Les vitraux de l’École de Pharmacie de Paris by Françoise Gatouillat

“…The new school was richly decorated with sculpture, wall-painting and stained-glass. According to the architect’s wishes, Émile Hirsch, his collaborator on previous restoration operations, was commissioned for the stained-glass windows. …”
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Finding provenance, seeking context by Peter Mark

“…If, therefore, one assumes that some of the works were produced in the northern range of ‘Sape’ occupation, present-day Guinea-Bissau, it then becomes advisable for the art historian to compare these ivories with the rich corpus of wood sculpture made by the groups whose ancestors belonged to or lived adjacent to the northern ‘Sapes’. …”
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Glorifier dans la pierre : nouvelles observations sur la production épigraphique de Guillaume Philandrier (1505-1565) à Rodez by Caroline de Barrau-Agudo

“…In 2006 archaeological work brought to light 2500 fragments of sculpture, the results of voluntary destruction of medieval and modern statuary during the Revolutionary period. …”
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Document publication. Survey of 1545 Livonia and the Great Duchy of Lithuania borderline audit (Livonian officers report) by Tomas Čelkis, Darius Antanavičius

“…Specifically, iconographic information and the depicted border mark "sculpture" are particularly important to the researchers. …”
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A New Species of Afrotropical Ants in the Genus Bothroponera (Hymenoptera: Formicidae: Ponerinae) by Abdulmeneem M. A. Joma, William P. Mackay

“…The clypeus lacks a medial longitudinal carina, the head is subquadrate, the sculpture is mostly foveolate, and the second gastral segment nearly lacks sculpturing. …”
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Dans la vallée des tombes temporelles : monumentalité, temporalité et histoire dans la science-fiction by Raino Isto

“…Modern and contemporary artists working in relation to monumentality have sometimes positioned their works in relation to sf, and at other times works of monumental sculpture have been labeled as science-fictional by audiences to whom these monumental forms appear alien or displaced in time. …”
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Aestheticising the Blackfoot Valley (Montana, USA), or How to Reconcile the Mining Frontier and the Eco-Frontier by Sylvain Guyot, Gabrielle Saumon

“…An entirely private, site-specific art project (Blackfoot Pathways: Sculpture in the Wild) creates the possibility of offering an alternative resource to be shared by eco-gentrifiers and a local population adjusting to a post-extractive order, and indeed its site-specific works resonate with both the valley’s mining past and its untamed nature. …”
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L’antiquaire Georges Joseph Demotte, le Louvre et les musées américains. S’approprier le discours sur le patrimoine médiéval de la France au sortir de la Première Guerre mondiale... by Christine Vivet-Peclet

“…Each of these collectors, whose profiles and tastes were very different, referred in the way they chose to present their collections to France, its heritage and its museums, but less to the Louvre than to other institutions such as the Musée de Sculpture comparée and the Musée de Cluny.…”
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Echanges et transformations de l’Annonciation : D’un groupe statuaire en marbre (Toulouse, Musée des Augustins,XIIe siècle) à un bas-relief en bronze d’Igor Mitoraj (Rome, Santa Ma... by Sandra Gorgievski

“…In spite of radically distinct cultural models and divergent religious practice, both the vivid statues from a lost XIIth century Romanesque church in Toulouse and the 2006 newly sculpted doors of a church in Rome attempt to stage the message sent by God through the Angel Gabriel. In the modern sculpture, obvious discrepancies in the religious symbols―like the inversion of the arch-positions of the angel and the Virgin, the incomplete, broken bodies―and the silent withdrawal of forms, convey an allusive presence of the spiritual. …”
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La mise en art de la Blackfoot Valley (Montana, USA) ou comment (ré) concilier le front minier et le front écologique ? by Sylvain Guyot, Gabrielle Saumon

“…An entirely private, site-specific art project (Blackfoot Pathways: Sculpture in the Wild) creates the possibility of offering an alternative resource to be shared by eco-gentrifiers and a local population adjusting to a post-extractive order, and indeed its site-specific works resonate with both the valley’s mining past and its untamed nature. …”
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Auger Lucas, pintor de carruajes en el París del siglo xviii. «Entre el polvo del cobertizo y el estiércol de la cochera» by Raúl Martínez Arranz

“…Auger Lucas (1685-1765) comenzó una prometedora carrera como pintor en París a principios del siglo xviii, que le llevó a ganar el Grand Prix de Rome a los veinte años y a ser admitido en la Académie royale de peinture et de sculpture como pintor de historia. Sin embargo, el cambio en el sistema artístico que se estaba produciendo en esos años y la aparición de nuevas oportunidades laborales, ajenas a las disciplinas oficiales más tradicionales, le hicieron enfocar su trabajo hacia el ámbito de la pintura de carruajes. …”
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Palais-Royal (1624-1986) by Adil Alkenzawi

“…Le présent texte résume les réflexions développées dans ma thèse de doctorat sous la direction des professeurs Jean-Louis Déotte et Jacques Boulet intitulée « L’architecture comme origine, destination et support d’inscription pour la peinture et la sculpture, le Double Plateau de Buren ». La nouveauté et l’originalité du Palais-Royal, dont le Double Plateau de Buren (1985-86) prolonge la fraîcheur et le trait générateur, sont dues à la singularité de son organisation. …”
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Landschaftsgedächtnis und Geschlechterdiskurse in ausgewählten Werken von Elsa Bernstein und Maria Waser by Monika Mańczyk-Krygiel

“…The end of the drama—a combination of a mythical being after death with a sculpture of the Madonna carved in rock—is usually interpreted as the apotheosis of Christianity and the triumph of a new religion (and thus a new world order) over the pagan world. …”
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Population Traits and a Female Perspective for Aglae and Exaerete, Tropical Bee Parasites (Hymenoptera, Apinae: Euglossini) by David W. Roubik

“…Scutellum and metafemur punctation, sculpture and the frontal knob of both sexes, and male mesotibial tuft and metafemur permit easy identification of the six common species and E. azteca. …”
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The Etruscans and the Mediterranean : The City of Cerveteri by Jaimee Uhlenbrock

“…On December 5, 2013, an impressive exhibition opened at the Musée du Louvre-Lens, “the other Louvre,” that surely will appeal to anyone interested in terracotta sculpture, as well as to anyone interested in the cultures and civilizations of the ancient Mediterranean. …”
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Olabiyi Babalola J. Yai (1939-2020): Philosopher, Polymath, Humanist by Sanya Osha

“…Yai’s writing, in other words,was an exercise in textural sculpture, akin to a furnace of skewed intellectual contestation, and a work of unyielding scribal architecture. …”
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Pollen of <i>Pterocarya</i> (Juglandaceae) representatives from natural habitats and St. Petersburg environments by O. A. Gavrilova, G. A. Firsov, D. A. Gornov, A. N. Semenov, A. V. Volchanskaya

“…Exine is three-layered, thickened near the pore. The sculpture is microechinate. The low-fertile P. fraxinifolia specimen contains small pollen grains, as well as grains in tetrads and dyads. …”
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Unveiling the Original Polychromy of Archaic Architecture: The Gigantomachy on the West Pediment of the Temple of Apollo at Delphi (6th c. B.C.) by Giasemi G. Frantzi, Georgios P. Mastrotheodoros, Panayiotis Theoulakis, Sotiria Kogou, Athanasia Psalti, Hariclia Brecoulaki

“…The Gigantomachy depicted on the west pediment of the Late Archaic temple of Apollo at Delphi marks a significant milestone in early Greek architectural sculpture. Crafted from porous stone and enhanced with plaster and paint, the surviving fragments differ markedly from the marble figures of the east pediment of the same temple. …”
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Unique Design of Learning Studio Spaces: A Case Study of The Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…It can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. …”
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Unique Design of Learning Studio Spaces: A Case Study of the Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…It can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. …”
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