Multiselfing in Music Education by Radio Cremata

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Ritual Continuity and “Failed Rituals” in a Winter Masquerade in the Italian Alps by Lia Zola

“…In the Italian alpine chain some of them have been brought to a new life two decades ago after a long period of decline; since then, alpine winter masquerades have been the focus of a great interest by cultural anthropologists, theatre performers and other intellectuals. In some cases bringing a winter masquerade to new life has proved to be successful; in others, after a first, “reborn” performance, some celebrations abruptly stopped. …”
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Empirical insights into traditional and AI-enhanced interactive narratives based on children’s fables by Świerczyńska-Kaczor Urszula

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PHILOLOGY AS A SCIENTIFIC AND EDUCATIONAL PROJECT by Pavel P. Shkarenkov

“…The institutionalization of comparative studies as a complex specialization - not only for philologists but also for historians, translators, theatre and cinema critics and experts - has already proven its heuristic value and educational effectiveness over the years.…”
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Raconter le territoire sur la scène, dépasser les frontières par la scène by Najla Nakhlé-Cerruti

“…This vast project, begun as a reflection upon conditions peculiar to the theatre in Palestine, where mobility restrictions threaten the very survival of theatrical entertainment, whether for writing or performance. …”
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L’étude des pyrrhiques d’amphithéâtre sous l’empire : l’apport de l’iconographie by Anne Berlan-Gallant

“…However, their performance in the arena, first in Rome then in the provinces, implied the choice of mythological themes that had already been disseminated through vectors accessible to all, such as the theatre or the decoration of everyday objects. Consequently, these amphitheatre shows contributed to the confirmation and extension of the success of the same themes in the iconography of the Roman world, whether in the decoration of the wealthiest residences or in mass-produced everyday objects. …”
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A Geography of Cultures: Or, Why New York’s Lower East Side Is an Important Case Study by Mario MAFFI

“…During the 19th century, but especially in the crucial turn-of-the-century decades, the quarter—an immigrant ghetto of appalling living and working conditions as well as a hotbed of radical politics—also functioned as a sort of cultural laboratory, a key factor in the development of such diverse but distinctive American arts such as the realist and naturalist novel, the budding movie making, the Ash Can School of painting, theatre, etc.—all of them finally converging, in the 1920s, in the larger Modernist movement. …”
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The Black Arts Movement Reprise: Television and Black Art in the 21st Century by Jeffrey O.G. Ogbar

“…It was represented by a rich cross section of artistic work, often forged by young urban artists in genres as diverse as music, dance, visual arts, literature and theatre. No aesthetic was unaffected by inflections of this new black consciousness. …”
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Révolution et politique de la culture à Sharjah, 1979-2009 by Alexandre Kazerouni

“…A cultural policy was born out of it with a book fair, theatre, the fine arts and higher education as its fundamental pillars. …”
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La naissance de la justice en débat : représentations contemporaines du procès d’Oreste by Claire Lechevalier

“…Aeschylus’ Oresteia, staging the trial of Orestes by a popular court and ending with his acquittal, appears in modern times as the origin both of the theatre and of justice and democracy, after the reign of revenge. …”
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La “Nuit de la Nation” : culture jeune, rock’n’roll et panique morale dans la France des années 1960 by Florence Tamagne

“…The free concert, which attracted about 150.000 people, was the theatre of many incidents and acts of violence attributed to the “blousons noirs”, an expression that designated young offenders, generally fans of rock’n’roll. …”
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T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, Prose by John S. BAK

“…The year is significant because it also marked his entrance into the New York theatre world. Though there was little question that Williams would become a playwright, he never abandoned his painting entirely – or his obsession with self-portraiture. …”
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General Anaesthesia for Laparoscopic Cholecystectomy in a Patient with the Kearns-Sayre Syndrome by Paolo Calzavacca, Walter Schmidt, Manuela Guzzi

“…The anaesthetic plan proved to be safe and effective, and extubation was achieved in the operating theatre. The postoperative recovery of the patient was satisfactory and uneventful.…”
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Cartographie du vide : les "non-lieux" de l’espace américain dans The Informers de Bret Easton Ellis by Nathalie Vincent-Arnaud

“…Published in 1994, The Informers is a collection of thirteen short stories which aim to explore the various facets of a certain Los Angeles social microcosm in the nineteen-eighties.The first-person narration, based on a deliberately minimalist paratactic structure which involves recurrent snatches of dialogue, moves through an endless succession of toponyms (Palm Springs, Melrose etc.) and cultural clichés (trendy places, music or clothing) which all seem to trap people and places within an imprisoning landscape—most aptly metaphorized by the Sunset Boulevard.Both huge and confined to the specific landmarks or "non-places" of an interlope society, this landscape provides an ambivalent area in which people are cast adrift, wandering like ghosts in some kind of existential nowhere described by Michel de Certeau as "un théâtre de passants".…”
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Remettre en acte des extraits d’ethnographie by Marie Mazzella di Bosco

“…Taking up one’s ethnographic data again with the aim of (re)creating, not a scene that would be performed as in a theatre, but conditions conducive to an experience similar to that which was observed and lived through as an ethnographer, sheds much light not only on the data itself, but also on its production methods and on the researcher's positioning. …”
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La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill by Élisabeth Angel-Perez

“…Among the most innovating experimental dramaturgies of this new millenium, constrained (verbatim or post-wittgensteinian) theatre ranks first. To opt for the artifice of constrained writing for the stage is the way that Martin Crimp or Caryl Churchill have elected, after Tom Stoppard, to confess the difficuty there is to use language in our post-Adornian world. …”
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Le Songe d’une nuit d’été de Benjamin Britten : Nouvel éclairage scénique de l’héritage shakespearien by Maéna Py

“…He thus managed to create an innovative dramatic art capable of paving the way for other theatrical dramatic arts and for a different reading of Shakespeare’s plays, both in the opera and the theatre. By insisting on the sensuality and the physical dimension of the play and on its capacity to celebrate drama and all theatrical arts, Britten seems to have been at the centre of an aesthetic and ideological renewal which was to be carried on later by Jan Kott and Peter Brook, among others, thus making him an important figure in the history of the performances of Shakespeare’s masterpiece.…”
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Od „wjeżdżania w bramy” do „otwierania (się) bramy”. Przykład animacji kultury upełnomocniających głos dziecka w procesie rewitalizacji miejskiej by Anita Gulczyńska, Monika Wiśniewska-Kin

“…Konrad Dworakowski’s and Pinokio Theatre’s community cultural animations, realised from 2014 to 2019 in Łódź, offer interesting examples of such practices. …”
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« Base Phrygian Turk! »  Injures et « espèces de… » : analyse microscopique d’un étrange spécimen shakespearien by Nathalie Vienne-Guerrin

“…Studying the representation of the Islamic world in Elizabethan society and theatre, we show that far from being a mere “pistolism”, this insult suggests that Falstaff “turns Turk” in this play.…”
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Unusual Case of a Torted Mesenteric Fibroid by Rawan Bajis, Gregg Eloundou

“…She was taken immediately to theatre with the presumptive diagnosis of an ovarian torsion. …”
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