La Tentation de saint Antoine de Flaubert et Uspud d’Erik Satie : affinités secrètes et résonances en filigrane by Bruna Donatelli

“…In the wake of other adaptations of La Tentation de saint Antoine, performed in the Chat Noir and L’Auberge du Clou shadow theatres, Satie composed Uspud, ballet chrétien en trois actes, of which, together with Contamine de Latour, he also wrote the booklet. …”
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Pomiędzy queerową subwersją a „middle-class mainstreaming”. O twórczości drag queen Mony Lizak by Magdalena Stoch

“…The article presents the historical and cultural contexts of drag, from amateur underground theatres to the contemporary commercialized queer scene, and emphasizes how Mona Lizak’s work reflects the tensions between subversive ideology and mainstream trends. …”
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Evaluating the Potential of Cultural Tourism for Community Development in South Western Uganda: A Case Study of Kisoro District. by Niyigaba, Ishmael

“…The findings identified a variety of cultural tourism resources, such as cultural values and lifestyles, architectural landmarks, museums, theatres, indigenous communities, art crafts (20%), cultural differences (18%), local resistance (12%), and conflicts arising from interactions between locals and tourists (13%). …”
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The economics of the performing arts before and during the COVID-19 pandemic. Part 1: cost-output-profit analysis on the example of a performance by D. L. Morozova

“…The novelty of the study lies in fact that different methods of calculating production costs for theatres have been summarised and a methodology for checking the break-even points existence for organising entertainment events in the long and short term has been presented.…”
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Khabarovsk State Institute of Culture as a School for Formation of a Creative Personality by S. N. Skorinov

“…The students are involved in creative activities of chairs, museums, theatres, Houses of culture, Philharmonics. Such practice-oriented education enables to prepare qualified, highly competitive graduates required by market. …”
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De la mise au silence à la prise de parole : la voix féminine de Martin Crimp à Sarah Kane by Solange Ayache

“…Dramatic experiments with the voice in the theatres of Martin Crimp (Attempts on Her Life, 1997; Fewer Emergencies, 2005) and Sarah Kane (Crave, 1998; 4.48 Psychosis, 2000) fall within the scope of a post-Beckettian quest for new formal constraints for the text and the stage. …”
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The Difficult Airway Trolley: A Narrative Review and Practical Guide by Martin F. Bjurström, Mikael Bodelsson, Louise W. Sturesson

“…The overarching aim of the current work was to create a dedicated difficult airway trolley (for patients>12 years old) for use in anesthesia theatres, intensive care units, and emergency departments. …”
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Interventional radiology placement of totally implantable venous access devices in oncology practice by Shao Jin Ong, Gopinathan Anil

“…Traditionally, TIVADs were inserted by surgeons in operating theatres; however, with the transition to imaging-guided insertion, these devices are now implanted by interventional radiologists in most high-volume centres. …”
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Evaluating the Potential of Cultural Tourism for Community Development in Kisoro District, South Western Uganda. by Matsiko, Adam

“…The study found out that potential cultural tourism resources were; cultural values and life styles, architecture museums and theatres, indigenous cultural communities, art crafts and niches. …”
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Deníky Marie Jany hraběnky Harbuval von Chamaré (1722-1792) by Pavla Janáčková

“…Her everyday notes also inform us about her everyday activities, such as care about household and representation, accountig, travelling, typical aristocratic seasonal entertainmet (going out to theatres, balls, hunting, etc.) and everyday entertainment (visiting other noble persons, playing billiard, card games, chess, etc.). …”
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Changes in the Advertisement of Goods and Services in the Lithuanian Periodic Press during 1918-1940 by Giedrė Polkaitė

“…Advertisements for leisure pursuits (e.g., theatres, restaurants, holidays in local and foreign resorts, and dance lessons) were mostly placed in dailies and were almost completely absent in publications for rural residents. …”
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