« Il y avait quelque chose de puissant qui pouvait être livré sur scène… ». Entretien avec Ron Fogelman sur la pièce La Quatrième Dimension. by Martin Parsons, Ron Fogelman

“…An interview with Ron Fogelman, the producer of The Twilight Zone (Theatre L'Almeida in Islington 2017-2018, The Ambassadors at the West End in 2019). …”
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From Defensor civitatis to Ombudsman by Andrea Trisciuoglio

“…Keywords: Ombudsman, Defensor civitatis, History of Institutions, History of Law, History of Theatre …”
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El teatro argentino como registro de las nuevas migraciones by Perla Zayas de Lima

“…This phenomenon is clearly represented in the theatre scene. Our analysis will focus on the way Argentines define themselves in opposition to these immigrants, the Europeans, their Latin American neighbours and later the Asian community.…”
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Drama öğretmeninin yeterlilikleri by Ayşe OKVURAN

“…A drama teacher should have literature and drama history, theatre and arts education knowledge, manipulation of improvisation and, creating a positive atmosphere and, using materials skills and etc. …”
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Les fonctions sociales du cinéma selon Emmanuel Bove by Christophe Trebuil

“…From local cinema to actors’ pictures pinned on the walls, the cinematographic world is part of places and communities: as the café or the street, the movie theatre is associated with periodical activities; the different representations of the players invade as much the urban area as the private life. …”
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Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT) by Hélène Finet

“…This article deals with the consequences of the migration process in Chilean theatre thanks to the staged presentation of Una Casa Vacía by the Taller de Investigación Teatral and Raúl Osorio in 1998, year of the Pinochet Case. …”
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Seeing is believing: Unity of Place in Arcadia by Susan Blattès

“…However, we soon come to realize that the set and objects do not strictly adhere to the rules of conventional theatre. Their function shifts so that instead of providing a stable frame of reference they offer multiple meanings. …”
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Les Souffleurs d’images by Joan Despéramont

“…The Souffleurs d’Images programme was developed by the Centre Recherche Théâtre Handicap in 2008 to make the performing arts accessible to the visually impaired students of its drama school, Acte 21. …”
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Le Paradoxe de la comédienne : Peg Woffington selon Charles Reade by Laurent Bury

“…This episode summarizes Reade’s approach : is a living art like theatre to be compared with those « dead » or lifeless arts, painting and sculpture ?…”
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Settled by David Mann

“…The idea of the ‘borrow pit’ in the story is made in reference to South African theatre-maker Jemma Kahn’s 2018 play The Borrow Pit. …”
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“What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker by Eléonore Obis

“…This article analyses the analogies between Howard Barker's theatre of Catastrophe and the abject as defined by Julia Kristeva in Powers of Horrors through the study of Found in the Ground, a play where there are many animals on the stage. …”
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Les Paiements pour Services Écologiques ou la reconquête de la Mâamora par ses habitants ? by Said Lahssini, Sarah Vanuxem

“…Mâamora is an important cork oak forest of the Moroccan coast. Theatre of multiple offenses and object of desires, this forest was chosen as field for a project on environmental goods and services and for many experiments focusing on local population participation on forest management. …”
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“As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception by Pierre Iselin

“…As in other Shakespearean late plays, The Winter’s Tale, the question of art and the theatre is central, here especially in terms of reception and interpretation, then of hermeneutics. …”
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Borrowing another voice or the Cyrano complex by Julie Vatain

“…The voices in Tina Howe’s theatre run the gamut of register, from inarticulate or animal sounds to impassioned monologues and quoted verse. …”
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Microestructuras en los autos sacramentales de José de Valdivielso: un camino hacia Calderón by Enrique Duarte

“…The main studied paradigms are the announcements, spells, tales, songs (with the important role Music has in the sacramental plays) and topoi, those common places that readers used to this kind of allegorical theatre finds in different authors.…”
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Button Battery Nose: A Case Report by Soumick Ranjan Sahoo

“…It is concluded that such lethal foreign bodies should be urgently removed skillfully and diligently either in emergency or ENT OPD or under general anesthesia in the operation theatre.…”
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Les enjeux de la citation dans deux préfaces métatraductives d’André Gide by Joanna Jakubowska

“…These are the foreword to Pushkin’s La Dame de Pique retranslation (1923) and the foreword to Shakespeare’s Théâtre published in French by Gallimard in 1938. …”
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Drama art specialists teaching at Khabarovsk State Institute of Arts and Culture by A. N. Belzhitski, M. G. Cherkashina

“…A brief excursus into the history of their formationis given as well as the today’s activities in the sphere of drama art teaching and theatre process development in the Russian Far East.…”
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Les tours de la machine et les détours du langage : Le Marchand de Venise mis en scène par Luca Ronconi by Carole Guidicelli

“…In his 1987 staging of Shakespeare’s Merchant of Venice at the Théâtre National de l’Odéon in Paris, Luca Ronconi adopted structuralist principles and thus highlighted the shifts of meaning between love and money, thanks to an original choice and direction of the actors on the one hand, and to the use of implements and machines (winch, hoist, counterweight, scales, glass kiln, weaving loom) linked to the trade and industry of Venice, on the other. …”
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IGEPAC-Bela Vista e o tombamento do Teatro Oficina: Representação, governo e contestação no Bixiga by Dirceu Cadena

“…The analysis of the documents produced to demand the classification of the Teatro Oficina as heritage or the request for the creation of a public park in the land adjacent to the building will show that the group associated with the theatre has mobilized various existing laws on heritage to challenge the governments decisions and build new representations for the neighbourhood.…”
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