Purcell and Dryden’s King Arthur and the Myth of the Golden Age by Andrea Trocha Van Nort

“…Qu’on le lise d’un point de vue poétique ou politique, King Arthur fait revivre à la scène les valeurs d’un d’âge d’or et de paix et témoigne à sa manière de l’esthétique du théâtre de la Restauration anglaise.…”
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New museographic frontiers. Immateriality and multimediality of the narrative museum by Giuseppe Di Benedetto

“…This is an articulated path that crosses the boundaries of various disciplines such as theatre, cinema and visual art.…”
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ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

“…It is to be found in several instances: the musical theatre – opera; without means of theatrical expression – oratorio, and cantata. …”
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Audience Approval: The Role of Opera in the Creation of the Shakespearean Myth during the English Restoration by Andrea Trocha Van Nort

“…L’usage de séquences opératiques en leur sein peut être considéré comme l’une des raisons majeures de leur succès auprès des amateurs de théâtre au XVIIe siècle. Par ailleurs, c’est précisément de ce genre mixte qu’a découlé le mythe shakespearien actuel.…”
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Présence du futur en danse contemporaine (devenirs hybrides et rêves cybernétiques) by Anne Pellus

“…In this paper, we aim to analyse some notable exceptions: ROBOT (2012) by Blanca Li, Théâtre des opérations (2013) by the Compagnie Dernière Minute, and Kromos, by the French choreographers Julien Andujar and Audrey Bodiguel (2018). …”
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Urban Leisure and the Rise of Commercial Entertainment in 19th-Century Vilnius: The Role of Ivan Shuman in a Modernizing City by Juozapas Paškauskas

“… The article explores the evolution of the entertainment scene in Vilnius during the second half of the 19th century, focusing on its marginal position outside national canons and mainstream theatre. Through the work of Ivan Antonovich Shuman, the city’s first entertainment entrepreneur, the study situates Vilnius’ post-serfdom and post-uprising entertainment culture within a broader regional context. …”
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Gender disparities in music education and music-making amongst the Swedish adult population by Sam de Boise

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Dans les pas de la nuit. Les rythmes urbains de Beyrouth à la tombée du jour by Marie Bonte, Louis Le Douarin

“…This moment of passing seems to condense and focus the city’s rhythms, leading to an urban theatre for which the streets are the stage. At city scale, Beirut looks like an archipelago. …”
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L’Estremo Oriente di Djemil Anik. Influssi e interpolazioni delle danze giavanesi nell’attività artistica e pedagogica by Fiorella Cardinale Ciccotti

“…Questioning the topic of métissage within the French interwar context, the author of the essay aims to investigate the career of the dancer Djemil Anik (1888-1980) – of French-Malay origins and an expert in Javanese female court dances – starting from her first debut at the Théàtre des Arts in Paris until the full affirmation of her pedagogical activity. …”
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The Theatricality of Organizational Atmosphere by Lydia Jørgensen

“…The paper engages with contemporary theatre to critically elaborate the theatricality of staging organizational atmospheres as both a social and political concern. …”
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Dépossessions : le rôle de la chorégraphie dans A Dance of the Forests et The Bacchae of Euripides de Wole Soyinka by Kerry-Jane Wallart

“…I shall attempt to understand how theatre might be reinforced by dancing, an immediate, a corporeal art, the intrusion of a dramaturgy that is freed from the text. …”
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‘My Language! Heavens!’: Strange Tongues and the Denial of Mimesis in The Tempest by Claire Guéron

“…Nous montrerons que cette convention est un paramètre essentiel de l’action dramatique et qu’elle contribue à la mise en évidence du caractère fondamentalement « Autre » de la langue du théâtre. Dans The Tempest, l’imbrication d’une langue inconnue et d’une langue familière débouche par métonymie et par métaphore sur un déni du principe classique de mimesis.…”
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Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti by Walter Zidaric

“…Composer, librettist and stage director Gian Carlo Menotti has changed the American musical theatre by accepting to face burning questions related to his times, but which are at the same time universal. …”
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Habib Benglia, le « nègrérotique » du spectacle français by Nathalie Coutelet

“…Habib Benglia exemplified the way theatre and music hall industry eroticized the black body. …”
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Dobre praktyki w zakresie ochrony dziecka w procesie resocjalizacji i readaptacji społecznej jego skazanych rodziców by Anna Dąbrowska, Justyna Kusztal

“…The paper presents assumptions and effects of an innovative social project implemented in cooperation with Puppet and Actor Theatre and Detention Center in Kielce (2015–2019). …”
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À la recherche de l’habitant dans les dispositifs participatifs de projets urbains durables en région parisienne : les éclairages de l’observation participante by Hélène Chelzen, Anne Jégou

“…It allows enlightening the theatre of these devices, where the construction of urban house of cards can be observed. …”
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Poétique/Politique de l'artifice dans Richard II by Pierre Iselin

“…With its chiasmic architecture of inversion, Shakespeare’s play can be seen not only as the mannerist treatment of a medieval diptych, but also as a study in perspective, where meaning and reception are instable, roles liable to reversibility — a poetic reflection on the theatre of politics.…”
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Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle by Anna Street

“…By focusing on the myriad obstacles to be overcome both in the use of theatre within refugee workshop settings and upon major-venue stages, this approach highlights theater’s extraordinary double-bind in these contexts, offering a reading of The Jungle that foregrounds theater’s transgressive capacity to stage its own renunciation, thus freeing representation from many of its self-inflicted limitations.…”
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Ermenautica delle relazioni interspecifiche by Sergio Marchetti

“…I thus delineate a perspective that shifts from the macro planetary sea, seemingly devoid of human senses and relations, to the sea experienced in its even microscopic effects, the theatre of interspecific bonds and meanings (Helmreich 2010; Sahlins 2018; Haraway 2020).…”
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Cesta pekelného notáře z Mexika do Kuksu by Pavel Štěpánek

“… The way of the infernal notary from Mexico to Kuks is a study about the penetration of a Mexican myth in the baroque Bohemia. It deals with the theatre person of the notary (notarius) Ficli-pucli who appears in a celebration occurred at the court of the Count Sporck in his residence at Kuks, a bath and cultural centre founded by himself. …”
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