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  1. 141
    Madame de Genlis on the Victorian Stage

    Madame de Genlis on the Victorian Stage by Juan Manuel Ibeas Altamira

    Published 2017-11-01
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  2. 142
    Tempering Feydeau: Twisting and Guilty Pleasures on the London Stage (1893-1897)

    Tempering Feydeau: Twisting and Guilty Pleasures on the London Stage (1893-1897) by Violaine Heyraud

    Published 2017-11-01
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  3. 143
    Jarring Voices: Preserving and Releasing Memory in Suzan-Lori Parks’ Pickling (1988)

    Jarring Voices: Preserving and Releasing Memory in Suzan-Lori Parks’ Pickling (1988) by Marie Pecorari

    Published 2013-06-01
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  4. 144
    Constitution is not identity: On equivalence relations in translation of performance and translation for performance

    Constitution is not identity: On equivalence relations in translation of performance and translation for performance by Sarah Maitland

    Published 2025-01-01
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  5. 145
    Voix soufflées, voix volées, voix intervocales

    Voix soufflées, voix volées, voix intervocales by Helga Finter

    Published 2013-06-01
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  6. 146
    Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage

    Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage by Vicky Angelaki

    Published 2013-07-01
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  7. 147
    Créer des formes, inventer des faires

    Créer des formes, inventer des faires by Fabienne Wateau

    Published 2024-12-01
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  8. 148
    On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell

    On The Verge: Dramatisation de la violence symbolique dans The Verge de Susan Glaspell by Emeline Jouve

    Published 2010-09-01
    Subjects: “…théâtre américain…”
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  9. 149
    Shakespeare During Covid-19: Expanding Our Theatrical Horizons

    Shakespeare During Covid-19: Expanding Our Theatrical Horizons by Méline Dumot

    Published 2023-11-01
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  10. 150
    Mechanisms of co-presence in repetitive drama studio performances

    Mechanisms of co-presence in repetitive drama studio performances by Željka Flegar, Grozdana Lajić Horvat

    Published 2024-12-01
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  11. 151
    'n Genre-omlyning van die chanson

    'n Genre-omlyning van die chanson by Elisabeth Snyman

    Published 2022-11-01
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  12. 152
    Le “Written Speech” yeatsien et ses expressions scéniques

    Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

    Published 2013-06-01
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  13. 153
    Shakespeare en prison : le cas d’Avignon

    Shakespeare en prison : le cas d’Avignon by Florence March

    Published 2022-01-01
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  14. 154
    Un compte rendu épistolaire

    Un compte rendu épistolaire by Sarah Carton de Grammont

    Published 2024-12-01
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  15. 155
    "There’d always be something left" : (im)matérialité de la ville dans Hughie de Eugene O’Neill

    "There’d always be something left" : (im)matérialité de la ville dans Hughie de Eugene O’Neill by Aurélie Sanchez

    Published 2009-12-01
    Subjects: “…théâtre américain…”
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  16. 156
    Writing, rewriting and revisiting the Cold War in Tom Stoppard’s Squaring the Circle. Poland 1980-81 (1984)

    Writing, rewriting and revisiting the Cold War in Tom Stoppard’s Squaring the Circle. Poland 1980-81 (1984) by Jean Du Verger

    Published 2022-01-01
    Subjects: “…verbatim theatre…”
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  17. 157
    Topsy Turvy de Mike Leigh : l’envers du décor ou la norme mise à mal

    Topsy Turvy de Mike Leigh : l’envers du décor ou la norme mise à mal by Isabelle Cases

    Published 2014-06-01
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  18. 158
    DAYLIGHT INVESTIGATION IN CAMPUS LECTURE THEATERS. CASE STUDY: SOUTH WEST COAST UNIVERSITY OF NIGERIA

    DAYLIGHT INVESTIGATION IN CAMPUS LECTURE THEATERS. CASE STUDY: SOUTH WEST COAST UNIVERSITY OF NIGERIA by OYELEYE OLAYINKA, MAKANJU TOLULOPE

    Published 2021-06-01
    Subjects: “…daylight, room index, lecture theatre, lux level, window area to wall area…”
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  19. 159
    LA PRÉFIGURATION DU SPECTACLE D’OPÉRA

    LA PRÉFIGURATION DU SPECTACLE D’OPÉRA by Diana TODEA

    Published 2012-12-01
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  20. 160
    Réflexions sur l’appropriation du théâtre historique élisabéthain par la scène britannique contemporaine : usages de Macbeth dans Thirteenth Night de Howard Brenton (1981) et Dunsinane de David Greig (2010)

    Réflexions sur l’appropriation du théâtre historique élisabéthain par la scène britannique contemporaine : usages de Macbeth dans Thirteenth Night de Howard Brenton (1981) et Dunsinane de David Greig (2010) by Line Cottegnies

    Published 2022-01-01
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