Musical Sequence Learning and EEG Correlates of Audiomotor Processing by Matt D. Schalles, Jaime A. Pineda

“…After training, we recorded EEG of subjects listening to the song they learned to play, a transposed version of that song, and a control song with different notes and sequence from the learned song. …”
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Evidence that flocking behavior is rewarded by singing, flock mates, and mu opioid receptors in the nucleus accumbens. by Alyse N Maksimoski, Taviah A Levenson, Changjiu Zhao, Lauren V Riters

“…European starlings, Sturnus vulgaris, develop strong conditioned place preferences for places associated with the production of song in flocks outside the breeding season (gregarious song) and singers are motivated to rejoin the flock following removal. …”
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Social context affects sequence modification learning in birdsong by Lioba Fortkord, Lena Veit

“…Social interactions are crucial for imitative vocal learning such as human speech learning or song learning in songbirds. Recently, introducing specific learned modifications into adult song by experimenter-controlled reinforcement learning has emerged as a key protocol to study aspects of vocal learning in songbirds. …”
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Stylistic features of the translation of the poem by A. Chobat “Vaclav Ivanovsky” into Russian by Lamm Maria Andreevna

“…The paper studies the features of the literary translation of the Belarusian poem and song “Vaclav Ivanovsky” into the Russian language. …”
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The Role of Lyrics in Estonian Literature: Three Exemplary Cases by Anneli Niinre

“… Song lyrics are usually positioned in the margins of literature and tend not to be in the first line when writers and their works are discussed. …”
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Perlawanan Bangsa Palestina Dalam Lagu Zalzil Amna Israel Karya Grup Nashid Fariq Wa’d ( Kajian Semiotika Charles Sander Pierce ) by Saputra Husein Siregar, Fahriany

“…This research is titled Resistance in the song Zalzil Amna Israel by Nashid Wa'd group, in the song Zalzil there are symbols of resistance that are called to the Palestinian people to the Israeli Zionist Occupiers, so, in this case, the author seeks to explain where the symbols of the signs that exist in the lyrics of the song Zalzil which shows the aesthetic resistance to Israel, by using Charles Sander Pierce's analytical knife as a means of dissecting the Zalzil song to find the meaning or sign of resistance in the lyrics of the Zalzil song, with the Triadic Concept or Charles Sander Pierce's triangle sign, namely: Representamen, Object, Intepretan. …”
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The Power of Folk Music: City Branding, Musical Imaginaries, and Tourism-induced Placemaking in Yulin, Chengdu (China) by Shuyue Chen

“…Although its name is well known by locals, Yulin was suddenly exposed to the wider public of the country due to a folk song. In 2017, a folk musician, Zhao Lei, performed his song, Chengdu, on Hunan TV. …”
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Cançó en llengua minoritzada i revitalització by Eric Fraj

“…Nevertheless, if the benefits of the song are obvious in terms of the revitalization of a minority language, we must question the limits of such a practice. …”
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THE RECLAIMING CUBAN CULTURAL IDENTITY WHILE LIVING AS A CUBAN DIASPORA IN AMERICA AS DEPICTED IN CAMILA CABELLO “HAVANA” by Tan Michael Chandra

“…As culture is intertwined with place of origin, diasporic community often experience difficulty to identity themselves as they are located outside their culture of origin.By using Hall’s Cultural Identity, Bhabha’s Hybridity, and Historical Biographical approach, this paper shall dissect such notion of reclaiming the diasporic’s own culture as depicted in Camila Cabello’s most famous song “Havana.” Upon closer scrutiny, what at first glance considered as a simple love song underlines the cultural notion behind it.  …”
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Perineuronal nets in motor circuitry regulate the performance of learned vocalizations in songbirds by Xinghaoyun Wan, Angela S. Wang, Daria-Salina Storch, Vivian Y. Li, Jon T. Sakata

“…Across taxa, neural circuits underlying motor learning and control are replete with perineuronal nets (PNNs), and we analyzed how PNNs in vocal motor circuitry regulate the performance of learned song in zebra finches. We report that developmental increases in PNN expression in vocal circuitry are associated with developmental increases in song stereotypy. …”
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TÍN NGƯỠNG ĐA THẦN CỦA NGƯỜI M’NÔNG NHÌN TỪ LÝ THUYẾT CHỨC NĂNG by Võ Thị Thùy Dung

“…Tín ngưỡng đa thần để lại nhiều dấu ấn quan trọng trong đời sống văn hóa dân tộc M’nông. Với những đặc trưng riêng, tín ngưỡng đa thần giúp điều tiết, duy trì sự ổn định cảu cộng đồng trong đời sống bấp bênh, phụ thuộc nhiều vào tự nhiên. …”
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ENGLISH PRONUNCIATION DIVERSITY PRODUCED BY INDONESIAN COVER-SINGERS: A CASE STUDY ON THE YOUTUBE CHANNEL by Ismi Maulina Utami

“…There were three subjects of this study namely RM with song “Memories”, AH with song “Thank You Next”, and HD with song “Comethru”. …”
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Joie et deuil dans les Bestiaires des xiie et xiiie siècles : le cygne et le rossignol by Jean-Marie Fritz

“…The gentle death of the nightingale by dint of singing echoes that of the cicada or the cricket in the bestiaries of the Middle Ages or that of the swan, whose funeral song is also paradoxically a song of joy.…”
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Udmurdi hällilaul: veel kord esmaallika probleemist by Irina Nurieva

“…The first one, similar to many Finno-Ugric peoples, includes improvised songs - the most archaic layer of song folklore. …”
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Does Frankie Go to Hollywood? From American influence to articulatory phonetics: the singing pronunciation of 1980s pop artists by Coline Caillol, Emmanuel Ferragne

“…This article draws inspiration from Trudgill’s foundational paper on pop song pronunciation, where he found that certain British artists such as The Beatles tended to sing in what could be described as an American-influenced accent. …”
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„Dimineaţa poeticească” a lui Ioan Cantacuzino (1757–1828) by Eugen Simion

“…Ioan Cantacuzino’s ‘poetical morning’ attests a precursor, we may say, of Arghezi, an authentic lyrical spirit who is more complex, cultivated and open towards the West than that of other authors of rhymes of his age, as is revealed by such writings as those entitled ‘Cântec beţivesc’ (= A Drunkard’s Song) and ‘Răsuflare’ (= Breath), but more especially by his translations of the ‘Song of Songs’ and, due to a mediated French-channeled assistance, his translations of pre-Romantic English poetry.…”
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Erratum to: Helicity amplitude analysis of χ cJ → ϕϕ by The BESIII collaboration, M. Ablikim, M. N. Achasov, P. Adlarson, M. Albrecht, R. Aliberti, A. Amoroso, M. R. An, Q. An, X. H. Bai, Y. Bai, O. Bakina, R. Baldini Ferroli, I. Balossino, Y. Ban, V. Batozskaya, D. Becker, K. Begzsuren, N. Berger, M. Bertani, D. Bettoni, F. Bianchi, J. Bloms, A. Bortone, I. Boyko, R. A. Briere, A. Brueggemann, H. Cai, X. Cai, A. Calcaterra, G. F. Cao, N. Cao, S. A. Cetin, J. F. Chang, W. L. Chang, G. Chelkov, C. Chen, Chao Chen, G. Chen, H. S. Chen, M. L. Chen, S. J. Chen, S. M. Chen, T. Chen, X. R. Chen, X. T. Chen, Y. B. Chen, Z. J. Chen, W. S. Cheng, S. K. Choi, X. Chu, G. Cibinetto, F. Cossio, J. J. Cui, H. L. Dai, J. P. Dai, A. Dbeyssi, R. E. de Boer, D. Dedovich, Z. Y. Deng, A. Denig, I. Denysenko, M. Destefanis, F. De Mori, Y. Ding, J. Dong, L. Y. Dong, M. Y. Dong, X. Dong, S. X. Du, P. Egorov, Y. L. Fan, J. Fang, S. S. Fang, W. X. Fang, Y. Fang, R. Farinelli, L. Fava, F. Feldbauer, G. Felici, C. Q. Feng, J. H. Feng, K Fischer, M. Fritsch, C. Fritzsch, C. D. Fu, H. Gao, Y. N. Gao, Yang Gao, S. Garbolino, I. Garzia, P. T. Ge, Z. W. Ge, C. Geng, E. M. Gersabeck, A Gilman, K. Goetzen, L. Gong, W. X. Gong, W. Gradl, M. Greco, L. M. Gu, M. H. Gu, Y. T. Gu, C. Y Guan, A. Q. Guo, L. B. Guo, R. P. Guo, Y. P. Guo, A. Guskov, T. T. Han, W. Y. Han, X. Q. Hao, F. A. Harris, K. K. He, K. L. He, F. H. Heinsius, C. H. Heinz, Y. K. Heng, C. Herold, M. Himmelreich, G. Y. Hou, Y. R. Hou, Z. L. Hou, H. M. Hu, J. F. Hu, T. Hu, Y. Hu, G. S. Huang, K. X. Huang, L. Q. Huang, L. Q. Huang, X. T. Huang, Y. P. Huang, Z. Huang, T. Hussain, N Hüsken, W. Imoehl, M. Irshad, J. Jackson, S. Jaeger, S. Janchiv, E. Jang, J. H. Jeong, Q. Ji, Q. P. Ji, X. B. Ji, X. L. Ji, Y. Y. Ji, Z. K. Jia, H. B. Jiang, S. S. Jiang, X. S. Jiang, Y. Jiang, J. B. Jiao, Z. Jiao, S. Jin, Y. Jin, M. Q. Jing, T. Johansson, N. Kalantar-Nayestanaki, X. S. Kang, R. Kappert, M. Kavatsyuk, B. C. Ke, I. K. Keshk, A. Khoukaz, R. Kiuchi, R. Kliemt, L. Koch, O. B. Kolcu, B. Kopf, M. Kuemmel, M. Kuessner, A. Kupsc, W. Kühn, J. J. Lane, J. S. Lange, P. Larin, A. Lavania, L. Lavezzi, T. T. Lei, Z. H. Lei, H. Leithoff, M. Lellmann, T. Lenz, C. Li, C. Li, C. H. Li, Cheng Li, D. M. Li, F. Li, G. Li, H. Li, H. Li, H. B. Li, H. J. Li, H. N. Li, J. Q. Li, J. S. Li, J. W. Li, Ke Li, L. J Li, L. K. Li, Lei Li, M. H. Li, P. R. Li, S. X. Li, S. Y. Li, T. Li, W. D. Li, W. G. Li, X. H. Li, X. L. Li, Xiaoyu Li, Z. X. Li, Z. Y. Li, H. Liang, H. Liang, H. Liang, Y. F. Liang, Y. T. Liang, G. R. Liao, L. Z. Liao, J. Libby, A. Limphirat, C. X. Lin, D. X. Lin, T. Lin, B. J. Liu, C. X. Liu, D. Liu, F. H. Liu, Fang Liu, Feng Liu, G. M. Liu, H. Liu, H. B. Liu, H. M. Liu, Huanhuan Liu, Huihui Liu, J. B. Liu, J. L. Liu, J. Y. Liu, K. Liu, K. Y. Liu, Ke Liu, L. Liu, Lu Liu, M. H. Liu, P. L. Liu, Q. Liu, S. B. Liu, T. Liu, W. K. Liu, W. M. Liu, X. Liu, Y. Liu, Y. B. Liu, Z. A. Liu, Z. Q. Liu, X. C. Lou, F. X. Lu, H. J. Lu, J. G. Lu, X. L. Lu, Y. Lu, Y. P. Lu, Z. H. Lu, C. L. Luo, M. X. Luo, T. Luo, X. L. Luo, X. R. Lyu, Y. F. Lyu, F. C. Ma, H. L. Ma, L. L. Ma, M. M. Ma, Q. M. Ma, R. Q. Ma, R. T. Ma, X. Y. Ma, Y. Ma, F. E. Maas, M. Maggiora, S. Maldaner, S. Malde, Q. A. Malik, A. Mangoni, Y. J. Mao, Z. P. Mao, S. Marcello, Z. X. Meng, J. G. Messchendorp, G. Mezzadri, H. Miao, T. J. Min, R. E. Mitchell, X. H. Mo, N. Yu. Muchnoi, Y. Nefedov, F. Nerling, I. B. Nikolaev, Z. Ning, S. Nisar, Y. Niu, S. L. Olsen, Q. Ouyang, S. Pacetti, X. Pan, Y. Pan, A. Pathak, Y. P. Pei, M. Pelizaeus, H. P. Peng, K. Peters, J. L. Ping, R. G. Ping, S. Plura, S. Pogodin, V. Prasad, F. Z. Qi, H. Qi, H. R. Qi, M. Qi, T. Y. Qi, S. Qian, W. B. Qian, Z. Qian, C. F. Qiao, J. J. Qin, L. Q. Qin, X. P. Qin, X. S. Qin, Z. H. Qin, J. F. Qiu, S. Q. Qu, S. Q. Qu, K. H. Rashid, C. F. Redmer, K. J. Ren, A. Rivetti, V. Rodin, M. Rolo, G. Rong, Ch. Rosner, S. N. Ruan, A. Sarantsev, Y. Schelhaas, C. Schnier, K. Schoenning, M. Scodeggio, K. Y. Shan, W. Shan, X. Y. Shan, J. F. Shangguan, L. G. Shao, M. Shao, C. P. Shen, H. F. Shen, X. Y. Shen, B. A. Shi, H. C. Shi, J. Y. Shi, q. q. Shi, R. S. Shi, X. Shi, X. D Shi, J. J. Song, W. M. Song, Y. X. Song, S. Sosio, S. Spataro, F. Stieler, K. X. Su, P. P. Su, Y. J. Su, G. X. Sun, H. Sun, H. K. Sun, J. F. Sun, L. Sun, S. S. Sun, T. Sun, W. Y. Sun, X Sun, Y. J. Sun, Y. Z. Sun, Z. T. Sun, Y. H. Tan, Y. X. Tan, C. J. Tang, G. Y. Tang, J. Tang, L. Y Tao, Q. T. Tao, M. Tat, J. X. Teng, V. Thoren, W. H. Tian, Y. Tian, I. Uman, B. Wang, B. Wang, B. L. Wang, C. W. Wang, D. Y. Wang, F. Wang, H. J. Wang, H. P. Wang, K. Wang, L. L. Wang, M. Wang, M. Z. Wang, Meng Wang, S. Wang, S. Wang, T. Wang, T. J. Wang, W. Wang, W. H. Wang, W. P. Wang, X. Wang, X. F. Wang, X. L. Wang, Y. Wang, Y. D. Wang, Y. F. Wang, Y. H. Wang, Y. Q. Wang, Yaqian Wang, Z. Wang, Z. Y. Wang, Ziyi Wang, D. H. Wei, F. Weidner, S. P. Wen, D. J. White, U. Wiedner, G. Wilkinson, M. Wolke, L. Wollenberg, J. F. Wu, L. H. Wu, L. J. Wu, X. Wu, X. H. Wu, Y. Wu, Y. J Wu, Z. Wu, L. Xia, T. Xiang, D. Xiao, G. Y. Xiao, H. Xiao, S. Y. Xiao, Y. L. Xiao, Z. J. Xiao, C. Xie, X. H. Xie, Y. Xie, Y. G. Xie, Y. H. Xie, Z. P. Xie, T. Y. Xing, C. F. Xu, C. J. Xu, G. F. Xu, H. Y. Xu, Q. J. Xu, X. P. Xu, Y. C. Xu, Z. P. Xu, F. Yan, L. Yan, W. B. Yan, W. C. Yan, H. J. Yang, H. L. Yang, H. X. Yang, L. Yang, S. L. Yang, Tao Yang, Y. F. Yang, Y. X. Yang, Yifan Yang, M. Ye, M. H. Ye, J. H. Yin, Z. Y. You, B. X. Yu, C. X. Yu, G. Yu, T. Yu, X. D. Yu, C. Z. Yuan, L. Yuan, S. C. Yuan, X. Q. Yuan, Y. Yuan, Z. Y. Yuan, C. X. Yue, A. A. Zafar, F. R. Zeng, X. Zeng, Y. Zeng, Y. H. Zhan, A. Q. Zhang, B. L. Zhang, B. X. Zhang, D. H. Zhang, G. Y. Zhang, H. Zhang, H. H. Zhang, H. H. Zhang, H. Y. Zhang, J. L. Zhang, J. Q. Zhang, J. W. Zhang, J. X. Zhang, J. Y. Zhang, J. Z. Zhang, Jianyu Zhang, Jiawei Zhang, L. M. Zhang, L. Q. Zhang, Lei Zhang, P. Zhang, Q. Y. Zhang, Shuihan Zhang, Shulei Zhang, X. D. Zhang, X. M. Zhang, X. Y. Zhang, X. Y. Zhang, Y. Zhang, Y. T. Zhang, Y. H. Zhang, Yan Zhang, Yao Zhang, Z. H. Zhang, Z. Y. Zhang, Z. Y. Zhang, G. Zhao, J. Zhao, J. Y. Zhao, J. Z. Zhao, Lei Zhao, Ling Zhao, M. G. Zhao, Q. Zhao, S. J. Zhao, Y. B. Zhao, Y. X. Zhao, Z. G. Zhao, A. Zhemchugov, B. Zheng, J. P. Zheng, Y. H. Zheng, B. Zhong, C. Zhong, X. Zhong, H. Zhou, L. P. Zhou, X. Zhou, X. K. Zhou, X. R. Zhou, X. Y. Zhou, Y. Z. Zhou, J. Zhu, K. Zhu, K. J. Zhu, L. X. Zhu, S. H. Zhu, S. Q. Zhu, T. J. Zhu, W. J. Zhu, Y. C. Zhu, Z. A. Zhu, B. S. Zou, J. H. Zou, J. Zu

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“Taak prappa” by Kathie Birat

“…David Dabydeen’s collection of poems Slave Song (1984) represents the Guyanese poet’s attempt to compensate for the silence surrounding slavery and the absence of a significant body of poetry in Creole. …”
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From hinterland granary fort to frontier mountain fortress: Initiation, construction, and expansion of the Diaoyucheng Fortress, Hechuan, China, in the wars during 1125–1279 by Wen Huang, Jiang Feng

“…The Southern Song planned and constructed the Diaoyucheng Fortress at Hezhou of the Sichuan Theatre, during the 13th century. …”
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