Study of the degradation of 18th century alabaster sculptures through accelerated aging on test samples by Marta Oliveira

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Les techniques de sculpture dans l’Antiquité tardive et le haut Moyen Âge by Thierry Gregor, Anne-Bénédicte Mérel-Brandenburg

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Preparation of High-Refractive-Index Flexible Nanoparticle Laser Engraving Materials and Micro-Nano Sculpture Art by Zhilei Guo, Liling Huang, Li Tian

“…The continuous development of nanotechnology has brought new trends of thought and new impetus to sculpture art. In the field of microengraving, people usually use two-photon engraving technology, but not every particle conforms to the engraving process. …”
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A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love Me by Fabiola Rocco

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Étude et restauration du Christ des Rameaux du musée de l’Œuvre Notre-Dame de Strasbourg by Manon Joubert

Subjects: “…sculpture…”
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Mais je ne suis pas un monument ! by Muriel Prieur

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La sculpture romane de l’abbaye Saint-Géraud d’Aurillac (xie-début xiiie siècle) by Sylvain Chardonnet

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L’imitation des tissus précieux sur quelques sculptures valdôtaines, entre XVe et XVIe siècle by Alessandra Vallet

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Pierre-Yves Kairis, Béatrice Sarrazin, François Trémolières, La restauration des peintures et des sculptures by Muriel Verbeeck-Boutin

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Ancienne abbaye de Saint-Gilles-du-Gard. Nouvelles recherches sur la sculpture architecturale « erratique » by Andreas Hartmann-Virnich, Marie-Pierre Bonetti

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Des images en montages : les chapiteaux du cloître de Sant Pau del Camp à Barcelone (xiie-xiiie siècles) by Aline Benvegnú dos Santos

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“SONATA FOR CLARINET SOLO” BY TIBERIU OLAH by Răzvan METEA

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Une alternative à la sculpture en bois polychromé: les draperies de toiles apprêtées, façonnées et peintes by Florence Carly

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Un corpus de sculptures sur pierre du haut Moyen Âge (Ve-Xe s.) en Gaule du Nord by Laure-Anne Finoulst

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Le cercle d’Autun. Les sources de la statuaire dans la Bourgogne romane by Nadia Bertoni Cren

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La méthode stratigraphique appliquée à l’étude de la sculpture médiévale. La fiche d’unité stratigraphique pour la documentation de la polychromie du crucifix de Forni di Sopra (Udine, Italie) by Nadia Bertoni Cren

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O cruzeiro medieval de Tavira by Daniel Santana, Marco Sousa Santos

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Les calcaires de Lorraine dans l’architecture et la sculpture gothiques de la région mosane. Origine, utilisation et diffusion d’un matériau au Moyen Âge. by David Morel, Emmanuel Bodart, Frédéric Boulvain, Alain Dierckens, Laure-Anne Finoulst, Gilles Fronteau, Johan Yans, Jean-Marie Yante, Mathieu Piavaux

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La non-restauration des statues antiques berlinoises à Paris by Astrid Fendt

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Exploring the role of project-based learning in higher education to promote indigenous knowledge through sculpture students’ engagement with Ghanaian Adinkra symbols by Fredrick Boakye-Yiadom, Evans Kwadwo Donkor, Ronald Osei Mensah

“…Abstract This study explores the integration of Project-Based Learning (PBL) within the higher education context, focusing on sculpture learners’ projects based on Ghanaian Adinkra symbols and their engagement with Indigenous Knowledge Systems (IKS). …”
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