Non-verbal agents of theatrical retranslation: Women’s identity and the Spanish classics by Jorge Braga Riera

Subjects: “…theatre retranslation…”
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Preparing for opening night: temporal boundary objects in textually-mediated professional practice by Elisabeth Davies, Pamela J. McKenzie

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Lounging Men, Standing Women: Pose and Posture in the Aesthetic Interior by Richard W. Hayes

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Robotic Surgery from a Gynaecological Oncology Perspective: A Global Gynaecological Oncology Surgical Outcomes Collaborative Led Study (GO SOAR3) by Faiza Gaba, Karen Ash, Oleg Blyuss, Dhivya Chandrasekaran, Marielle Nobbenhuis, Thomas Ind, Elly Brockbank, on behalf of the GO SOAR Collaborators

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Lieu partagé, jeu magnifié : protocole spectaculaire à la pré-Renaissance anglaise by André Lascombes

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Le sanctuaire suburbain d’Augustodunum de la Genetoye à Autun (Saône-et-Loire) : apport de l’approche combinée de données spatialisées à la restitution du théâtre antique du Haut du Verger by Gilles Bossuet, Antoine Louis, Filipe Ferreira, Yannick Labaune, Clément Laplaige

“…The first investigations undertaken on the site of the antique theatre Haut du Verger at Autun (Saône-et-Loire), in 2013, were followed by an unusual joint effort between an architecture specialist, geophysicians and archaeologists. …”
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The Duchess of Malfi from Page to Stage: Professor Gisèle Venet talks to director Cecilia Dorland and actors Jack Christie and Pip Brignall by Cecilia Dorland, Gisèle Venet, Jack Christie, Pip Brignall

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L’effort de guerre des exploitants non-professionnels du cinéma en URSS (1939-1949) by Irina Tcherneva

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從「無感」到「五感」的環境意識啟蒙：特定場域劇場教學之批判教育學實踐 From “Indifference” to Environmental Conscientization Through Critical Sensory Pedagogy: A Critical Pedagogy Praxis in a University Site-Specific Theatre Class by 藍貝芝 Betsy Lan, 楊佳羚 Chia-Ling Yang

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“We are Performance Philosophy Problems” by Janet Gibson, Kate Maguire-Rosier, Tony McCaffrey

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Dördüncü Dalga Feminizm ve 21. Yüzyıl İngiliz (Feminist) Tiyatrosunda Görülen Etkileri Üzerine Bir Değerlendirme: #MeToo Örneği by Nursen Gömceli

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Harold Pinter’ın Git-Gel Dolap Adlı Oyunu Üzerinden Absürd Tiyatro’da Komiğin İşlevselliği by Gamze Şentürk

Subjects: “…the theatre of the absurd…”
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Beyond Verbatim: Embodied Truth and the Limits of Language in House Arrest by Mehmet Ünal

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The Spatial-Temporal Canvas That We Call the Stage: Text and Performance in Final Solutions by Ananya Ghoshal, Manivendra Kumar

Subjects: “…post-independence indian theatre…”
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Italian cultural policy: conclusions for Russia by M. S. Andreykina, D. L. Morozova

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The Threat from European Missile Defence System to Russian National Security by A. I. Podberezkin, J. Y. Parshkova

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Memory and Recalling in Shelagh Stephenson’s The Memory of Water by Kader Güzel

“…Theatre Academy…”
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“They willfully themselves exile from light”: Exile in Space, Stage and Metatheatre in William Shakespeare’s A Midsummer Night’s Dream by Zied Ben Amor

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Carol Ann Duffy’s Everyman (2015), A Contemporary Morality Play by Esma Seçen Hınıslıoğlu

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Caryl Churchill’in Fen Adlı Oyununda Kadınların Uyguladığı Şiddet Türleri by Ajda Baştan

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