Doubleness on the New York Contemporary Experimental Stage: Bodies and Technology by Emeline Jouve

“…A “place for viewing,” theatre, theatron, is turned by artists into a showcase displaying post-human bodies. …”
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Une promise pour la licorne : quand Denis Johnston crève l’horizon de la scène irlandaise by Virginie Girel-Pietka

“…Unlike his first two plays, Denis Johnston’s A Bride for the Unicorn, produced in 1933 at the Gate Theatre in Dublin, was not a success. It did not meet the audience’s or the critics’ expectations since the playwright aimed at redefining them. …”
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Alberti, Vasari, Leonardo, from disegno as drawing to disegno as projective milieu by Jean-Louis Déotte

“…In other words, if the apparatuses are the condition for the arts, then the perspective would have “apparatused” painting, sculpture and architecture, like it would have done for theatre (Italian-style staging, the Theatre of Vicenza, Palladio), urban planning (in particular Florence under Lorenzo di Medici), privileging drawing through which it was also presented (the treatises of perspective).…”
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Le singe-soldat de Woyzeck by Élisabeth Hamm

“…Through the phenomenon of theatre within the theatre, the monkey disguised as a soldier symbolizes the fair’s audience, composed mainly of soldiers. …”
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Healthcare in the era of climate change and the need for environmental sustainability by Nicholas Chin Hock Tee, Jo-Anne Yeo, Mahesh Choolani, Kian Keong Poh, Tiing Leong Ang

“…Within the hospital environment, the three largest contributors to greenhouse gas emissions are the operating theatre, intensive care unit and gastrointestinal endoscopy. …”
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Construire des salles de cinéma durant les Trente Glorieuses : le cas méconnu de l’architecte Georges Peynet by Andrés Avila Gómez

“…This is the case of architectures designed for cinematographic exploitation, whose research and publications devoted to their evolution (Meusy; Abadie) have so far specifically addressed the periods of its birth (1895-1918) and development (between the wars), without examining the intense theatre construction activity since the Reconstruction.In this context, and based fundamentally on the analysis of architectural and film periodicals of the time, our text presents a first approach to the figure of the most prolific theatre designer in France from the 1940s to the 1970s: Georges Peynet. …”
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Michel Boué et les « fées couturières » by Thierry Pastorello

“…Michel Boué (1947-1993), journaliste au journal l’Humanité, fut chroniqueur et critique de théâtre avant de devenir journaliste de mode. Militant communiste et homosexuel affirmé, il fit preuve de grandes compétences dans le domaine du théâtre et de la mode. …”
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« Ascénir » le space opera : de Joël Maillard à Bruno Latour by Danielle Chaperon

“…The hypothesis developed around Quitter la Terre (2017, Lausanne, Théâtre de l'Arsenic) questions in its own way "the idea that SF would not find its "privileged mode of realization" in the theater". …”
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Conversation authentique et dialogue théâtral : comparaison des emplois du marqueur discursif donc en co(n)texte by Gemma Delgar Farrés

“…Notre objectif est double : d’un côté, nous examinons si les emplois de donc sont les mêmes dans les deux corpus et, d’un autre côté, nous étudions comment ces emplois sont distribués, d’un point de vue quantitatif, à l’intérieur du corpus de conversation naturelle et à l’intérieur de celui du dialogue de théâtre. …”
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3D Simulation Design and Application of Traditional Hanfu Based on Internet of Things by Li Lin, Wen Gan

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Le Falstaff de Manfredo Maggioni et Michael Balfe : façonner un opéra italien pour le public anglais by Céline Frigau

“…Based on Shakespeare’s Merry Wives of Windsor, Michael Balfe’s Falstaff, created in 1838 for London’s Italian opera audiences, was the work of an Italian librettist, Manfredo Maggioni, and an Irish composer, a first in a theatre where only Italian maestri were commissioned for new works. …”
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Un mare poet al limbii române by Ion Brad

“…With the occasion of Fănuş Neagu’s 75th anniversary, Ion Brad, a writer, ambassador and theatre director, collected all the dedications received from his friend on his books during many years.…”
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Neuromuscular Monitoring, Muscle Relaxant Use, and Reversal at a Tertiary Teaching Hospital 2.5 Years after Introduction of Sugammadex: Changes in Opinions and Clinical Practice by Thomas Ledowski, Jing Shen Ong, Tom Flett

“…Two departmental audits (26-page online survey and 1-week in-theatre snapshot audit) were undertaken to investigate the change of beliefs and clinical practice related to the use of neuromuscular blocking agents at the Royal Perth Hospital since this introduction. …”
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À quel corps appartient cette voix ? Quelle voix est parlée par ce corps ? La disjonction de la voix et du corps comme fondement de la performance dans les spectacles Spectacular,... by Charlotte Bouteille-Meister

“…In three recent productions of the British theatre company Forced Entertainment – Spectacular (2008), Void Story (2009) and The Thrill of It All (2010) – the performance itself the lies in the gap created purposefully between the performers’ voices and their bodies. …”
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Weimar, anno 1797 : le moment anthropologique dans la genèse de Faust by René-Marc Pille

“…Cette adéquation entre le personnage de Faust et l’humanité trouve son expression dramatique dans le Prologue au ciel, théâtre du monde au sens baroque qui succède de manière symétrique au monde du théâtre, représenté dans le volet précédent. …”
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Æsthetics and Politics: Italian Opera as Revealed in the Correspondence of James Harris by Donald Burrows

“…L’opéra italien est avec le théâtre français le genre de divertissement le plus prisé en Europe. …”
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Æsthetics and Politics: Italian Opera as Revealed in the Correspondence of James Harris by Donald Burrows

“…L’opéra italien est avec le théâtre français le genre de divertissement le plus prisé en Europe. …”
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Multimodal Opera Performance Form Based on Human-Computer Interaction Technology by Lin Wu

“…With little audience involvement, theatre performing arts like opera typically have difficulty keeping audiences’ attention. …”
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