Satztechnische Topoi by Hartmut Fladt

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Los topoi y el absurdo by Jesús Portillo Fernández

“…Exposición de las cinco situaciones comunicativas absurdas vinculadas con los topoi: invención de una costumbre (modus operandi o convención social), falsa generalización de una percepción (opinión o punto de vista), falsificación o deformación del conocimiento (enciclopédico o de documentos normativos), tergiversación o cambio del significado del léxico e invención de un criterio práctico. …”
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TOPOI DISCOURSES OF HIGHER EDUCATION - REFLECTIONS ON EMPIRICAL RESEARCH by Anna Kokocińska

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Greek Topoi in the Lyrics of Branko Milkovic and Ivan Lalic, or on the Mediterranean Poetics of Svetlozar Igov by Lyudmila Mindova

“…The analysis of source and translated texts lead to the conclusion that, especially with Milkovic and Lalic, Greek topoi appear not only in spatial and historical meanings, but also in vivid symbolism, which turns Hellas and the Mediterranean into metaphors of poetry and the literary world in general. …”
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Sémiotique du groupe chez Flaubert by Bernard Gendrel

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De Jaufre Rudel à la littérature en langue d’oïl : échos du topos de l’amor de lonh et poétique de la mémoire affective by Luminiţa Diaconu

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The Concept of Happiness in Max Frei’s Novel The Key of Yellow Metal: Hamlet and Siddhartha by Yevheniia Kanchura

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Perception, Expectation, Affect, Analysis by Elizabeth Hellmuth Margulis

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On Topics Today by Nicholas McKay

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›Modell‹ und ›Topos‹ in der deutschsprachigen Musiktheorie seit Riemann by Hans Aerts

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Eine Diskursgeschichte der ›Diabelli-Variationen‹. Makroform und Interpretation im Spiegel analytischer Texte aus 200 Jahren by Cosima Linke

“…The particular focus lies on explicit macroformal analyses of the whole cycle and underlying analytical criteria, performance-related issues, and the relationship of analysis and interpretation/performance. Relevant topoi of reception history like the topoi of singularity and transgression, unintelligibility and “manifoldness” are also scrutinized as well as the great variety of titles and indications chosen to characterize individual variations. …”
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Microestructuras en los autos sacramentales de José de Valdivielso: un camino hacia Calderón by Enrique Duarte

“…The main studied paradigms are the announcements, spells, tales, songs (with the important role Music has in the sacramental plays) and topoi, those common places that readers used to this kind of allegorical theatre finds in different authors.…”
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The New Edition of the Tablature of Joannes de Lublin: Tradition and Perspectives by Kateryna Schöning

“…It is discussed within the contexts of the contemporary corpus of  tablatures in Poland and also Central  European music, developing a series of current topoi: a new ordering and reconstructing of the material taking account of codicological research and functional purposes, the local reworking of the repertoire and compilatory practice of the scribes, unknown concordances or unica, counterpoint and intabulation techniques, syntactic-rhetorical properties, and historical didactics. …”
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The Caste Connection. On the Sacred Foundations of Social Hierarchy by Jakob De Roover, Sarah Claerhout

“…Basic theological ideas about the connection between false religion and social practice were transformed into topoi of social theorizing, which constituted the caste system as an experiential entity and conceptual unit in the Western cultural experience of India. …”
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Il «maraviglioso» e il «maravigliosissimo» dei tempi moderni by Anna Chiara Luzzi

“…The movie is a synthesis and a rewriting of literary topoi inherited primarily from Flaubert’s Salammbô, but also from other writers such as Salgari and his Cartagine in fiamme, and of painters such as Sargent or musicians like Reyer, themselves influenced by the French novel. …”
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Film music and construction of tourist imaginaries in Hollywood blockbusters by Marie-Hélène Chevrier, Chloé Huvet

“…This paper aims to show how the music composed for these movies contributes to the creation of topoi by promoting exoticism and orientalism, notably through the use of local instruments and musical motifs and through the representation, on screen, of traditional musical and artistic practices (singing, dancing, etc.). …”
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Poétique/Politique de l'artifice dans Richard II by Pierre Iselin

“…One is the historical and political context of Queen Elizabeth’s succession — a hot debate in which indirection may appear as a necessary political artifice, the other is the ostentatious and multiple use of poetic citation — mise en abyme of discourses and theatrical props, recurrence of symbolic and biblical motifs, insistence on poetic conceits and topoi, onomastics and wordplay. With its chiasmic architecture of inversion, Shakespeare’s play can be seen not only as the mannerist treatment of a medieval diptych, but also as a study in perspective, where meaning and reception are instable, roles liable to reversibility — a poetic reflection on the theatre of politics.…”
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Droit à l’ignorance et saveur des savoirs by Anne-Marie Drouin-Hans

“…Mais précisément ces « lieux » sont en fait des non-lieux, des u-topoi, comme s’est plu à y insister Thomas More en forgeant ce nom sur un jeu de mots. …”
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Faire connaissance avec une mulier religiosa dans les Pays-Bas méridionaux du xiiie siècle by Anne-Laure Méril-Bellini delle Stelle

“…Identifying the canvas allows indeed to better understand their place and role among their contemporaries, or at least those that the ecclesiastical reformers would see them assume. Thus, behind the topoi of the reputation of holiness and the divine intercession exerted through them, a range of social practices and of specific relationship emerge as a watermark of these scenes.…”
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A populist turn? by Ekman Mattias, Krzyżanowski Michał

“…This takes place by incorporating various discursive strategies embedded in wider argumentative frames – or topoi – of demographic consequences, Islam and Islamisation, threat, and integration. …”
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