“TOGETHER IN GOD’S THEATRE”. PRACTICAL THEOLOGY IN AN AFRICAN CONTEXT by W.J. Schoeman

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Théâtre et presse, de 1590 à 2017 by Michael Palmer

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Invisible Theatre: militarized space and the staging of affective atmospheres by Leah Lovett

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De la voix au théâtre au théâtre de la voix : l’envers du décor poétique de Robert Browning by Yann Tholoniat

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Elisabeth Angel-Perez, Le Théâtre de l’oblitération – Essai sur la voix photogénique dans le théâtre britannique contemporain by Marianne DRUGEON

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Le Jeu et l’Accessoire. Mélanges en l’honneur du professeur Michel Rousse by Jouda Sellami

Subjects: “…théâtre…”
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Passé et avenir du théâtre de science-fiction by Susan Gray, Christos Callow Jr.

Subjects: “…theatre…”
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Outline of a theatre proxemics in times of pandemic. Redefinition of spaces by Vittorio Fiore

“…The objective is to add new chapters to the ‘theatre proxemics’ that governs human behaviour in these spaces of social aggregation, in order to realign them to the prescriptions dictated by the pandemic. …”
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The Living Theatre and the French 1968 Revolution: Of Political and Theatrical Crises by Emeline JOUVE

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Federal Theatre Project (1935-1939) : contexte et enjeux by Adriana Haben

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Theatre and Psychoanalysis: or Jung on Martin Crimp's Stage: “100 Words” by Solange Ayache

“…A similar resort to psychoanalysis and psychiatry can be found in Sarah Kane’s 4.48 Psychosis (2002): in these “theatres of the mental space,” both authors turn either the clinical voice of the doctor or the neurotic voice of the patient into a self-referential source of vocal stage poetry displaying the bare materiality of words and the disapearance of the subject.…”
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Theatrical Colours: Cosmetics, Rhetoric and Theatre in Webster’s The White Devil by Natascha WANNINGER

“…However, this analysis illustrates how powerful a tool these characters’ use of colour in terms of cosmetics, rhetoric and theatre proves to be in determining their roles. Thus, the division into clear-cut colour categories is dissolved which also serves to repudiate the allegations against “artificial colouring” and the theatre, since none of the parties at work in the play emerges as untinged.…”
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Lever de rideau sur les patrimoines du théâtre by Julie Faure, Joël Huthwohl, Isabelle-Cécile Le Mée

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Use of participatory forum theatre to explore HIV/AIDS issues in the workplace by Emma Durden, Dominique Nduhura

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Un tramway nommé désir au théâtre des Bouffes Parisiens by Sophie Maruéjouls-Koch

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Juliane Braun, Creole Drama: Theatre and Society in Antebellum New Orleans

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Juliette Dissel (1902-1962) : la passion du théâtre occitan by Joëlle Ginestet

“…In 1924-1925, Aimée Peine (Juliette Dissel) a young woman born near Castelnaudary (Aude) created the Théâtre d’Oc. Guided by two mentors, abbot Salvat from the Collègi d’Occitania and Armand Praviel a journalist, book reviewer and Jòcs Florals Academy maintainer, she used to perform during occitan poetry shows and was mainly known for his moving « poems recitation ». …”
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An alien among aliens: Translating multicultural identities in Singapore’s contemporary theatre by Bei Hu

Subjects: “…theatre translation…”
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Les ondes narratives dans le théâtre de Timberlake Wertenbaker by Elizabeth Sakellaridou

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There Will Be More d’Edward Bond : pour un autre théâtre politique by Eléonore Obis

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