Teaching as a performative art by James Godfrey

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La nuit entre histoire et littérature by Alain Cabantous

Subjects: “…theatre…”
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‘Groaning wicked like a maddening dog’: Bestiality, Modernity and Irishness in J. M. Synge’s The Playboy of the Western World by Hélène Lecossois

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Performing the Spirit: Theatre, the Occult, and the Ceremony of Isis by Dennis Denisoff

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Feminist Mothers and Daughters in Top Girls and Yerma by Florentina Gümüş

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Avoir-lieu ? : quelques expériences théâtrales de la scène britannique contemporaine by Jeanne Schaaf, Julien Alliot

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Back to the roots? Namíbia, Não!, de Aldri Anunciação by Henry Thorau

Subjects: “…black theatre…”
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Les théâtres à ciel ouvert de Ouagadougou by Karolina Svobodova

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SHAKESPEARE IN LITHUANIAN by Ema Vyroubalová, Gemma Navickiene

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Du concept psychiatrique à la métaphore théâtrale : le miroir de l’Autre dans les dramaturgies postcoloniales de Caryl Churchill et de Nick Gill by Liliane Campos

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Pirandello’s Spatial Use in the Odescalchi Theatre: The Architectural Representation of <i>Henry IV</i> and <i>Six Characters in Search of an Author</i> by Manuel Iglesias-Vázquez

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The Renewal of the Twenty Years in Theater: Revisions Based on The Danton Case by Stanisława Przybyszewska from 2008 by Katarzyna Fazan

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Jean-Jacques Ezrati, Eclairage d'exposition. Musées et autres espaces, by Noémie Drouguet

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Violences à l’acte, violences dans l’acte : pour une histoire des théâtres féministes états-uniens by Madeleine Planeix-Crocker

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Les Europeras de John Cage : de l’opéra au cirque by Antonia Rigaud

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Learning in Operation Theatre; Postgraduate Trainees’ Perspective Using OREEM (Operation Theatre Educational Environment Measure) Survey by Ambreen Syed, Musawer Khan, Syed Nasir Shah, Imtiaz uddin, Shoaib Ur Rehman, Naeem Ul Haq

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La création scénique galicienne du XXIe siècle face à l’histoire et à la mémoire by Fabrice Corrons

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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os by Pierre Longuenesse

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Indigenous Theatre as Resistance: Toronto as a Nexus for Canada’s Burgeoning Indigenous Theatre Scene from Late 1980s to Early 1990s by Raphaela Pavlakos

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La stilizzazione del costume sul palcoscenico e nel film (traduzione di Tamara Đokić) by Milica Babić-Jovanović

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