Handbag de Mark Ravenhill (1998) : réincarnation de The Importance of Being Earnest à la fin des années 1990 by Xavier Giudicelli

“…The play Handbag by Mark Ravenhill (one of the quintessential writers of so-called “in-yer-face” theatre), first produced at the Lyric Theatre, Hammersmith, in 1998, is a rewriting of The Importance of Being Earnest which shifts the emphasis from the verbal to the physical. …”
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Reusable Tourniquets as Potential Transmitters of Infection: A Microbiological Analysis by Julia Szymczyk, Monika Kurpas, Bartosz Krasiński, Katarzyna Zorena, Wioletta Mędrzycka-Dąbrowska

“…Samples from tourniquets used in the emergency department and the operating theatre were collected after an indefinite period, 14 days, and 28 days. …”
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Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward Bond by Eléonore Obis

“…The changing voices of The War Plays are a sign of the major metamorphoses Bond’s theatre underwent at the end of the 80s.…”
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Comprehensive Analysis of Differentially Expressed miRNAs and mRNAs Reveals That miR-181a-5p Plays a Key Role in Diabetic Dermal Fibroblasts by Peng Liu, Yi Zhu, Qin Li, Biao Cheng

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Parental Involvement in the Preoperative Surgical Safety Checklist Is Welcomed by Both Parents and Staff by Martin T. Corbally, Eamon Tierney

“…Forty-two parents took part in the study. They came to the theatre suite with their child and into the induction room. …”
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Doubleness on the New York Contemporary Experimental Stage: Bodies and Technology by Emeline Jouve

“…A “place for viewing,” theatre, theatron, is turned by artists into a showcase displaying post-human bodies. …”
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Healthcare in the era of climate change and the need for environmental sustainability by Nicholas Chin Hock Tee, Jo-Anne Yeo, Mahesh Choolani, Kian Keong Poh, Tiing Leong Ang

“…Within the hospital environment, the three largest contributors to greenhouse gas emissions are the operating theatre, intensive care unit and gastrointestinal endoscopy. …”
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Construire des salles de cinéma durant les Trente Glorieuses : le cas méconnu de l’architecte Georges Peynet by Andrés Avila Gómez

“…This is the case of architectures designed for cinematographic exploitation, whose research and publications devoted to their evolution (Meusy; Abadie) have so far specifically addressed the periods of its birth (1895-1918) and development (between the wars), without examining the intense theatre construction activity since the Reconstruction.In this context, and based fundamentally on the analysis of architectural and film periodicals of the time, our text presents a first approach to the figure of the most prolific theatre designer in France from the 1940s to the 1970s: Georges Peynet. …”
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Michel Boué et les « fées couturières » by Thierry Pastorello

“…Michel Boué (1947-1993), journaliste au journal l’Humanité, fut chroniqueur et critique de théâtre avant de devenir journaliste de mode. Militant communiste et homosexuel affirmé, il fit preuve de grandes compétences dans le domaine du théâtre et de la mode. …”
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3D Simulation Design and Application of Traditional Hanfu Based on Internet of Things by Li Lin, Wen Gan

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Neuromuscular Monitoring, Muscle Relaxant Use, and Reversal at a Tertiary Teaching Hospital 2.5 Years after Introduction of Sugammadex: Changes in Opinions and Clinical Practice by Thomas Ledowski, Jing Shen Ong, Tom Flett

“…Two departmental audits (26-page online survey and 1-week in-theatre snapshot audit) were undertaken to investigate the change of beliefs and clinical practice related to the use of neuromuscular blocking agents at the Royal Perth Hospital since this introduction. …”
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À quel corps appartient cette voix ? Quelle voix est parlée par ce corps ? La disjonction de la voix et du corps comme fondement de la performance dans les spectacles Spectacular,... by Charlotte Bouteille-Meister

“…In three recent productions of the British theatre company Forced Entertainment – Spectacular (2008), Void Story (2009) and The Thrill of It All (2010) – the performance itself the lies in the gap created purposefully between the performers’ voices and their bodies. …”
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Multimodal Opera Performance Form Based on Human-Computer Interaction Technology by Lin Wu

“…With little audience involvement, theatre performing arts like opera typically have difficulty keeping audiences’ attention. …”
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Les fonctions sociales du cinéma selon Emmanuel Bove by Christophe Trebuil

“…From local cinema to actors’ pictures pinned on the walls, the cinematographic world is part of places and communities: as the café or the street, the movie theatre is associated with periodical activities; the different representations of the players invade as much the urban area as the private life. …”
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Seeing is believing: Unity of Place in Arcadia by Susan Blattès

“…However, we soon come to realize that the set and objects do not strictly adhere to the rules of conventional theatre. Their function shifts so that instead of providing a stable frame of reference they offer multiple meanings. …”
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Les Souffleurs d’images by Joan Despéramont

“…The Souffleurs d’Images programme was developed by the Centre Recherche Théâtre Handicap in 2008 to make the performing arts accessible to the visually impaired students of its drama school, Acte 21. …”
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Le Paradoxe de la comédienne : Peg Woffington selon Charles Reade by Laurent Bury

“…This episode summarizes Reade’s approach : is a living art like theatre to be compared with those « dead » or lifeless arts, painting and sculpture ?…”
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Settled by David Mann

“…The idea of the ‘borrow pit’ in the story is made in reference to South African theatre-maker Jemma Kahn’s 2018 play The Borrow Pit. …”
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