Exploring the influencing factors of patients sending red packets and the necessity of doctor-patient red packet agreements by Pingli Li, Lixiang Wu, Jie Zhang, Surong Xiang, Li Fang

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Editorial: Motivation in learning and performance in the arts and sports by Adina Mornell, Margaret S. Osborne, Noa Kageyama, Noa Kageyama, Frank Heuser

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Sémiotique du groupe chez Flaubert by Bernard Gendrel

“…Although some configurations (religious ceremonies, meals, ball or theater evenings, political meetings, etc.) are already used by the literary tradition, the games of modifications, enrichments or displacements operated at the different levels of the “parcours génératif” allow very often, as Greimas put it, to “produce the unexpected with almost nothing”.…”
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Lactobacillus rhamnosus: An emerging probiotic with therapeutic potential for depression by Jing Feng, Qiuyu Cen, Yanru Cui, Xiaomin Hu, Min Li, Linjie Wang, Juanfang Wei, Nianyi Sun, Junyu Wang, Anren Zhang

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Blood glucose management for a patient with esophageal foreign body-induced esophageal perforation combined with mediastinal infection (1例食管异物穿孔伴纵隔感染患者的血糖管理)... by LI Pengping (李鹏萍), SUN Yulian (孙玉莲)

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Systematic review and meta‑analysis of factors predicting postoperative lung function after lung cancer resection by Hongling Wang, Lihong He, Xiaoyun Hu, Gongxue Xian

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O sujeito reconstruído: sobre algumas imagens mallarmaicas na obra de Alejandra Pizarnik by Sérgio Bento

“…However, it is noted, simultaneously, an extreme shift in the behavior of the poetic subject of the Argentinian writer, who - instead of vanishing in the self-referent significant theater - as in Mallarmé ́s -, gets in fl ated and turns the external world into her extension. …”
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Al mismo tiempo, en el mismo lugar de Jorge Tacla: una obra que deja ver lo escondido by Melissa Serrato Ramírez

“…In this interview, the Chilean artist Jorge Tacla explains how he conceived and carried out Al mismo tiempo, en el mismo lugar, which pays tribute to Victor Jara, a musician, songwriter, teacher, theater director, activist and militant of the Communist Party, who was brutally murdered a few days after the coup that overthrew the government of Salvador Allende, on September 11, 1973.…”
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La création scénique galicienne du XXIe siècle face à l’histoire et à la mémoire by Fabrice Corrons

“…It first offers a quick study of this relationship to the past in the Galician theater of previous centuries. The central part is devoted to the representation of the period 1931-1975 (Second Republic, Civil War and Franco’s dictatorship) since 2001 and to the question of memory in the present time. …”
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Cartographier la science-fiction au théâtre by Romain Bionda

“…Numerous examples of shows are presented - from theater, dance, opera, and performance - in order to try to grasp the phenomenon in its complexity. …”
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Quand les jardins résistent à l’art… by Catherine Chomarat-Ruiz

“…It considers the idea that if gardens are accustomed to borrow from the other arts – painting, theater, etc. – there is not a specific garden art. …”
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Valparaíso letrado. Cartografía de los impresos populares porteños al despuntar el siglo XX by Ana Ledezma

“…The spatialization of the printing centers that produced them will make it possible to account for their centrality in the commercial circuit of Valparaíso and the cultural pole exercised by the theater. Its contents will also give an account of a hybrid culture, whose popularity was not determined by belonging to a social stratum, but they come to put on paper that musical taste of the port was a melting pot of mixtures that, like “el plan”, contained all its inhabitants.…”
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Les Europeras de John Cage : de l’opéra au cirque by Antonia Rigaud

“…The Europeras, written late in his career, testify to his attempt to associate his artistic experimentation with theater while pushing on the limits of theatre. The prominent position Cage gave to the theatre in contrast to the rarity of his theatrical work pieces is emblematic of his ambition to re-think the theatre as a locus of experimentation.…”
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« Le cadavre est à terre et l’idée est debout » : le souffle communard sur la scène contemporaine by Nathalie Coutelet

“…If the works include historical personalities and events, and pay particular tribute to the women’s action, they all develop, according to various scenic forms, a reflection that is both political and aesthetic on the today’s theater and society.…”
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Music Drama as a Christian Parable: Mozart’s <i>Idomeneo</i> by Nils Holger Petersen

“…Mozart’s <i>Idomeneo</i> is based on a short episode in François Fénelon’s <i>Télémaque</i>, but also on Antoine Danchet’s adaptation of this episode for the theater in his tragédie lyrique <i>Idoménée</i> (1712; set to music by André Campra). …”
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Analysis and literature review of invasive and noninvasive blood pressure in a case of electrical injury leading to amputation (1例电击伤截肢患者的有创和无创血压分析并文献复习)... by ZHU Yuling (朱玉玲), JIANG Qixia (蒋琪霞)

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Coreografie dell’“Arcipelago” (2015-2023). Estetica, archeologia, ecologia nel lavoro di Annamaria Ajmone con il luogo by Giada Cipollone

“…It involves choreographic episodes primarily developed and experienced outside traditional theater spaces. The composition doesn’t rely on predetermined imagery or formal movement scores but emerges from the interaction between the body and the specific context. …”
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Cine, pedagogía y exilio. Un recorrido entre España y Argentina en los años 40 by Susana Sel

“…Republican exiles who arrived in Argentina in the years '40 contributed to the national película and theater, in a different context of urban practices and socialization experiences away from the avant-garde of social construction in rural Spain of the '30.…”
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Les stations thermales secondaires de Bourgogne-Franche-Comté by Fabien Dufoulon

“…On the fringes of the first-rate resorts, whose size remains relatively modest on a French scale, characterized by the presence of a spa district with its casino-theater, its hotels, and its villas, the exploitation of mineral or thermal water by private entrepreneurs gave birth to secondary stations or "micro-stations" from the mid-nineteenth century onwards. …”
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“La Torre”. La Totentanz dell’Unpolitischen in Hugo von Hofmannsthal by Valeria Maria Lucchetti

“…The prince represents a theater understood as a Kreis, where his “body-writing” is an ethical event because it refers to philanthropists becoming and disappearing. …”
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