« O Paradiso » : voix parlée, voix chantée dans The Gigli Concert (1983) de Tom Murphy by Alexandra Poulain

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Le Théâtre de l’Éphémère au XVIIIe siècle en Amérique Portugaise : fêtes publiques et représentations théâtrales by Rosana Marreco Brescia

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Un primitif du Félibrige Lou Pan dóu Pecat ou l’étonnante « sauvagerie » du « nouveau théâtre provençal » by Christophe Imbert

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Daveth Milton, We Want the World: Jim Morrison, The Living Theatre, and the FBI, Birmingham, Bennion Kearny, 2012, 144 pages by Claude Chastagner

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“I Know How that Sounds and I Do Not Mean that as an, but I Mean Christ”: The Disturbance in the Symbolic Order in Dennis Kelly’s Theatre by Julien ALLIOT

“…In the wake of Beckett’s theatre, Dennis Kelly stages an original disturbance of the name, reduced to “debris,” in a fantasmatic and transgressive exploration of the condition of being an abandoned child (Orphans). …”
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Théâtre et cinéma dans les territoires occupés de Russie à travers la presse collaborationniste (1941-1944) by Boris Kovaliov

“…Theatres and cinemas, organised and opened by the Nazis in the occupied territory, were not simple propaganda structures. …”
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Violences à l’acte, violences dans l’acte : pour une histoire des théâtres féministes états-uniens by Madeleine Planeix-Crocker

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Teaching as a performative art by James Godfrey

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La nuit entre histoire et littérature by Alain Cabantous

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Incroyable García by Mathilde Barraband

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Imaginarul plurivalent. Șansa dialogului dintre arte by Alice JURCOVEȚ

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‘Groaning wicked like a maddening dog’: Bestiality, Modernity and Irishness in J. M. Synge’s The Playboy of the Western World by Hélène Lecossois

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Le combat culturel des traditionalistes catholiques. by Mathilde Barraband, Jean-Yves Camus

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“There she was, looking at me with those eyes of her”: l’animal mis en regard dans le théâtre d’Edward Albee by Valentine Vasak

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Théâtre et justice : autour de la mise en scène des Criminels de Ferdinand Bruckner par Richard Brunel by Catherine Ailloud-Nicolas, Agathe Salha

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Le Théâtre de la mort de Tadeusz Kantor : un « gué secret » entre les vivants et les morts by Virginie Lachaise

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Pirandello’s Spatial Use in the Odescalchi Theatre: The Architectural Representation of <i>Henry IV</i> and <i>Six Characters in Search of an Author</i> by Manuel Iglesias-Vázquez

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The Inevitability of Absurdity, or Collective Trance in Boogie-woogie Rhythm: Tom Stoppard’s Play Rosencrantz and Guildenstern are Dead on the Stage of the Old Theatre of Vilnius by Natalia Maliutina

“…The premiere, directed by Yuriy Butusov, took place in September 2023 at the Old Theatre of Vilnius. The play has been interpreted as an open text with numerous intertextual references. …”
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Véronique Lochert, Les femmes aussi vont au théâtre. Les spectatrices dans l’Europe de la première modernité by Ludivine Panzani

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Feminist Mothers and Daughters in Top Girls and Yerma by Florentina Gümüş

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