Stucco keratosis: a common yet poorly understood phenomenon by Neakiry Kivi, Louise Reiche

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La maison de la Harpiste et son décor à Arles (Bouches-du-Rhône) : nouvelles données sur l’occupation tardo-républicaine d’Arelate by Marie-Pierre Rothé, Julien Boislève, Sébastien Barberan

“…The diversity and exceptional quality of the decorative ornaments of this house give a new insight into the knowledge of late Republican decorative modes: wall painting of the second Pompeian style, stucco and pavements.…”
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Jan Václav Michna z Vacínova a emblematická výzdoba kostela sv. Jakuba Většího v Kratonohách by Pavel Panoch

“…The baroque vaults were covered by the stucco net of painted emblems of devotional themes. …”
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Le lieu-dit des « Trois-Piliers » : un ensemble à caractère monumental du iiie s. apr. J.-C. dans la périphérie nord-est de Reims/Durocortorum ? by Philippe Rollet, Émilie Jouhet

“…The other metal elements (such as hangers), consisting of a hook and a riveted pin, suggest the presence of a suspended ceiling or false ceiling, likely made of wood, insofar as no other type of material (stucco or terracotta tiles, for example) were identified among the burned remains.…”
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Rome à la campagne : les décors en pierre de la villa de la Grande Boussue à Nouvelles (Mons, Belgique) by Catherine Coquelet, Roland Dreesen, Éric Goemaere, Éric Leblois, Marie-Thérèse Raepsaet-Charlier

“…In the fire and demolition layers some remains of paintings were found as well as stucco and especially, 1479 fragments of stones belonging to its wall revetments.The most remarkable pieces are the crustae in Giallo antico, white Mediterranean marble (Carrara?) …”
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Villa d’époque romaine et habitat médiéval à Mont-Saint-Jean (Sarthe) : bilan des recherches 2008-2020 by Florian Sarreste, Paul-André Besombes, Phaedra Bouvet, Chloé Genies, Étienne Jaffrot, Florian Jedrusiak, Thomas Jubeau, Anthony Ledauphin, Annaïg Le Martret, Christophe Loiseau, Hugo Meunier, Aurore Noël, Sandrine Paradis-Grenouillet, Boris Robin

“…Based on observations of the pars urbana’s western pavilion and using data from the geophysical surveys, it is possible to suppose that the residence buildings were in turn destroyed and then rebuilt in solid form and provided with robust masonry walls, cement floors, painted plasterwork, stucco and at least one mosaic. The stream running through the villa, whose original course is unknown, was then diverted to create a pleasure canal running along the south-western portion of the residential enclosure. …”
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