“Use 19 Metal Pieces of Approximately the Same Timbre”. An Analysis of Twelve Recorded Performances of Xenakis’s Métaux (Pléïades) by Diederik Mark de Ceuster

“…The instructions for building this instrument are non-specific; the timbre of the instrument and its specific pitch content are up for the constructor to determine. …”
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Klangfarbe und Form in Ravels Rapsodie Espagnole. Analytische Studien zum ersten Satz (Prélude à la nuit) by Lukas Haselböck

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Ravel heute by Theo Hirsbrunner

Subjects: “…Darmstadt; Claude Debussy; Gérard Grisey; Jean-Luc Hervé; Klangfarbe, tone color, timbre; Mixtur, mixture; Tristan Murail; Polystilismus, polystylistic; Maurice Ravel; Spektralmusik…”
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Klangfarbe und musikalischer Zusammenhang. Beobachtungen zum Orchestersatz Richard Wagners by Johannes Kohlmann

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Klang als Poetik und Form. Instrumentatorische Beobachtungen und Adornos »unendliche Streicherperspektive« in Maurice Ravels Pavane de la Belle au bois dormant aus Ma mère l’oye... by Emmanouil Vlitakis

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Influence of Implantable Hearing Aids and Neuroprosthesison Music Perception by Torsten Rahne, Lars Böhme, Gerrit Götze

“…The identification and discrimination of timbre are essential features of music perception. …”
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NICOLAS ASTRINIDIS (1921-2010): COMPOSITIONAL LANGUAGES IN HIS « ‘ DEUX PIÈCES EN STYLE GREC’ » FOR VIOLIN AND PIANO by Vangelis KARAFILLIDIS

“…These pieces illustrate an inventive synthesization of Western music compositional techniques and aesthetic approaches with the Greek folk music timbre. …”
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Playing in Tongues: The Hammond Organ and Black Pentecostal Instrumentality by Braxton D. Shelley

“…This article attends to the social life of the Hammond organ in the Black Pentecostal imaginary, a theological, cultural, and musical phenomenon that calls attention to the social fact of instrumental timbre. Grounded in an analysis of Hammond organ solos by Elbernita “Twinkie” Clark, one of the most renowned organists in the Black gospel tradition, I argue that this gospel practice uses arresting timbral transformations to articulate the escalatory cultural logic that has elsewhere been termed “tuning up.” …”
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And science created… the virtual Woman by Élisabeth Marion, Yohan Trichet

“…In the film by Spike Jonze, Her (2013), Theodore, the main character, who becomes single after a painful separation, “meets” a woman's voice. It is a voice whose timbre and words sound just like a young woman’s. …”
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Beobachtungen zum Verhältnis von Form und Instrumentation am Beispiel des Menuetts aus W. A. Mozarts Sinfonie Nr. 40 in g-Moll KV 550 by Emmanouil Vlitakis

“…The connections between these aspects – often investigated separately – prove to be relevant in terms of dramaturgy, whereupon timbre being definitely able to interprete and to shade the textural ›structure‹ and its form(ation).…”
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WORKING WITH VISUALLY-IMPAIRED PERFORMERS IN PIANO CLASS by Julia P. Antonova, Vitaliy V. Kalitskiy

“…The article focuses on the question of repertoire choice, the features of using braille music code, the role of listening to the recordings together with a teacher, the various imaginative associations for the purpose of forming a holistic image the textural and timbre components of musical fabric, the sufficiency of stage rehearsals. …”
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Im Spannungsfeld zwischen Handwerksregel und Klangvorstellung: Instrumentation als Hochschullehrgang by Jörn Arnecke

“…Such a style-oriented approach to instrumentation based on strong, time-dependent rules convey initially craftsmanship, and challenges subsequently a creative approach to sound color and timbre.…”
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Evaluation Method of Music Teaching Effect Based on Fusion of Deep Neural Network under the Background of Big Data by Yifan Fan

“…It not only needs to teach basic music knowledge but also needs to show the timbre contained in music itself, the form of music creation, or the effects expressed by music. …”
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Perception auditive des effets de différents masques anti-COVID sur la parole conversationnelle, déclamée et le chant : étude de cas by Claire Pillot-Loiseau, Bernard Harmegnies

“…21 auditeurs ont identifié puis discriminé les consonnes /p, t, k, b, d, g, f, s, ʃ, v, z, ʒ/ en intervocalique produites par la locutrice, puis 39 auditeurs ont discriminé une phrase parlée, déclamée (par un locuteur et une locutrice) et chantée (par la locutrice, chanteuse) avec et sans masque : l’identification consonantique est peu affectée, excepté pour /b/ avec le masque à fenêtre transparente, mais la présence des masques à fenêtre transparente et FFP2 est fortement discriminée et avec certitude par rapport à la condition sans masque, à l’exception du chant qui semble peu sensible à l’atténuation de timbre entendue et verbalisée par les auditeurs pour les autres tâches. …”
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“Enfoncer une porte ouverte”. Madame Bovary sounds as music by Roberto Doati

“…Working within this framework I animate the text with sound-objects whose source is not necessarily heard, as I replace the vocal spectrum - i.e. the timbre – with that of the sounds mentioned in the book, while the voice amplitude envelope will still determine the rhythm. …”
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Temporal Coding of Periodicity Pitch in the Auditory System: An Overview by Peter Cariani

“…This paper outlines a taxonomy of neural pulse codes and reviews neurophysiological evidence for interspike interval-based representations for pitch and timbre in the auditory nerve and cochlear nucleus. …”
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Impacto de Intar Radio, la primera emisora de radio online creada en España con IA by Concepción Gómez López

“…Las locuciones denotan monotonía y un timbre artificial que no logra la modulación emocional de las voces humanas. …”
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‘Subtle Instrument of Music’: Translating the Sound and Appearance of Decadence in Wilde’s Salomé by Erin Dunbar

“…Wine, women, beauty, and sex were the bases for the hedonistic lifestyle led by those within the afore-mentioned places and eras, and these are communicated in both voice—or timbre—and meaning. Wilde would add another significant element to this definition through his portrayal of decadence in Salomé: death. …”
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LONGITUDINAL STUDIES OF MUSICALLY GIFTED SCHOOLGIRLS by Svetlana N. Loseva

“…It is established that in process of development of specially developed program (comprehension of emotional and semantic aspects of perception of a piece of music, finding of ability to distinguish musical timbres and the general coloring of sounding etc.) analytical and intonation hearing improves under pupils’ age. …”
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El zapateo en las tradiciones afrocriollas de la costa peruana: una mirada a lo musical by Ricardo López Alcas

“…Paralelo a ello, profundizamos en la expresión propiamente musical del zapateo a través de transcripciones enfocadas en la acción performativo-musical del zapateador, lo cual, desde una perspectiva musicológica, permite develar las relaciones musicales que existen entre los patrones rítmicos del marco instrumental y la variedad de timbres que se produce en el zapateo al ejecutar diferentes rudimentos. …”
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