Social criticism and tricky irony in Sanai's mind and language by Rouholah Hadi, Mitra Golchin, Mohammadreza Torki, Sima Rahmanifar

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Women Reprimanding Women: The Gothic Parody and its Social Criticism by Kerstin-Anja Münderlein

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Rudolf Fuchs: An Underestimated Cultural Intermediary and Social Critic in Times of Conflict by Konstantin Kountouroyanis

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Échangeur no 9 by Éric Chauvier

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Felix Mitterer et le Volksstück by Marc Lacheny

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Krambambuli ou l’adaptation d’un classique de la littérature et du cinéma by Aurélie Le Née

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Individual and Society in Lu Xun's Works: A Journey from Tradition to Modernism by Ali Kiriktaş

Subjects: “…Individual freedom, cultural revolution, Mao Zedong, social criticism, modernization…”
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The Politics of Circularity in Todd Phillips’s Joker (2019) by Guillaume Mouleux

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‘Hairy ape! So dat’s me, huh?’ La figure simienne comme construction sociale dans The Hairy Ape de Eugene O’Neill by Gwenola Le Bastard

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Apocalypses ouvrières. Théâtre, SF et critique sociale dans les années 1920 by Isabelle Krzywkowski

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Le Musee de Sciences Naturelles, un partenaire de l'école pour une education relative a l'environnement :du message scientifique au débat de société by Cécile Fortin-Debart

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Kırmızı Pazartesi ve Kuyucaklı Yusuf Romanlarının Toplumcu Gerçekçi ve Sosyolojik Eleştiri Bağlamında Karşılaştırmalı Analizi by Ferhan Öztürk

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Vie et critique by Katia Genel

“…In addition to highlighting elements of convergence, it also reveals important differences between the generations of the Frankfurt School with respect to the status accorded to disease and the conception of social criticism more generally.…”
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Protezione dei dati personali, etica, proprietà intellettuale e antropologia culturale e sociale in Italia by Francesca Declich

“…Cultural and social anthropology, characterized by methods such as field work, ethnography, participatory observation, often involved in information and social criticism tasks, shapes its space in the folds of a regulation whose applicative practices are conceived for other disciplinary fields. …”
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La « jeunesse » comme répertoire critique by Jeanne Lamaison-Boltanski

“…For Rastas and rappers in Burkina Faso, the “youth” category therefore becomes a major operator in the development of their capacity for local political and social criticism, which is inseparable from criticism of what they call korocracy, that is to say the power of firstborns.…”
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Inmigración y subalternidad en el cine argentino: Nobleza Gaucha by Pablo Alvira, Ronen Man

“…Most of the artistic and cultural expressions of the period were functional to this project of the dominant class, including cinema, which revealed as an ideal vehicle for the configuration of this collective imaginary, excluded the social criticism and omitted the presence of the subaltern classes. …”
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Da literatura para a infância à literatura de fronteira: Agustín Fernández Paz e Lygia Bojunga by Blanca-Ana Roig Rechou

“…Among several topics discussed, pointing the work of the two authors, it can be mentioned, to highlight the painstaking handling of narrative forms and records, the exploring of the fantastic-realist trend; inter-textuality; the frequent use of peritexts; female protagonists, the taste for taboo topics; and social criticism.…”
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Perigosas brincadeiras:a infância em Marcelo Mirisola e Furio Lonza by Renan Ji

“…Those repre sentations are completely overthrown by farcical nonsense, social criticism and the violence of big cities. …”
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Britten et l’art de la parabole by Gilles Couderc

“…Through the adoption of the model of tragedy and oratorio with Britten’s own tragic heroes and tragic imagery, through the rhetoric of musical devices and forms and through social criticism and his indictment of Bible-thumping and dogmatic intellectuals, Britten the educator strives at raising the consciousness of his audience so as to better spread his humanistic message.…”
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Having Your Cake: Caricaturing the Business Organization in 20th-century and Contemporary American Art and Poetry by David Reckford

“…After that other poets, novelists, and especially visual artists have turned their gaze and their rhetoric towards what might be called the business blind spot in art, to expand art’s demesne dialectically, to engage in subtle social criticism, to reach behind business to get to society or, fascinatingly, in the cases of Andy Warhol, and later Jeff Koons, to create new ambiguities that play on contemporary anxieties, revealing hidden vulnerabilities in modern societies, to those that can see and feel them.…”
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