Les théâtres à ciel ouvert de Ouagadougou by Karolina Svobodova

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Angel in “the Cartesian theatre” – Aquinas and the mind-body problem by Tomasz Stępień

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“Theatre’s Other: Event and Testimony in British Verbatim Plays” by Clare Finburgh

“…A particular kind of remembering and staging of our transient contemporary “reality” has become prevalent in the UK since the end of the twentieth century: verbatim theatre. This is a form of documentary theatre that stages theatre’s other – events and experiences as they are lived by actual people and rendered in witness testimonies that are transcribed word-for-word, edited into a play, and performed by actors. …”
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Morini, Massimiliano (2022). Theatre Translation: Theory and Practice by Helen S E Parker

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Cultural Formation and Transference Processes of Ancient Greek Theatre by Haluk EMİR, R. Eser KORTANOĞLU

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“TOGETHER IN GOD’S THEATRE”. PRACTICAL THEOLOGY IN AN AFRICAN CONTEXT by W.J. Schoeman

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De la voix au théâtre au théâtre de la voix : l’envers du décor poétique de Robert Browning by Yann Tholoniat

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Outline of a theatre proxemics in times of pandemic. Redefinition of spaces by Vittorio Fiore

“…The objective is to add new chapters to the ‘theatre proxemics’ that governs human behaviour in these spaces of social aggregation, in order to realign them to the prescriptions dictated by the pandemic. …”
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Federal Theatre Project (1935-1939) : contexte et enjeux by Adriana Haben

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Theatre and Psychoanalysis: or Jung on Martin Crimp's Stage: “100 Words” by Solange Ayache

“…A similar resort to psychoanalysis and psychiatry can be found in Sarah Kane’s 4.48 Psychosis (2002): in these “theatres of the mental space,” both authors turn either the clinical voice of the doctor or the neurotic voice of the patient into a self-referential source of vocal stage poetry displaying the bare materiality of words and the disapearance of the subject.…”
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Use of participatory forum theatre to explore HIV/AIDS issues in the workplace by Emma Durden, Dominique Nduhura

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Un tramway nommé désir au théâtre des Bouffes Parisiens by Sophie Maruéjouls-Koch

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An alien among aliens: Translating multicultural identities in Singapore’s contemporary theatre by Bei Hu

Subjects: “…theatre translation…”
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Les ondes narratives dans le théâtre de Timberlake Wertenbaker by Elizabeth Sakellaridou

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There Will Be More d’Edward Bond : pour un autre théâtre politique by Eléonore Obis

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Energy and presence: A journey from theatre lab to teacher training by Isabelle Gatt

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Medication stewardship in the operating theatre in Malaysia: A quality improvement project by Siti Nadzrah Yunus, Nur Haryanti Izumi Suhaimi, Ka Ting Ng, Ili Syazana Jamal Azmi, Noorjahan Haneem Md Hashim, Ina Ismiarti Shariffuddin

“…Background and Aims: A quality improvement project (‘Safe Anaesthesia for ALL-SEAL’) was implemented to reduce preventable medication errors and drug wastage in the operating theatre (OT) of a tertiary hospital. The primary objective of this quality improvement project was to prevent the incidence of medication errors, and the secondary objective was to reduce the wastage of unused drugs. …”
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Kerry Powell, Acting Wilde. Victorian Sexuality, Theatre and Oscar Wilde by Emmanuel Vernadakis

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Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing by Dan Rebellato

“…Representations of violence have been at the heart of some key movements in post-war British theatre. In the twenty-first century, however, these representations have evolved in a new way, characterised both by an escalation of the scale and intensity of the violence, to a point one could call apocalyptic, coupled with specifically non-realist dramaturgical and theatrical modes of production. …”
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Avoiding never events in orthopaedics theatres: a quality improvement project by Bhaskar Amarnath Bhavanasi, Shrikant Kulkarni

“…The aim of this project is to avoid never events in trauma and orthopaedic theatres by ensuring that theatre staff adhere to the surgical pause and imaging pause protocols through regular audits.This prospective study was conducted in both trauma and elective orthopaedic theatres. …”
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