Newman polémiste et satiriste by Keith Beaumont

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The use of Language in Ìdààmú Páàdì Mínkáílù: A Religio-Satiric Play by Olatunde Adeleye Adeyemo, Olufadekemi Adagbada

“…The task however demands subtlety, especially in the use of language by the satirist who must bring his or her ideas to the forte. …”
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Gulliver and the Gentle Reader by Claude RAWSON

“…The naïve Gulliver’s praise of humanity, as well as his deranged condemnation of it in the final book, are both separate from the implied voice of the satirist, which always makes itself felt. But the reader is left uncertain as to the exact degree and tone of this separation. …”
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О жанровом своеобразии „Современной идиллии” Михаила Салтыкова-Щедрина by Mark Sokolanskij

“…The article focuses on the genre of Russian satirist Mikhail Saltykov-Shchedrin’s book The Modern Idyll. …”
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Comment les Satires de Juvénal sont arrivées au Mont Saint-Michel ? (enquête sur Paris, BnF, lat. 8070-I et sur son modèle) by Frédéric Duplessis

“…The text of the Satires and their glosses show that the reception of the satirist at Mont Saint-Michel is influenced by the teaching of Remigius of Auxerre and that the model used by the Norman monks probably comes from a library in north-eastern France. …”
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Yoruba Festival and the Dramatist: Satire as Spine in Soyinka’s A Dance of the Forests by Olusegun i Olu-Osayomi

“…By vigorously exploiting African (Yoruba) experience, festival motif, and satiric modes, in a manner relevant to the moral development of his world, it will be seen that Soyinka, succeeds in laying the foundation for a truly Nigerian national literature and it is, in fact, on this that his strengths as a satirist playwright lie …”
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Flann O’Brien’s Anti-Manifestos by Julian HANNA

“…For some he is the peer of Joyce and Beckett; for others his work is modernist pastiche; still others regard him as a reactionary satirist; while for another group he is the forerunner of American postmodernism. …”
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Swift's Alberti? The Geometrical Comedy of Gulliver's Travels by Selena Özbas

“…To explore this point, the article will draw on the Italian Renaissance humanist, satirist, and architect Leon Battista Alberti’s Momus and De Pictura. …”
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Postures et mises en scène de la presse satirique dans l’espace public francophone d’Afrique subsaharienne by Jean Pierre Sagno

“…The author bases his work on different materials from a variety of sources: a summary of works on the public arena and on news satirists in French-speaking Africa, press articles and videos about news satirists in an African context, accounts of the role of news satirists in democracy building and the challenges and/or constraints that keep it from flourishing, and articles about conflicts and disagreements with the reigning political powers.…”
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L’Arlequinade anglaise et la gravure satirique au XVIIIe siècle : Élaboration esthétique et détournement politique by Marc Martinez

“…In the satirical texts of the 1720s, the English pantomime and its emblematic figure, Harlequin, pandered to the xenophobic prejudices that stigmatised foreignness and at the same time fuelled the attacks of literary satirists who exposed the degeneracy of the national stage. …”
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A Hundred Year Old Agony And Its Reflections: Wilfred Owen`s Anthem for Doomed Youth by Metin Timuçin

“…Indeed, as emphasized by Roby (1993), those few bloody years spawned into “two generations” ofwar poets; the first caught up in the awful and blind patriotism of the hour, among them are Rupert Broke, Julien Grenfel, Robert Nichols and the second composed of anti-war satirists and soldier-poets of English Literature; Siegfried Sassoon and Wilfred Owen. …”
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Satire in the linguistic features of Ahmed Matar's and rhetorical elements of Abolghasem Halat's poetry by Mohammad Amin Ehsani Estahbanati, Enayatollah Sharifpour, Mohammad Reza Sarfi

“…Ahmed Matar and  Abolghaesem Halat are two renowned poets among contemporary Arabic and Persian satirists who deal with the problems of the society of their time in a symbolic language. …”
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