‘Me, in my class’: Teacher candidates (self-)portraits of their presence in the classroom by Longina Strumska-Cylwik, Mariane Gazaille

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Grandeur et décadence des femmes peintres entre la fin de la monarchie et la première moitié du XIXe siècle by Vera de Ladoucette

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Spectres D’Andy Warhol by Catherine Bernard

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Autoportraits photographiques américains : De la blancheur à l’ombre chez Alfred Stieglitz ; de la nudité au pastiche chez Lee Miller by Marie Cordié-Levy

“…Our aim is to analyse the reasons behind overexposure in two self-portraits, one of Alfred Stieglitz (1911), and another of Lee Miller (1930). …”
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Francesca Woodman, « On Being an Angel » by Juliette Mélia

“…Photography, self-portrait, death, nude, body, politics, feminism…”
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The role of satisfaction in cultural activities’ word-of-mouth. A case study in the Picasso Museum of Málaga (Spain) by María Jesús Carrasco-Santos, Antonio Padilla-Meléndez

“…In a novel approach, an experiment (involving a guided tour of some of Picasso’s shortlisted works and painting a self-portrait) was conducted with 127 first-time Picasso Museum visitors (52.8% Spaniards and 47.2 % international visitors). …”
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O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento by Fabíola Padilha

“…The copious "mes" that integrate the manufacturing of the self-portrait, vestiges left by the other in the self, compose an exact image of his innate movability - pantomimes of the author/actor exhibiting multiple interversions, redefining the task of self-reengen- dering through writing, by postulating that "everything then are daily fictions, that is, infictions, slips, rollings of an I and its others. …”
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An Example-Based Super-Resolution Algorithm for Selfie Images by Jino Hans William, N. Venkateswaran, Srinath Narayanan, Sandeep Ramachandran

“…A selfie is typically a self-portrait captured using the front camera of a smartphone. …”
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Variation sur l’autoreprésentation photographique féminine au tournant du siècle by Marie Cordié Levy

“…In order to understand what drove them on, we propose to study a series of self-portraits by three American photographers: Frances Benjamin Johnston, Ann Brigman and Imogen Cunningham, using the method developed by the historian Carlo Ginsburg and the historian of art Aloïs Riegl, which is akin to Bronislav Malinowski’s participative objectivation1.1. …”
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ANTHROPOLOGY OF VISUAL SELF-OBJECTIFICATION OF THE PAINTER (BASED ON WORKS BY ARTEMISIA GENTILESCHI) by O. M. Goncharova

“…The biographical method was used when working with data on the painter’s life, iconographic and figurative stylistic (techniques of composition, narrative, color characteristics) – when analyzing the art visuals: self-portraits, allegories and narrative paintings. The analytical work was carried out in stages as transition from an iconographic interpretation of paintings with gradual elimination of art and style characteristics as extra-anthropological cultural constants with subsequent anthropological reduction of cultural image. …”
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