SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS by Adél FEKETE

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Acoustic features of instrumental movie soundtracks elicit distinct and mostly non-overlapping extra-musical meanings in the mind of the listener by Karleigh Groves, Morwaread Mary Farbood, Brandon Carone, Pablo Ripollés, Arianna Zuanazzi

“…We systematically investigated how acoustic features of instrumental soundtrack excerpts (e.g., tempo, loudness) contributed to mental imagery of movie scenes. …”
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À l’écoute des adaptations de Madame Bovary by Mary Donaldson-Evans

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The Cinematic Visions and Dreams of Edgard Varèse by Gabriele

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New Musical Writing Processes for Cinema by Roberto Calabretto, Luca Cossettini, Donald Greig

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Kompositorische Effizienz und dramaturgische Vielfalt. Der Fabelzusammenhang in der Filmmusik Ennio Morricones und die Beziehungen zu narrativ wirksamen Topik-Reihen by Robert Rabenalt

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“Key to the highway”: blues records and the great migration by Louis Mazzari

“…The theme is the way black southerners used the blues as the soundtrack of the Great Migration. In a sense, the Delta blues was a musical travel narrative for tens of thousands of people who were leaving the rural South for an unknown, modern and industrial future. …”
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Evaluating the utilization of public art capabilities in cultural-led regeneration (Case study: Oudlajan neighborhood) by mahmood ARVIN, Mahsa ghaneh, ahmad pourahmad

“…In the interim animated film, the video playback index has the most impact and the least impact is the soundtrack.…”
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Finding a rhythm within by Jan-Albert van den Berg

“…Although each of these soundtracks represents a unique story, together they create a harmonious melody, as in the central metaphor of polyphony. …”
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