Lieu partagé, jeu magnifié : protocole spectaculaire à la pré-Renaissance anglaise by André Lascombes

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Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk by Daniel Jean

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The Duchess of Malfi from Page to Stage: Professor Gisèle Venet talks to director Cecilia Dorland and actors Jack Christie and Pip Brignall by Cecilia Dorland, Gisèle Venet, Jack Christie, Pip Brignall

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Student theatre in the sociocultural space of the european north by Mariya A. Kirillova

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“We are Performance Philosophy Problems” by Janet Gibson, Kate Maguire-Rosier, Tony McCaffrey

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Dördüncü Dalga Feminizm ve 21. Yüzyıl İngiliz (Feminist) Tiyatrosunda Görülen Etkileri Üzerine Bir Değerlendirme: #MeToo Örneği by Nursen Gömceli

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Harold Pinter’ın Git-Gel Dolap Adlı Oyunu Üzerinden Absürd Tiyatro’da Komiğin İşlevselliği by Gamze Şentürk

Subjects: “…the theatre of the absurd…”
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Beyond Verbatim: Embodied Truth and the Limits of Language in House Arrest by Mehmet Ünal

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Robotic Surgery from a Gynaecological Oncology Perspective: A Global Gynaecological Oncology Surgical Outcomes Collaborative Led Study (GO SOAR3) by Faiza Gaba, Karen Ash, Oleg Blyuss, Dhivya Chandrasekaran, Marielle Nobbenhuis, Thomas Ind, Elly Brockbank, on behalf of the GO SOAR Collaborators

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The Spatial-Temporal Canvas That We Call the Stage: Text and Performance in Final Solutions by Ananya Ghoshal, Manivendra Kumar

Subjects: “…post-independence indian theatre…”
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The Threat from European Missile Defence System to Russian National Security by A. I. Podberezkin, J. Y. Parshkova

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從「無感」到「五感」的環境意識啟蒙：特定場域劇場教學之批判教育學實踐 From “Indifference” to Environmental Conscientization Through Critical Sensory Pedagogy: A Critical Pedagogy Praxis in a University Site-Specifi... by 藍貝芝 Betsy Lan, 楊佳羚 Chia-Ling Yang

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L’effort de guerre des exploitants non-professionnels du cinéma en URSS (1939-1949) by Irina Tcherneva

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Italian cultural policy: conclusions for Russia by M. S. Andreykina, D. L. Morozova

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