheoretischen Implikationen by Philipp Teriete

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Iz gledališke zgodovine: Liebe kann alles oziroma sezona 1833/34 na ljubljanskem stanovskem odru by Tone Smolej, Tanja Žigon

“…Iz prispevka je razvidno, da ljubljanski repertoar, v katerem so bile romantične igre reševanja, klasične komedije, vodvilske komedije (comédie-vaudeville) in čarobne pravljice, ni zelo zaostajal za dunajskimi in celo za pariškimi uprizoritvami v prvi polovici 19. stoletja ter da si je občinstvo v Ljubljani predstave velikokrat lahko ogledalo samo nekaj let po praizvedbah. …”
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Tempering Feydeau: Twisting and Guilty Pleasures on the London Stage (1893-1897) by Violaine Heyraud

“…Beginning in 1892, Feydeau established himself in France as the new master of vaudeville comedy. London theatres surrendered to his infectious laughter, producing a number of his plays between 1892 and 1897, though admittedly, carefully selected: The Sportsman, adapted from Monsieur chasse! …”
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Tradiția literară și teatrală a absurdului by Mirela Mihaela Doga

“…First, pure theatre, which replaces spoken word with décor and movement, comes to life through the Latin mime, the British music hall or the American vaudeville, however Nicolae Balotă questions this denial of the word. …”
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'Contrafacta': le chant, les timbres, la romance et les conditions de la poésie au tournant des Lumières by Martin Wåhlberg

“…The article first examines the backdrop of the more general tradition of writing new texts to pre-existing music in the eighteenth century, typical for instance in certain literary circles and, most notably, in the genre of opéra-comique en vaudevilles as it develops in Parisian fair theatres from 1715 and up to the late 1750s. …”
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