Mina Loy’s Surrealist Strategies of Renewal by Diane Drouin

“…However, although Loy’s poems may have been influenced by this American “renaissance of poetry,” her often overlooked prose autobiographies in prose – that she began in Paris in the 1920s and completed in New York in the 1940s – should be analyzed in the light of the Surrealist renewal of language. Throughout her life, Loy paid tribute to many prominent artists, including Gertrude Stein, Pablo Picasso, Marcel Duchamp, the sculptor Brancusi in her poem “Brancusi’s Golden Bird,” the German painter Richard Oelze, or the American Surrealist Joseph Cornell, who both appear in her Surrealist novel Insel. …”
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Joseph Cornell et les Surréalistes à New York : Dalí, Duchamp, Ernst, Man Ray… by Anne Reynès-Delobel

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Boulevard Saint-Laurent, la Main de Montréal et son Opéra numérique surréaliste en trois actes. Une histoire d’exposition by Sylvie Durand

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A revolução pelos sentidos: traços surrealistas em A fúria do corpo, de João Gilberto Noll by Miguel Heitor Braga Vieira

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Léo Malet ou le roman noir américain made in France by Crystel Pinçonnat

“…A former member of the surrealist movement, Malet, in fact, did not copy but subverted the traditional aesthetics of noir fiction by injecting into it, among other things, the surrealist practice of décollage, a technique that breaks the barriers between literature and the visual arts.…”
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"Compensations of poverty" : la féerie urbaine ou la modernité en question dans "On Third Avenue" et "Ephemerid" de Mina Loy by Laure De Nervaux-Gavoty

“…Her ambivalent response to modernity comes to the fore in the representation of an urban fairyland influenced by the works of Baudelaire, surrealist writers as well as the box constructions of Joseph Cornell. …”
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La cabane éclatée. Morcellement des objets immobiliers apparentés à l’art brut by Roberta Trapani

“…In the early 1930s, Jacques Brunius (1906-1967), poet and filmmaker, introduced the remarkable architecture of a rural postman from Hauterives, Ferdinand Cheval (1836-1924), to the surrealist group. From that time, a slow process of artistic recognition was given to structures similar to this site, dubbed a masterpiece and named the Palais Idéal. …”
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Employing the concept of stacking ensemble learning to generate deep dream images using multiple CNN variants by Lafta Alkhazraji, Ayad R. Abbas, Abeer S. Jamil, Zahraa Saddi Kadhim, Wissam Alkhazraji, Sabah Abdulazeez Jebur, Bassam Noori Shaker, Mohammed Abdallazez Mohammed, Mohanad A. Mohammed, Basim Mohammed Al-Araji, Abdulkareem Z. Mohmmed, Wasiq Khan, Bilal Khan, Abir Jaafar Hussain

“…Such approaches can also be useful for promoting interest in human artwork, particularly surrealist images. Accordingly, in the present, a stacking ensemble Deep Dream model was developed that aids psychiatrists and psychologists in addressing the challenge of mimicking hallucinations. …”
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À l’intérieur des images by Joséphine Alida Jacquier

“…In a striking essay, Jean Seznec could show in how far the almost surrealist character of Flaubertʼs La Tentation de saint Antoine is grounded on scientific readings such as the Symbolism by Friedrich Creuzer. …”
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D’un antipode à l’autre, trajectoire de trois sculptures architecturales kanak by Marie Adamski

“…He came to an agreement with Serge Brignoni, a Swiss surrealist artist living in Paris, giving them and another sculpture to him in exchange for six Melanesian objects. …”
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Shipwreck Architecture by Simon Weir, Sara Rich

“…An academic introduction will connect the tragic aspects of Yuk Hui’s cosmotechnics, to the tragic pairings created by figurative surrealists Rene Magritte and Salvador Dalí, to the ontographic project of shipwreck hauntography. …”
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Sutures génériques et fêlures intérieures chez Charles Burns by Jean-Paul Gabilliet

“…Second he causes genres to clash together by blending narrative clichés from the Fifties’ and Sixties’ most lowbrow pulp fiction and B-movies into quasi-surrealistic plots. Genre stitching results in the hybridization of characters and narratives. …”
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David Lynch’s Los Angeles: Control and Liberation through the Cinematic Image by Jakob Jurisch

“…Arguably, one of America’s greatest cinematic surrealists, David Lynch, boasts a filmography concerned with iconography, the nature of kitsch, and what dark underbellies such images veil. …”
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BROOM: An International Magazine of the Arts (1921-1924) : une revue d’avant-garde américaine by Ambre Gauthier

“…Eliot and Kenneth Burke and that of surrealists Louis Aragon, Philippe Soupault and Blaise Cendrars, juxtaposing the works of Joseph Stella and Charles Sheeler with those of the biggest names in European modern art, such as Pablo Picasso, Henri Matisse, Juan Gris and George Grosz.…”
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