« Little grunts, the grins and grimaces of recognition »: Resistance and Exchange in Paul Muldoon and Norman MacBeath’s Plan B by Alexandra Tauvry

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Eyes that hear. The synesthetic representation of soundspace through architectural photography by Elisa Morselli

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Synaesthetic emergence: a scoping review of factors facilitating synaesthetic states in non-synaesthetes through arts engagement by Dominik Havsteen-Franklin, Valeria Perboni

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Walter Pater’s Anders-Streben: as Theory and as Practice by Margaux Poueymirou

“…In this article, I examine Pater’s theory of ‘Anders-streben’ in relation to the concept of synaesthesia and as a context for understanding the role, function and rhetorical style of ‘aesthetic criticism.’ …”
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Marshall McLuhan : un spectre hante-t-il les études médiévales canadiennes ? by Patrick Moran

“…The media-based paradigm developed by McLuhan allows him, in The Gutenberg Galaxy, to depict the Middle Ages as a transitional period, a composite civilization that tends towards the massive domination of visual media and the invention of print, but still retains a foothold in the earlier media environment of the ear and of synaesthesia. The article examines the heuristic value of McLuhan’s theses as well as their influence on the medievalist discourse in Canada, from Paul Zumthor’s critical reception in the early eighties to current approaches based on the philological and codicological renewal of the late twentieth and early twenty-first centuries.…”
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Eudora Welty: Sensing the Particular, Revealing the Universal in Her Southern World  by Pearl McHaney

“…Eudora Welty writes poetic prose that is painted with colors—red, rose, blue, green, silver, black, white, pearly gray, golden-yellow, rich in figurative language, and resplendent in sensory images and synaesthesia. Welty’s art illustrates an extraordinary sensitivity for discovering the South, in particular, but also the world at large. …”
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‘Solving the problem of reality’ in Virginia Woolf’s Flush by Pauline Macadré

“…The reader becomes the witness of a reconfiguration of perception as primeval instincts are inscribed within Flush’s body, smell takes over eyesight and the novel depicts a world distorted by synaesthesia. Despite the human qualities Flush is endowed with, a reversal still occurs which highlights the human beings’ otherness and reduces their/our language to hieroglyphic, undecipherable signs, unable to grasp reality. …”
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