How can cervical screening meet the needs of vulnerable women? A qualitative comparative study with stakeholder perspectives from seven European countries by Partha Basu, Martin McKee, Adriana Băban, Marc Bardou, Ana Fernandes, Margarida Teixeira, Rebecca Moore, Nuno Lunet, David Ritchie, Romeu Mendes, Eric Lucas, Paolo Giorgi Rossi, Rosa Legood, Berit Andersen, Diana Taut, Keitly Mensah, João Firmino-Machado, Mariana Amorim, Mette Tranberg, Laura Bonvicini, Anneli Uusküla, Pia Kirkegaard, Paola Mantellini, Ines Baia, Liu Sun, Lise Rochaix, Camilla Fiorina, Luca Ghirotto, Anna Tisler, Firmino Machado, Rikke Buus Bøje, Raquel Rico Berrocal, Noemi Auzzi, Kerli Reintamm, Yulia Panayotova, Tatyana Kotzeva, Anna Foss, Rachel Greenley, Letizia Bartolini, Giusy Iorio, Cláudia Gouvinhas, Florian Nicula, Alexandra Tolnai, Vanessa Moore, Isabel Mosquera Metcalfe, Violette Delisle, Irina Todorova, Helena Ros Comesana, Meritxel Mallafré-Larrosa, Ginevra Papi, Nicoleta-Monica Pașca, Christiane Dascher-Nadel, Olivra Djuric

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Eulalie, un système documentaire pour préserver la musique électroacoustique basé sur l’ontologie Dorémus by Bernard Jacquemin, Clarisse Bardiot, Alexandre Michaan, Jeanne Westeel, Oudom Southammavong, Daniel Koskowitz

“…The project was born in the context of Art Zoyd Studios, a center for musical creation. One of the missions of this center is to preserve the repertoire of the 20th- and 21st-century pieces involving electronics. …”
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Virtual Reality in China: Is There a Sustainable Business Model for Virtual Reality Content Enterprises? by Shan Yu

“…It is based on two case studies in the form of semi-structured interviews with the founders of Pinta studios and Sandman studios. Questions concerning the development of sustainable VR content production in China are raised. …”
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Stained Glass Windows of the Church of Christ the King in Gliwice. Iconography and Restoration by KOMAR Beata

“…The aim of the article is to present the stained glass windows of both studios and to fill the research gap regarding their activities in Gliwice. …”
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The use of cartoon characters in brand advertising communications by G. V. Dovzhik, K. A. Arzhanova, V. N. Dovzhik

“…To demonstrate the stimulus material, 22 characters from animated films were selected (cartoons of the Soviet period, Disney studios cartoons and other foreign cartoons). For a large number of products, especially for children, the use of cartoon characters is logical and relevant in most cases. …”
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Jeux vidéo : entreprises numériques au croisement du ludique et du narratif by Rémi Cayatte

“…This article is concerned with the evolution of the narrative tools implemented by different development studios over the past five decades. Its goal is to raise the question of the evolution of the nature of stories, and of the space devoted to these stories in video games. …”
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Living and Growing Within a Museum: re-creating video art for preservation by Ana Ribeiro

“…-Sun, it is aimed to understand the creative process that starts at the artists’ studios and follows the artwork through its life within a museum collection.…”
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Super-utilisateurs ou super-spécialistes ? Cartographie des catalyseurs de la transformation numérique en agence d’architecture by Aurélie de Boissieu

“…After more than forty years of the evolution of digital tools, however, architectural studios are still struggling to keep up. Perpetual change is a violence in the workplace that should not be underestimated. …”
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Digging the Digital: Beat Modalities and the Representation of the Beats in Video Games by Tomasz Sawczuk

“…Recent years, which have marked the release of titles such as Fallout 4 (Bethesda Game Studios, 2015) and Life Is Strange (Square Enix, 2015), attest to a certain amount of interest invested in Beat mythos by both indie game developers and the biggest game studios in the world, thereby opening a new chapter in representing the Beats in visual media. …”
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St’át’imcets frustratives as not-at-issue modals by Davis Henry, Matthewson Lisa

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THE MUMMY in context by Richard Freeman

“…The context of the Great Depression and its effects on Universal Studios will be shown to have a significant influence on the decision to make the film.  …”
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Le cinéma américain : un impérialisme culturel ? by Nathalie Dupont

“…It is not a new trend and it is true that the American studios have always tried to have the biggest market share in all the countries showing their films. …”
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La sociabilité des chaises longues by Paul Aron

“…Studies on literary sociability have mainly taken into consideration the places where writers could meet voluntarily, such as cafés, artists' studios, editorial boards of magazines or fairs. The study of sanatoriums makes it possible to take an interest in another kind of sociability: that of long-term internment linked to the disease. …”
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Hollywood adaptations of comic books in a post-9/11 context: the economic and cultural factors by Nathalie Dupont

“…All this explains why American studios have successfully adapted (and/or distributed) many comic books over the past few years. …”
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New Terms to Define the Field of Design by Alberto Bassi, Lucilla Calogero

“…The project investigated the present-day reality of design studios in the Veneto region, to understand the transformations that have occurred in the ways of thinking and acting tied to the modification of the areas of intervention and the design skills that are expected from the designers. …”
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From Chicago to Hollywood: the Metamorphosis of V.I. Warshawski by Nicole Décuré

“…Warshawski, and Jeff Kanew’s adaptation for the Disney studios, the article attempts to show how the subversive elements of the novels are weakened in the film and the unconventional heroine finds herself in the eternal roles of seductress and mother, which she is not in the fiction. …”
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Editorial: Affirmation? How to Learn to Live with ‘The Others’ Through Design by Enrique Nieto Fernández, Ester Gisbert Alemany

“…We will meet with disobedient ants, cultural management, invasive plants, ancestral knowledges, unstable amphibians, women’s communities, changing climates, Indigenous peoples, environments, and publics that—all together—design a ‘we’ that is always in formation, affecting the places where we work, the studios where we design, the classrooms where we learn, or the epistemologies from which we articulate our relationship with otherness. …”
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« L'État de tous les spectateurs » by Irina Tcherneva

“…The movie theatres’ and the studios’ financial plans are based on the absolute number of spectators and screenings. …”
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« Nul n’entre ici s’il n’est géomètre ». Mathématiques, sciences et philosophie à l’école élémentaire : instaurer un nouveau rapport au savoir grâce à des discussions à visée philo... by Yvan Malabry, Edwige Chirouter

“…The present article goes out of the precise frame of the didactics of to philosophize to be interested in the consequences, in the effects, which these studios can have on the other school disciplines, and in particular on the Sciences and the Mathematics. …”
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Sequential film marketing in China: The study of social platforms and their impacts by Yuntsai Chou, Wei Lin

“…Because the Chinese movie market is regarded as the second-largest market worldwide, with digital advertising accounting for more than 50 % of a film's total expenditure, exploring the marketing effects of social platforms on box office performance in China is crucial for Hollywood studios. In this study, we defined a sequential process consisting of two marketing modes: broadcast before theatrical release and electronic word of mouth (eWOM) after release. …”
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