Analysis of the Narration Time of Beyzayi Works Based on the Views of Gerard Genette A Case Study of the Play “The Eighth Voyage of Sinbad” and Screenplays of “Facing Mirrors” and “Reed Curtain” by Ali Khorashadi, Meghdad Javid Sabaghian

“…In this article, we try to examine 3 elliptical works including "The Eighth Voyage of Sindbad", "Reed Curtain" and "Facing Mirrors" from the perspective of narrative form. Elliptical screenplays are writings that are published before they can be made. …”
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The use of verbal images (lexical-syntactic) in SheykhSharzīn’s Scroll by Zohreh Fadaie Veshki, Mah Nazari

“…Sheykh Sharzīn’s Scroll is one of the magnificent works of contemporary artistic prose, which has been compiled in the form of a screenplay with linguistic images and literary style. …”
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Screen interpretation of Franz Kafka's novel 'The Trial': Interaction of the author with the s­cript writer and film director by K.V. Arjantzeva

“…In the first part, the interpretation of the novel in the form of a screenplay written by H. Pinter has been analyzed. Here, the main principles of translation from one author's language into the other's one have been identified. …”
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AI vs. Human in Screenwriting: Is AI the Future Screenwriter? by Kemal Çelik

“…Both AI-generated and human-created screenplay elements were provided to the participants, who were then asked questions related to them. …”
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Intersemiotic Translation: From Medieval Poetry to Modern Movie by Leila Nik Nasab

“…Which type of Andrew's (1984) adaptation method does The Forbidden Fruit screenplay follow in its adaptation of the story of Sheikh San'an?…”
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MovieRemix: Having Fun Playing with Videos by Nicola Dusi, Maria Federico, Marco Furini

“…To temp to play the game, players can access different levels of screenplay (original, outline, derived) and can also challenge other players. …”
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The Critique of Margin Call’s Film with Ethical Decision-Making in Critical Situations by Mohammad Reza Hamidizadeh, Fatemeh Ordoo

“…One of the most important strengths is a strong screenplay, in which almost all management issues are included in times of crisis. …”
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Krambambuli ou l’adaptation d’un classique de la littérature et du cinéma by Aurélie Le Née

“…In 1998, Felix Mitterer wrote the screenplay for the film Krambambuli, an adaptation of Marie von Ebner-Eschenbach’s story that has become a classic of Austrian literature, but also of German-language cinema. …”
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Kitsch, classes sociales et multiculturalisme dans My Beautiful Laundrette (Stephen Frears, 1985) by Lionel Souquet

“…Despite a low budget he brought his trademark boldness to Anglo-Pakistani writer Hanif Kureishi’s screenplay. My Beautiful Laundrette is an original and iconoclastic portrait of the Thatcher era in Britain: Omar (Gordon Warnecke), a young Anglo-Pakistani from the intellectual and commercial bourgeoisie, decides to set up a laundry with the help of Johnny (Daniel Day-Lewis), a young marginalized member of a band of skinhead and punk racists who becomes his lover. …”
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Gender and Generic Clashes in The Years Between (Compton Bennett, 1946) by Nicole Cloarec

“…The film, however, is very much a product of producer Sidney Box and his wife Muriel, who co-wrote the screenplay. Unlike other Du Maurier’s adaptations, the Boxes do not so much sentimentalize Du Maurier’s work as give it a feminist and socialist agenda, underscoring both the wife’s perspective and the social ramifications of Du Maurier’s drama. …”
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Familiarisation et dé-familiarisation : la figure de l’« étranger » dans la comédie indo-britannique by Amandine Ducray

“…This article, which focuses on three British-Asian comedies – East is East (Damien O’Donnell, 1999; screenplay by Ayub Khan Din), Bend It Like Beckham (Gurinder Chadha, 2002) and Bride and Prejudice (Gurinder Chadha, 2004) – aims, through a comparative analysis, at highlighting common discursive and iconographic trategies. …”
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“Some Unholy Alloy”: Neoliberalism, Digital Modernity, and the Mechanics of Globalized Capital in Cormac McCarthy’s The Counselor by David Deacon

“…I will propose that echoes of Blood Meridian (1985), which presented the duality of barbarism and capital, are audible and perpetuated under digital capitalism, a condition encompassing the expansion of increasingly impersonal and anonymized capital under neoliberal socio-economics, empowered by digital globalization. Thus, the screenplay extends classic McCarthian themes, while expanding the remit of critique to class relations in contemporary cross-border, and global consumer economies. …”
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The Reluctant Islamophobes: Multimedia Dissensus in the Hollywood Premodern by Elena Furlanetto

“…I recur to Foucault’s concept of dispositif to illustrate how any of these media—such as music, screenplay, editing, acting, etc.—may “[enter] into resonance or contradiction with the others” (Foucault 195), ambiguating the film’s politics. …”
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From scriptor to promptor: An evaluation of the status of authorship, authenticity, and creativity in light of the use of artificial intelligence in screenwriting by Ali Özgür Gürsoy, Serkan Şavk

“…We use this conceptual framework to interpret the results of a classroom experiment with generative AI in producing screenplay loglines and synopses. Our findings suggest that we must improve students' critical skills to foster responsible self-expression in creative production, thereby unlocking the potential of human – AI interaction.…”
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