Shakespeare During Covid-19: Expanding Our Theatrical Horizons by Méline Dumot

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Mechanisms of co-presence in repetitive drama studio performances by Željka Flegar, Grozdana Lajić Horvat

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Dramaturgies of Contagion in Contemporary British Speculative Theatre by June Xuandung Pham

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'n Genre-omlyning van die chanson by Elisabeth Snyman

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Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

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Shakespeare en prison : le cas d’Avignon by Florence March

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Energy and presence: A journey from theatre lab to teacher training by Isabelle Gatt

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Un compte rendu épistolaire by Sarah Carton de Grammont

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Osama the Hero (2004) de Dennis Kelly ou pourquoi le théâtre politique n’est pas une « foutue perte de temps » by Aloysia Rousseau

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Étude des différents publics du théâtre et du cinéma lors de la généralisation du parlant à Lyon (1929-1932) by Marylin Marignan

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"There’d always be something left" : (im)matérialité de la ville dans Hughie de Eugene O’Neill by Aurélie Sanchez

Subjects: “…théâtre américain…”
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Writing, rewriting and revisiting the Cold War in Tom Stoppard’s Squaring the Circle. Poland 1980-81 (1984) by Jean Du Verger

Subjects: “…verbatim theatre…”
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‘I am Duchess of Malfi still’: A Review of The Duchess of Malfi, directed by Maria Aberg, The Royal Shakespeare Company (Swan Theatre, Stratford-Upon-Avon, 2018) by Jyotsna G. Singh

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Topsy Turvy de Mike Leigh : l’envers du décor ou la norme mise à mal by Isabelle Cases

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« Clio en scène », ou le théâtre d’histoire immédiate au prisme des Humanités numériques by Virginie Yvernault, Élisabeth Angel-Perez, Line Cottegnies

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DAYLIGHT INVESTIGATION IN CAMPUS LECTURE THEATERS. CASE STUDY: SOUTH WEST COAST UNIVERSITY OF NIGERIA by OYELEYE OLAYINKA, MAKANJU TOLULOPE

Subjects: “…daylight, room index, lecture theatre, lux level, window area to wall area…”
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LA PRÉFIGURATION DU SPECTACLE D’OPÉRA by Diana TODEA

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Yorùbá Theatre Practice and Nollywood by Shola Balogun

Subjects: “…african theatre…”
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Non-verbal agents of theatrical retranslation: Women’s identity and the Spanish classics by Jorge Braga Riera

Subjects: “…theatre retranslation…”
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Preparing for opening night: temporal boundary objects in textually-mediated professional practice by Elisabeth Davies, Pamela J. McKenzie

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