Autour de Brecht et Buenaventura by Cristian Bedoya

Subjects: “…théâtre…”
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La matière féerique dans Salammbô by Gesine Hindemith

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La pittura nel film (traduzione di Luca Bernardini) by Karol Irzykowski

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A Brief Survey of Gender Parity in the Theatre Industry by Yeliz Biber Vangölü, Florentina Gümüş

Subjects: “…national theatre at home…”
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Teaching as a performative art by James Godfrey

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Feminist Mothers and Daughters in Top Girls and Yerma by Florentina Gümüş

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Back to the roots? Namíbia, Não!, de Aldri Anunciação by Henry Thorau

Subjects: “…black theatre…”
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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os by Pierre Longuenesse

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La stilizzazione del costume sul palcoscenico e nel film (traduzione di Tamara Đokić) by Milica Babić-Jovanović

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Sergei Eisenstein in the Proletkult by Biggart John, Bulgakowa Oksana

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Perfomer "La Valise" : enjeux méthodologiques by Vinicius Pereira Coelho

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A Division of Character: From Fernando de Rojas’s Celestina to Shakespearean Protagonists by Bogdan Groza

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Indigenous Theatre as Resistance: Toronto as a Nexus for Canada’s Burgeoning Indigenous Theatre Scene from Late 1980s to Early 1990s by Raphaela Pavlakos

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La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire by Michela Niccolai

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Cultural Formation and Transference Processes of Ancient Greek Theatre by Haluk EMİR, R. Eser KORTANOĞLU

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A Robot who could not dance: Generating performative presence among performer, text, and audience through exploring and performing stories by children by Linda Lorenza, Persephone Sextou

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Aleksandr Bogdanov’s Podbor and Proletkult: An Adaptive Systems Perspective by Dudley Peter

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La staffetta delle arti. Un gorilla in un negozio di antiquariato (traduzione di Chiara Rampazzo) by Sergej Obrazcov

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Mechanisms of co-presence in repetitive drama studio performances by Željka Flegar, Grozdana Lajić Horvat

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To Come Out or Not to Come Out: Queer Coming Out in Nine Lives by Zodwa Nyoni by Emre Ozmen

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