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Theory of Symbols by the second generation of Russian Symbolists & the Archetypal Theory: Religious, Anthropologic, Cultural Aspects of Succession
Published 2012-12-01Subjects: “…the second generation of russian symbolists…”
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EXPRESSIONIST ECHOES IN “3 AUTUMN” SONGS BY DAN VOICULESCU - STRUCTURE, STYLE, LANGUAGE
Published 2012-12-01“…The analysis reveals technical, stylistic, aesthetic and rhetoric elements characteristic for this stage in the creative trajectory of the composer, such as the choice of Symbolist poetry and the use of post-Expressionist language, represented by the intensely chromatized melodic, the preference for dissonance and the feeling of temporal suspension generated by rhythm abounding in suspensions and exceptional rhythmic divisions. …”
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Un opéra français d’après la Salomé de Wilde, l’appropriation d’un drame
Published 2010-12-01“…By placing the young Judean princess at the heart of the drama and using, in keeping with other symbolist authors, language resembling a musical dialogue, Wilde’s play inspired a number of musicians including Richard Strauss, Alexandre Glazounov and the French composer, Antoine Mariotte.What were the reasons for Mariotte’s enthusiasm for his English contemporary’s play ? …”
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TROIS POÈMES DE STÉPHANE MALLARMÉ: A DEBUSSY-RAVEL COMPARISON
Published 2013-06-01“…Despite their large number of mélodies and a particular affinity for the symbolist poet, the relatively unnoticeable examples of settings based on his oeuvre shows an avoidance of the greatly musical and hermetic verses, characteristic for his mature style. …”
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“Le Tétraque se perdait dans un rêve”: Concordance between Flaubert’s Hérodias and Hérodiade by Milliet, Grémont and Massenet
Published 2019-06-01“…Attention is focussed on the “Dance of the Seven Veils”, recreated by innumerable dancers and musicians, particularly in the wake of Oscar Wilde’s Salomé (1893), but whom inevitably returned to Flaubert’s description of the dance as a naturalist source of inspiration which Wilde’s symbolist text was lacking. While Massenet’s opera has always been identified as lacking a dance scene equivalent to the “Dance of the Seven Veils”, this article argues that Hérode’s Act II aria “Vision fugitive” may be read as a drug-induced hallucinatory dance of Salomé before a sexually aroused yet solitary Hérode. …”
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Walter Crane : de l’album considéré comme un des Beaux-Arts
Published 2022-10-01“…His books for young people and their engravings could therefore appear as a separate production from the watercolors and paintings that this symbolist painter exhibited in London galleries and presented at various World Fairs, for example in Paris in 1878 and in Chicago in 1893. …”
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Prose poetry in theory and practice /
Published 2022Table of Contents: “…A form of looking out for each other" : poetics and politics of the contemporary Indian-English prose poem / Divya Nadkarni -- Collaboration, conversation, and adaptation : the prose poetry project and renga attitude / Jen Webb -- Framing catastrophe : the ekphrastic prose poem / Patrick Wright -- "An interlude suspended" : historical biography through the lens of prose poetry / Edwin Stockdale -- Who are the contemporary symbolists? The prose poem and the decorative subjective approach / Ruth Stacey -- One foot; many places : the prose poem's art of standing still while travelling / Jane Monson.…”
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Science et Fiction
Published 2019-12-01“…Science and literature were the two passions of the 19th century, which was characterized by the conflict between the naturalist and positive scientists on the one hand, and the Romantics and symbolists on the other hand. Among the happy epistemocritics, we will find famous French names such as Michel Serres, Henri Atlan, Michel Foucault and many others. …”
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Conversions to Catholicism among Fin de Siècle Writers: A Spiritual and Literary Genealogy
Published 2012-10-01“…They were also influenced by their Pre-Raphaelite predecessors’ interest in the Catholic Middle Ages as well as by their emphasis on the aesthetic dimension of religious experience, and claimed their kinship with the art for art’s sake creed of French Parnassians and Symbolists (Gray, in particular, translated several of Verlaine’s Catholic poems). …”
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