Function of Simile in Symphony “The Dead” by Alireza Asadi, Sara Hosseini

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Le dernier écho d’une symphonie by Philippe Dufour

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„INTERNET SYMPHONY No. 1”: RETHINKING THE ORCHESTRA AS A VIRTUAL COMMUNITY by Bianca ŢIPLEA TEMEŞ

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LIGETI’S ROMANIAN CONCERTO: FROM WAX CYLINDERS TO SYMPHONY ORCHESTRA by Bianca ŢIPLEA TEMEŞ

“…Placing cutouts from the printed score side by side with the manuscripts of his transcriptions kept at the Paul Sacher Foundation, one may discover this piece’s origins, and the process by which Ligeti, the “archaeologist” brought the rich stock of Romanian folk music from the wax cylinders to the symphony orchestra. Romanian Concerto not only shows the impact our folk music had on the young Ligeti but also the way in which his collaboration with Romanian ethnomusicologists such as Mircea Chiriac influenced the composition of his first major orchestral piece. …”
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Project symphony: Composing a masterpiece in a science laboratory by Sunghee Lee, Jamie Gudyka, Marnie Skinner, Jasmin Ceja-Vega, Amani Rabadi, Christopher Poust, Caroline Scott, Micaela Panella, Elizabeth Andersen, Jessica Said

“…The symphony they’ve created together is a testament to the transformative power of collaborative undergraduate research – a melody of discovery that continues to evolve and inspire.…”
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Communist anniversaries as a symphony of power and science (case study of Bulgaria) by Ewelina Drzewiecka

“…The discussion offers an interpretation in the light of the Orthodox concept of the symphony of power perceived as a metaphor of the relation between the secular and the spiritual power.…”
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Deciphering the fungal symphony: unveiling the fungal dynamics during the fermentation of traditional Chinese strong-flavor Daqu by Lina Zhao, Wenjing Zhang, Yuting Niu, Xiaohan Chen, Jiuyang Guo, Ying Wu, Ying Wu, Xuan Li, Shaobin Gu, Shaobin Gu, Shaobin Gu

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DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“ by Miklós FEKETE

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Mitochondrial Quality Control Orchestrates the Symphony of B Cells and Plays Critical Roles in B Cell-Related Diseases by Wuhao Li, Peiyang Cai, Ye Xu, Weihong Tian, Licong Jing, Qiaoyi Lv, Yangjing Zhao, Hui Wang, Qixiang Shao

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Symphony of Digital Public Service Innovation in Indonesia: Evidence from Indonesia Public Service Innovation Competition 2014-2022 by M Rizki Pratama, Safarudin Hisyam Tualeka, Arik Prasetya

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»Wir wollen Gesetze aufspüren«. Anton Weberns verworfene Skizzen zu einem dritten Satz der Symphonie op. 21 by Marte Auer

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Unveiling the Microbial Symphony of Amasi: A Targeted Metagenomic 16S rRNA, ITS, and Metabolites Insights Using Bovine and Caprine Milk by Betty Olusola Ajibade, Titilayo Adenike Ajayeoba, Saheed Sabiu, Konstantin V. Moiseenko, Sizwe Vincent Mbona, Errol D. Cason, Tatyana V. Fedorova, Oluwatosin Ademola Ijabadeniyi

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The Church as <i>Res Publica</i> by Cyril Hovorun

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One vision, one platform, one company – power of one. Czy nowy system biblioteczny zrewolucjonizuje bibliotekę? by Piotr Karwasiński

Subjects: “…Symphony…”
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Unravelling the transcriptomic symphony of muscle ageing: key pathways and hub genes altered by ageing and caloric restriction in rat muscle revealed by RNA sequencing by Gulam Altab, Brian J. Merry, Charles W. Beckett, Priyanka Raina, Inês Lopes, Katarzyna Goljanek-Whysall, João Pedro de Magalhães

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CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW by Noémi MIKLÓS

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Marie Louise Göllner, The Early Symphony: 18th-Century Views on Composition and Analysis (= Veröffentlichungen des Staatlichen Instituts für Musikforschung XIV: Studien zur Geschichte der Musiktheorie 5), Hildesheim u.a.: Olms 2004 by Stefan Eckert

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Das zweifelnde Gehör. Erwartungssituationen als Module im Rahmen einer performativen Analyse tonaler und posttonaler Musik by Christian Utz

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Beobachtungen zum Verhältnis von Form und Instrumentation am Beispiel des Menuetts aus W. A. Mozarts Sinfonie Nr. 40 in g-Moll KV 550 by Emmanouil Vlitakis

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Absicht oder Zufall?. Über Terzen- und andere Intervallketten in Brahms’ 4. Sinfonie samt einer neuen Deutung des Zitats im Variationen-Finale by Peter Petersen

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