The Salon as an Arena of Secularization. Music performed on Intimate Stages in the last decades of the 18 century. New perspectives on the function of the Salons by Merethe Roos

“…Bach breaks with the prevailing norm for such songs, and by doing so, he creates tension between the traditional religiosity of the text and the novel secularization of the setting. …”
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Gênero em desafio: das trobairitz provençais às repentistas nordestinas by Luciana Eleonora de Freitas Calado Deplagne

“…Thus, we try to identify the dialogue between the matches of women repentistas and the dialogued medieval songs – the tensons of the provençal trobairitz and the satirical verses of the women poets from the Al-andalus. …”
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Le corpus de poésie dite « populaire » comme matériau de recherche pour les sciences humaines et sociales by Youcef Djedi

“…That was this poetry which gave these songs, among which some acquired a liturgical status (or almost). …”
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« Don’t call me Nigger, Whitey » by Valérie Bonnet

“…The corpus is based on documents produced by the Afro-American population that have contributed to the construction of its identity: popular songs, founding political speeches, manifestos of the 1960s till today and online discussion groups.…”
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Attualizzare Dante : prospettive di ricerca nei manuali di letteratura per la scuola italiana by Simone Marsi

“…The academic research on Dante Alighieri has recently focused its attention on the modernization of his works, analyzing, for example, the rewriting of Divine Comedy in pop culture (songs, comics, cinema, videogames, etc.). The aim of this article is to investigate the way in which Dante’s works are modernized in some popular Italian literature textbooks, to understand how his figure can be disseminated among generations of Italian students by a non-historical or non-chronological point of view.…”
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Das Erwachen des Kentauren by Sylvia Kratochvil

“…The constellation of this figure is based on the Ode Chiron introducing the Night Songs as well as on its earlier version, The Blind Singer. …”
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Satire politique et sociale dans les opérettes de Gilbert et Sullivan by Anita Cornic

“…Beyond the merry and pleasant songs which remain part and parcel of the English cultural heritage, the shafts directed against the social and political institutions (especially the House of Lords and the class system) have lost none of their piquancy and even relevance for today’s audience.…”
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Le consensus brûle : le punk, violences et conflits en Allemagne de l’Est et de l’Ouest (1976-1982) by Pierre Raboud

“…It can be identified in songs’ lyrics and in fanzines’ visuals. Between proclamation and protest, violence can also adopt different meanings when taking the relations between the punk scene and society into account. …”
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Caractéristiques rythmiques du chant de l'indri et nouvelles perspectives pour une évaluation comparative du rythme chez les primates non humains by Marco Gamba, Valeria Torti, Chiara De Gregorio, Teresa Raimondi, Longondraza Miaretsoa, Filippo Carugati, Walter Cristiano, Rose M. Randrianarison, Giovanna Bonadonna, Anna Zanoli, Olivier Friard, Daria Valente, Andrea Ravignani, Cristina Giacoma

“…Following that study, we aimed to investigate whether songs of indris (Indri indri), the only singing lemur, may show similar features. …”
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Herramientas discursivas e imaginación política en las músicas de los blocos afro de Salvador de Bahía by Carolina Fernández Cordero

“…From a socio-historical approach, we analyse their songs considering the word (with melody, percussion and dance) emerges as another discursive tool in the emancipatory political imagination of the black community. …”
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Social Media Will Tell Your Story: The Digital Strategy of #Ham4Ham by Ismael Lopez Medel

“…These included Hamilton songs, covers of other musicals, and different performing arts. …”
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Políticas sonoras y música popular en el reciente conflicto social peruano (2022-2023) by Mónica Cárdenas Moreno

“…For its part, the population accompanies its mobilisations with music, makes political use of festivities and dances to express its rejection of the government, and creates a series of songs that seek to structure a network that channels protests into new democratic forms of participation.…”
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“Dame tu fuerza, Pegaso”: cultura televisiva, música africana, copia e intertextualidad en el género de la champeta criolla by Andrés Gualdrón Ramírez

“…It is known for imitating and copying various African and Antillean music. Since the 1990s, its songs have combined this recycling of Afro-diasporic music with references to global popular television culture. …”
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Dépendance et attraction dans la poésie de Màiri MacPherson by Jean Berton

“…Her poems were first of all lyrics for popular songs. This implies a greater sense of sharing of feelings and opinions with her audiences constituting the whole community of Skye that were upset by the clearances and the subsequent political and economic policies.…”
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Ecology and theology together within African Pentecostals worship liturgy by N. Sande

“…This studyuses qualitative data to explore how hymnal worship songs construct and dialogue ecotheological notions. …”
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The Lion’s Share of Laughter: A French Angle on the Dramaturgy of Pyramus and Thisbe by Richard Hillman

“…Malgré quelques correspondances assez frappantes de part et d’autre avec Le songe, il ne s’agit pas de textes-sources mais plutôt d’intertextes. …”
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Mel et sal. Suavité et sévérité de la voix dans Twelfth Night by François Laroque

“…In Twelfth Night, the characters’ voices, now acerbic, now suave, turn language into a real chamber of echoes when the sounds and songs of carnival, charivari, buffoonery and folly are alternately heard besides the sweet musical strains. …”
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The Power of Conformity: Music, Sound, and Vision in Back to the Future by Marc Priewe

“…I argue that the film employs music strategically in order to convey a nostalgic view of American culture and society in the 1950s by including certain songs and excluding others, as well as by a score that is deeply rooted in the traditions of Hollywood film music. …”
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PHILOSOPHICAL FEATURES OF THE CHINESE MUSICAL TRADITION. GENERAL ANALYSIS by Liu Yongxu

“…The ritual musical tradition arose and developed on the basis of a deep philosophical analysis of the experience of the formation of music and songs of the states of ancient China, conducted by Kung-tzu and his followers. …”
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Feature Extraction of Music Signal Based on Adaptive Wave Equation Inversion by Tianzhuo Gong, Sibing Sun

“…The preprocessing process usually includes antialiasing filtering, digitization, preemphasis, windowing, and framing. Songs in the popular wav format and MP3 format on the Internet are all songs that have been processed by digital technology and do not need to be digitalized. …”
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