Tina O’Toole, The Irish New Woman by Stephanie Eggermont

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Christine Huguet and Simon J. James (eds.), George Gissing and the Woman Question: Convention and Dissent by Catherine Delyfer

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Contradictory Depictions of the New Woman: Reading Edith Wharton’s The Age of Innocence as a Dialogic Novel by Sevinc Elaman-Garner

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‘I should like to see a woman smoking while she was nursing her baby’: The New Woman, Crossdressing, and Humour in Horace William Bleackley’s Une Culotte (1894) by Mariam Zarif

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‘Woman Suffrage Precipice’: The Gender Politics of Laughter in Elizabeth Robins’s The Convert (1907) by Nathalie Saudo-Welby

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White Magic, Black Humour: Ella D’Arcy’s Narrative Strategies by Heather Marcovitch

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‘I roll my cigarette, and cycle to my club’: Playing with Stereotypes and Subverting Anti-Feminism in New Woman Writers’ Contributions to Punch by Katy Birch

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“Having to Think in Inverted Commas”: Feminine Discourse and Foreign Words in Sarah Grand’s The Beth Book (1897) by Nathalie Saudo-Welby

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The “Ambiguous Sex”: Cross-dressing heroines in Sensation and New Woman fiction by Katherine MANSFIELD

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Mocking Andromeda in Julia Constance Fletcher’s The Fantasticks (1900) by Rebecca Nesvet

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The Old Woman’s Farcical Rejuvenation in The Rejuvenation of Miss Semaphore (1897) by Somi Ahn

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Neusachliche Angestellten-Lyrik von Tucholsky, Kästner und Kaléko by Gabriele Sander

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Miss-Taken Identities: The Comedy of Misrecognition in New Woman Short Stories by Margaret D. Stetz

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