Tree Species Diversity, Richness, and Similarity in Intact and Degraded Forest in the Tropical Rainforest of the Congo Basin: Case of the Forest of Likouala in the Republic of Cong... by Suspense Averti Ifo, Jean-Marie Moutsambote, Félix Koubouana, Joseph Yoka, Saint Fédriche Ndzai, Leslie Nucia Orcellie Bouetou-Kadilamio, Helischa Mampouya, Charlotte Jourdain, Yannick Bocko, Alima Brigitte Mantota, Mackline Mbemba, Dulsaint Mouanga-Sokath, Roland Odende, Lenguiya Romarick Mondzali, Yeto Emmanuel Mampouya Wenina, Brice Chérubins Ouissika, Loumeto Jean Joel

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Large range sizes link fast life histories with high species richness across wet tropical tree floras by Timothy R. Baker, Stephen Adu-Bredu, Kofi Affum-Baffoe, Shin-ichiro Aiba, Perpetra Akite, Miguel Alexiades, Everton Almeida, Edmar Almeida de Oliveira, Esteban Alvarez Davila, Christian Amani, Ana Andrade, Luiz Aragao, Alejandro Araujo-Murakami, Eric Arets, Luzmila Arroyo, Peter Ashton, Suspense A. Averti Ifo, Gerardo A. C. Aymard, Michel Baisie, William Balee, Michael Balinga, Lindsay F. Banin, Olaf Banki, Christopher Baraloto, Jorcely Barroso, Jean-Francois Bastin, Hans Beeckman, Serge Begne, Natacha Nssi Bengone, Nicholas Berry, Wemo Betian, Vincent Bezard, Lilian Blanc, Pascal Boeckx, Damien Bonal, Frans Bongers, Francis Q. Brearley, Roel Brienen, Foster Brown, Musalmah Bt. Nasaradin, Benoit Burban, David F. R. P. Burslem, Plinio Camargo, Jose Luis Camargo, Wendeson Castro, Carlos Ceron, Victor Chama Moscoso, Colin Chapman, Jerome Chave, Eric Chezeaux, Murray Collins, James Comiskey, David Coomes, Fernando Cornejo Valverde, Flavia R. C. Costa, Aida Cuni-Sanchez, Lola da Costa, Douglas C. Daly, Martin Dančák, Armandu Daniels, Greta Dargie, Stuart Davies, Charles De Canniere, Thales de Haulleville, Jhon del Aguila Pasquel, Geraldine Derroire, Kyle G. Dexter, Anthony Di Fiore, Marie-Noel K. Djuikouo, Jean-Louis Doucet, Vincent Droissart, Gerald Eilu, Thaise Emillio, Julien Engel, Bocko Yannick Enock, Fidele Evouna Ondo, Corneille Ewango, Sophie Fauset, Ted R. Feldpausch, Muhammad Fitriadi, Gerardo Flores Llampazo, Ernest G. Foli, Gabriella Fredriksson, David R. Galbraith, Martin Gilpin, Emanuel Gloor, Christelle Gonmadje, Rene Guillen Villaroel, Jefferson Hall, Keith C. Hamer, Alan Hamilton, Olivier Hardy, Terese Hart, Radim Hédl, Rafael Herrera, Niro Higuchi, Claude Marcel Hladik, Eurídice Honorio Coronado, Isau Huamantupa-Chuquimaco, Walter Huaraca Huasco, Wannes Hubau, Muhammad Idhamsyah, Sascha A. Ismail, Kath Jeffery, Eliana Jimenez, Tommaso Jucker, Elizabeth Kearsley, Lip Khoon Kho, Timothy Killeen, Kanehiro Kitayama, William Laurance, Susan Laurance, Miguel Leal, Simon L. Lewis, Stanislav Lhota, Jeremy Lindsell, Gabriela Lopez-Gonzalez, Jon Lovett, Richard Lowe, William E. Magnusson, Jean-Remy Makana, Yadvinder Malhi, Beatriz Marimon, Ben Hur Marimon Junior, Andrew Marshall, Colin Maycock, Faustin Mbayu, Casimiro Mendoza, Irina Mendoza Polo, Faizah Metali, Vianet Mihindou, Abel Monteagudo-Mendoza, Sam Moore, Patrick Mucunguzi, Jacques Mukinzi, Pantaleo Munishi, Laszlo Nagy, Petrus Naisso, David Neill, Adriano Nogueira Lima, Percy Nunez Vargas, Lucas Ojo, Walter Palacios, Nadir Pallqui Camacho, Alexander Parada Gutierrez, Julie Peacock, Kelvin S.-H. Peh, Antonio Pena Cruz, Colin Pendry, Toby Pennington, Maria Cristina Penuela-Mora, Pascal Petronelli, Oliver L. Phillips, Georgia Pickavance, G. John Pipoly, Nigel Pitman, Axel Dalberg Poulsen, Ghillean T. Prance, Adriana Prieto, Richard B. Primack, Lan Qie, Simon A. Queenborough, Terry Sunderland, Carlos Quesada, Freddy Ramirez Arevalo, Hirma Ramirez-Angulo, Jan Reitsma, Maxime Réjou-Méchain, Anand Roopsind, Francesco Rovero, Ervan Rutishauser, Kamariah Abu Salim, Rafael Salomao, Ismayadi Samsoedin, Muhd Shahruney Saparudin, Juliana Schietti, Ricardo A. Segovia, Julio Serrano, Rafizah Serudia, Douglas Sheil, Natalino Silva, Javier Silva Espejo, Marcos Silveira, Murielle Simo-Droissart, James Singh, Bonaventure Sonké, Thaise Emilio Lopes De Sousa, Juliana Stropp, Rahayu Sukri, Terry Sunderland, Martin Svátek, Michael Swaine, Hermann Taedoumg, Joey Talbot, Sylvester Tan, James Taplin, David Taylor, Hans ter Steege, John Terborgh, Armando Torres-Lezama, John Tshibamba Mukendi, Darlington Tuagben, Peter van de Meer, Geertje van der Heijden, Peter van der Hout, Mark van Nieuwstadt, Bert van Ulft, Rodolfo Vasquez Martinez, Ronald Vernimmen, Barbara Vinceti, Simone Vieira, Ima Celia Guimaries Vieira, Emilio Vilanova Torre, Jason Vleminckx, Lee White, Simon Willcock, Mathew Williams, John T. Woods, Tze Leong Yao, Ishak Yassir, Roderick Zagt, Lise Zemagho

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Contemporary Hollywood Crime Film and the New Individualism by Luis M. García-Mainar

“…It explores the ways in which such conventions as crosscutting and suspense, the victim-hero of the thriller, or the trope of self-assertion through escape from the social space both articulate the New Individualism discourse and are transformed under its influence.…”
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Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction by Stéphanie Durrans

“…Although Harriet Prescott Spofford appears to have given up the genre of detective fiction in the late 1860s, she actually used it as the foundation for works in which suspense, sudden revelations and unexpected final twists serve her investigation of various social ills, especially those affecting the place and condition of women in the society of her times. …”
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Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ? by Sarah Hatchuel

“…It transforms the shooting of the feature film into a suspense narrative in which the director becomes a double of the hero in the fiction. …”
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Dramatic Jouissance in Edward Bond’s Born by Kate KATAFIASZ

“…The article suggests that these disturbances to audio visual synchrony may be used to stage Lacan’s ‘fluid’ relationship between signifier and signified, allowing audiences to encounter “radical points in the real” characterised by souffrance – a painful suspense, where reality is “awaiting attention” (Seminar XI 55, 56). …”
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Faire obstacle à la vérité et tromper les attentes : Hitchcock et Wilder comme on les connaît peu by Julie Michot

“…This article intends to study the numerous similarities in style and content between these two unusual films—Hitchcock deciding to mix suspense and surprise; Wilder experimenting Hitchcock’s methods—, and it also seeks to analyze the various strategies developed by the directors to manipulate their public brilliantly.…”
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SUSTAINABLE HUMAN RESOURCE MANAGEMENT RELATIONSHIP WITH THE HUMAN RESOURCE RISK REDUCTION by Azra Ahmić, Selma Smajlović

“… Being exposed to tempestuous transformations and complexities in environment, contemporary enterprises are characterized by grand extent of suspense, unsteadiness and changeability.  Increased number of risks, especially with regard to managing human resources, do not cause only temporarily troubles for standard business activities, but can be much more devastating – calling into question company's survival. …”
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SUSTAINABLE HUMAN RESOURCE MANAGEMENT RELATIONSHIP WITH THE HUMAN RESOURCE RISK REDUCTION by Azra Ahmić, Selma Smajlović

“… Being exposed to tempestuous transformations and complexities in environment, contemporary enterprises are characterized by grand extent of suspense, unsteadiness and changeability.  Increased number of risks, especially with regard to managing human resources, do not cause only temporarily troubles for standard business activities, but can be much more devastating – calling into question company's survival. …”
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Existential Anxiety in connection with Gothic Aesthetics in Forūgh Farrokhzād's Poetry by Ghodsieh Rezvanian

“…This article, using an analytical descriptive method, examines how gothic aesthetics converges with existential anxiety and its manifestations, loneliness, doubt and suspense in the two metaphors of wind and night in her poetry and concludes that Farrokhzād lived the philosophy of existentialism in her poetry.…”
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Le texte victorien à l’âge postmoderne : jouvence ou sénescence ? Fingersmith de Sarah Waters et le mélodrame victorien by Georges Letissier

“…Through a contrastive, dialogic method of reading, it can be shown that Waters felicitously weaves together masterly-contrived plots from her Victorian predecessors, in order to sustain suspense, while setting the lesbian issue high on her narrative agenda. …”
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La science-fiction en Allemagne (de l’Ouest) et ses possibles au miroir du prix Kurd-Lasswitz by Hans Esselborn

“…Au bout du compte, on note un dépérissement significatif du discours scientifique originel de la science-fiction au profit de la narration à suspense.…”
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The Image of Central European Immigrant in Popular Fiction and Its Adaptations: A Case Study of the Detective Murdoch/Murdoch Mysteries Series by Biljana Oklopcic

“…The aim of this paper is to examine (1) how the mystery formula in Canadian popular print and TV media constructs the image of Central European immigrant and (2) to what extent the mystery formula in Canadian popular print and TV media relies on stereotypes to create entertainment with rules known to everyone, allowing them to participate in its models of suspense and resolution. The analysis focuses on Maureen Jennings’s Detective Murdoch series (Except the Dying (1997), Poor Tom Is Cold (2001), and Vices of My Blood (2006)) and its TV adaptation Murdoch Mysteries (2008–).…”
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Cormac McCarthy’s The Road : Rewriting the Myth of the American West by Aitor Ibarrola-Armendariz

“…In spite of his deadpan naturalism and rather laconic language use, the author manages to keep his readers on their toes thanks to the novel’s much accomplished suspense concerning the fate of the two protagonists. …”
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Exhausting the (Human) Problem by Annalaura Alifuoco

“…Through the sculptural works of Berlinde De Bruyckere, where organic and synthetic matters merge in states of suspension, we witness exhaustion’s capacity to reshape relations between bodies, forms, and forces. …”
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Dramatic and Cinematic Potentials of the Fifth Dome in Nizami's Haft Peykar by Heydar Ali Dahmarde, Hojat Raeisi

“…This combination of suspense and conflict underscores the potential for this narrative to become a standout cinematic experience that captivates modern viewers.…”
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Semantic link of allusions and non-verbal communication in Ferdowsi's Shahnameh by Zahra Jamshidi, Seyyed Mohammad Arta

“…Irony, as a literary element, brings to mind two external and internal meanings and leaves the reader'sIrony, as a literary element, brings to mind two external and internal meanings and leaves the reader's understanding in suspense and postpones his reception. From the point of view of aesthetics, because it creates images, it creates artistic beauty; Therefore, irony has a special place in literature, and poets have taken advantage of it in order to avoid direct and explicit expression, and they have presented their intention and objectivity in the form of this expression. …”
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