“What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker by Eléonore Obis

“…This article analyses the analogies between Howard Barker's theatre of Catastrophe and the abject as defined by Julia Kristeva in Powers of Horrors through the study of Found in the Ground, a play where there are many animals on the stage. …”
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Les Paiements pour Services Écologiques ou la reconquête de la Mâamora par ses habitants ? by Said Lahssini, Sarah Vanuxem

“…Mâamora is an important cork oak forest of the Moroccan coast. Theatre of multiple offenses and object of desires, this forest was chosen as field for a project on environmental goods and services and for many experiments focusing on local population participation on forest management. …”
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“As we are mocked with art” (5.3.68): The Winter’s Tale comme anatomie de la réception by Pierre Iselin

“…As in other Shakespearean late plays, The Winter’s Tale, the question of art and the theatre is central, here especially in terms of reception and interpretation, then of hermeneutics. …”
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Borrowing another voice or the Cyrano complex by Julie Vatain

“…The voices in Tina Howe’s theatre run the gamut of register, from inarticulate or animal sounds to impassioned monologues and quoted verse. …”
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Button Battery Nose: A Case Report by Soumick Ranjan Sahoo

“…It is concluded that such lethal foreign bodies should be urgently removed skillfully and diligently either in emergency or ENT OPD or under general anesthesia in the operation theatre.…”
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Les enjeux de la citation dans deux préfaces métatraductives d’André Gide by Joanna Jakubowska

“…These are the foreword to Pushkin’s La Dame de Pique retranslation (1923) and the foreword to Shakespeare’s Théâtre published in French by Gallimard in 1938. …”
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Drama art specialists teaching at Khabarovsk State Institute of Arts and Culture by A. N. Belzhitski, M. G. Cherkashina

“…A brief excursus into the history of their formationis given as well as the today’s activities in the sphere of drama art teaching and theatre process development in the Russian Far East.…”
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New museographic frontiers. Immateriality and multimediality of the narrative museum by Giuseppe Di Benedetto

“…This is an articulated path that crosses the boundaries of various disciplines such as theatre, cinema and visual art.…”
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ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

“…It is to be found in several instances: the musical theatre – opera; without means of theatrical expression – oratorio, and cantata. …”
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Gender disparities in music education and music-making amongst the Swedish adult population by Sam de Boise

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Dépossessions : le rôle de la chorégraphie dans A Dance of the Forests et The Bacchae of Euripides de Wole Soyinka by Kerry-Jane Wallart

“…I shall attempt to understand how theatre might be reinforced by dancing, an immediate, a corporeal art, the intrusion of a dramaturgy that is freed from the text. …”
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Dobre praktyki w zakresie ochrony dziecka w procesie resocjalizacji i readaptacji społecznej jego skazanych rodziców by Anna Dąbrowska, Justyna Kusztal

“…The paper presents assumptions and effects of an innovative social project implemented in cooperation with Puppet and Actor Theatre and Detention Center in Kielce (2015–2019). …”
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À la recherche de l’habitant dans les dispositifs participatifs de projets urbains durables en région parisienne : les éclairages de l’observation participante by Hélène Chelzen, Anne Jégou

“…It allows enlightening the theatre of these devices, where the construction of urban house of cards can be observed. …”
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Poétique/Politique de l'artifice dans Richard II by Pierre Iselin

“…With its chiasmic architecture of inversion, Shakespeare’s play can be seen not only as the mannerist treatment of a medieval diptych, but also as a study in perspective, where meaning and reception are instable, roles liable to reversibility — a poetic reflection on the theatre of politics.…”
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Refugee Theater and Its Transgressions: Acts of Suspension in Joe Murphy and Joe Robertson’s The Jungle by Anna Street

“…By focusing on the myriad obstacles to be overcome both in the use of theatre within refugee workshop settings and upon major-venue stages, this approach highlights theater’s extraordinary double-bind in these contexts, offering a reading of The Jungle that foregrounds theater’s transgressive capacity to stage its own renunciation, thus freeing representation from many of its self-inflicted limitations.…”
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Ermenautica delle relazioni interspecifiche by Sergio Marchetti

“…I thus delineate a perspective that shifts from the macro planetary sea, seemingly devoid of human senses and relations, to the sea experienced in its even microscopic effects, the theatre of interspecific bonds and meanings (Helmreich 2010; Sahlins 2018; Haraway 2020).…”
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Cesta pekelného notáře z Mexika do Kuksu by Pavel Štěpánek

“… The way of the infernal notary from Mexico to Kuks is a study about the penetration of a Mexican myth in the baroque Bohemia. It deals with the theatre person of the notary (notarius) Ficli-pucli who appears in a celebration occurred at the court of the Count Sporck in his residence at Kuks, a bath and cultural centre founded by himself. …”
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Multiselfing in Music Education by Radio Cremata

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Empirical insights into traditional and AI-enhanced interactive narratives based on children’s fables by Świerczyńska-Kaczor Urszula

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PHILOLOGY AS A SCIENTIFIC AND EDUCATIONAL PROJECT by Pavel P. Shkarenkov

“…The institutionalization of comparative studies as a complex specialization - not only for philologists but also for historians, translators, theatre and cinema critics and experts - has already proven its heuristic value and educational effectiveness over the years.…”
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