Unity in Diversity: the Interaction of Literature and Art of the Major Religious and Cultural Systems of India by O. G. Ultsiferov

Subjects: Get full text

Épistémologie sculpturale, extraction et volume d’être by Catherine Beaugrand, Albert Piette

“…The authors offer an exercise in sculptural epistemology, by comparing various types of sculpture, giving a special place to The Age of Bronze, which Rodin saw as a specific experiment. …”
Get full text

Nepomucká sousoší v Olomouci a v Žarošicích a jejich východočeské paralely. Příspěvek k poznání barokního sochařství na Moravě by Pavel Panoch

“…John of Nepomuk´s iconography in the baroque sculpture of Bohemia and Moravia: martyr´s dropping from the Prague´s Charles Bridge to the river and St. …”
Get full text

Une statue de togatus découverte dans l’agglomération antique de Briord (Ain) by Thomas Le Saint Quinio, Maria-Pia Darblade-Audoin

“…The back of the sculpture is unfinished. Small fractures damage the nose, the left cheek and the chin.The subject depicted by the sculpture is that of a young man, a private citizen, wearing a toga. …”
Get full text

L’art transgenre, vers d’autres expériences corporelles du temps by Luc Schicharin

“…Finally, the performances of Kris Grey’s "Untitled" and Cassils’ "Cuts: A Traditional Sculpture" question the body as a living sculpture: they deconstruct the idea that the medical identification of sex is "the fruitful moment" (Lessing) of gender and the eternal "biological bedrock" (Freud) of subjectivity. …”
Get full text

Alberti, Vasari, Leonardo, from disegno as drawing to disegno as projective milieu by Jean-Louis Déotte

“…In other words, if the apparatuses are the condition for the arts, then the perspective would have “apparatused” painting, sculpture and architecture, like it would have done for theatre (Italian-style staging, the Theatre of Vicenza, Palladio), urban planning (in particular Florence under Lorenzo di Medici), privileging drawing through which it was also presented (the treatises of perspective).…”
Get full text

El mascarón arquitectónico preclásico de la Estructura 3 de Chacté, Guatemala by Carlos Morales-Aguilar, Daniel Salazar Lama, Ivan Šprajc, Richard D. Hansen

“…Archaeological excavations in Chacté focused on Structure 3, the eastern building of an E-Group complex, where an important Preclassic sculpture mask was found. In this paper, we offer a preliminary iconographic interpretation of this sculpture mask that might represent the K’inich Ajaw god, symbolizing the emergence of the sun in the east.…”
Get full text

From Cultural Symbol to Campus “Idol” and Back by Sheri A. Lullo

“… A sculpture known as “The Idol” was, until the summer of 2021, prominently displayed on the campus of Union College in Schenectady, New York. …”
Get full text

Une statue assise gallo-romaine de tradition celtique à Meillant (Cher) by Sophie Krausz, Gérard Coulon

“…This article provides a study of this sculpture which will be added to those of a series of Bituriges Gallo-Roman statues in sitting position.…”
Get full text

Conservation concept for the treatment of biologically induced encrustations and formation of tufa by Martina Haselberger

“…The sculpture of the eastern Naiad Fountain at Schönbrunn made of white marble is covered with calcareous encrustations and secondary grown tufa. …”
Get full text

Le Prince Impérial : le témoignage posthume d’un talent ignoré by Aude Nicolas

“…Famous for his tragic death in Zululand on 1 June 1879, the Prince Imperial nevertheless left behind artworks produced throughout his short life and which reveal his natural talents for drawing and sculpture. This article allows us to explore this little-known aspect of the prince, which shows that beyond the military, he was also an accomplished artist with gifts that were as precocious as they were promising.…”
Get full text

Conservation-restauration de l’œuvre d'un artiste vivant by Julie Chanut

“…This article presents the various phases of a spanish contemporary sculpture's restoration. The goal of the methodology used during the piece documentation was to produce a treatment proposal which fitted the piece's characteristics : its comtemporary nature which brought some intellectual property issues, the originality of the artistic approach, the building process, the material history.…”
Get full text

Enquête interdisciplinaire autour du bodhisattva des Musées Royaux d’Art et d’Histoire de Bruxelles by Audrey Dion

“…Since its acquisition by the museum, the bodhisattva of RMAH had been identified as a Buddhist sculpture from the 10th century made of dry lacquer, a barely known Asian technique. …”
Get full text

Světec, kříž a zbožný krab. Divertimento z barokní hagiografie mezi Západem a Východem by Pavel Panoch

“…Francis Xavier and pious crab monitors examples of Baroque graphics (university theses), painting and sculpture in Central Europe. Older symbolic iconography crab in the European tradition of the West while confronted with moralizing reflection of crab motif in the context of early modern emblematics. …”
Get full text

Le Musée archéologique de la faculté des lettres de Bordeaux (1886) by Marion Lagrange, Florent Miane

“…Founded in 1886, the Archaeological Museum of the Faculty of Letters in Bordeaux is the most visible manifestation of the new perception of sculpture and antique architecture by Archaeologists and, largely, of the transformation of university teaching at the end of the 19th century. …”
Get full text

Le Paradoxe de la comédienne : Peg Woffington selon Charles Reade by Laurent Bury

“…This episode summarizes Reade’s approach : is a living art like theatre to be compared with those « dead » or lifeless arts, painting and sculpture ?…”
Get full text

Le Trône de Grâce : étude et la restauration d’une Trinité lorraine du XVe siècle by Muriel Oiry

“…This intervention, long and delicate, was all the more difficult as the sculpture was covered with hardened black crusts. Only an accurate examination makes it possible to document the different paint layers. …”
Get full text

Pyramide de Joël Hubaut, restauration d’une œuvre mixte by Aurélie Martin

“…In 1983, the french national contemporary art fund - FNAC bought Pyramide, wich is now considered by the institution as a sculpture. It was very deteriorated because of the use of multiple constitutive materials. …”
Get full text