Recognizing structure in novel tunes: differences between human and rats by Paola Crespo-Bojorque, Elodie Cauvet, Christophe Pallier, Juan M. Toro

“…Structured melodies were excerpts of Mozart's sonatas. Unstructured melodies were created by the recombination of fragments of different sonatas. …”
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THE GENESIS OF THE PIANO TRIO by Marta CÎRLEJAN

“…Guillemain with their accompanied sonatas, J. Haydn and specially W. A. Mozart, introducing the technique of multiple thematic development marked the path of the piano trio becoming a concert genre in its own right. …”
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›Though this is madness, yet there’s method in it‹. Zur Einordnung harmonischer ›Bizarrerien‹ im Klavierwerk Carl Philipp Emanuel Bachs by Sören Sönksen

“…The following article tries to concretize the aesthetic judgement of ‘bizarreness’; for that purpose it depicts surprising harmonic configurations in several of Bach’s piano sonatas as well as their respectively (un-)expected characteristics and examines them against their historical backdrop. …”
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