Truth's a Dog Must to Kennel by Tim Crouch by Yeliz Biber Vangölü

“…This is a review of Truth’s a Dog Must to Kennel (2022) by the contemporary British theatre practitioner Tim Crouch. Premiered at the Royal Lyceum Theatre as a part of the Edinburgh Fringe Festival in 2022, the play is a direct outcome of Crouch’s experience, both as a human being and a theatre maker, of the COVID-19 pandemic and his thoughts on the death of theatre as an art form during the pandemic. …”
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Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

“…Both Basọrun Gáà (to be hereafter referred to as Gáà) and Ṣawo Ṣẹgbẹ ̀ rì ̀ were first staged in the second phase of Fálétí’s development as a theatre practitioner. In addition to being staged in the theater, Gáà and Ṣawo Ṣẹgbẹ ̀ rì̀ were produced for tele[1]vision audiences as dramatic thrillers and became household favourites in the ‘70s and ‘80s at the time of his career as a radio/television broadcaster. …”
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A Brief Survey of Gender Parity in the Theatre Industry by Yeliz Biber Vangölü, Florentina Gümüş

“…In modern times, the inequality between male and female playwrights and theatre practitioners saw only marginal improvement. This study investigates the presence of women as playwrights and directors in the 40 plays uploaded to the National Theatre at Home platform in the year starting with December 2020. …”
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