Ruiz Zorrilla y El Motín: la construcción de una legitimidad revolucionaria en la prensa satírica republicana durante la Restauración (1881-1895) by Eduardo Higueras Castañeda

“…The aim of this paper lies on analyzing how republican satiric media, with special attention to the illustrated magazine El Motín, defined a public image of Ruiz Zorrilla associated with the legitimacy of the republican revolution, in front of a monarchic system that represented reactionary values.…”
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Myth-making and Uchronia: The Advent of a Fascist America in Nathanael West’s A Cool Million (1934) by Frank Conesa

“…Nathanael West’s A Cool Million (1934) has been largely viewed as both a deadpan parody of the «Rags to Riches» success story popularized by Horatio Alger and a satire on nascent fascism in Depression-era America. …”
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HZ. PEYGAMBER’İN KAYINVÂLİDESİ: ÜMMÜ RÛMÂN by Hatice Nur Ertürk

“…Diğer yandan, İslâm’ın doğuş ve gelişmedönemlerine tanıklık etmiş, sıkıntıları göğüslemişbirçok hanım, adeta gözlerden uzak satır aralarındakalarak araştırmacılar tarafından ele alınma sırasınıbeklemektedir. …”
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Britannia : Grandeur et infortune d’une allégorie nationale dans l’univers du cartoon britannique 1842-1999 by Gilbert Millat

“…Britannia, sometimes accompanied by the emblematic British Lion, has long been personifying justice, liberty, and the British Empire on coins and stamps as well as in graphic satire. Originally of Roman origin, she became the visual representation of Britain after being revived in the sixteenth century. …”
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The analysis of social application of irony varieties in Atar-e- Nishaburi’sMosibatname by Hassan Soltani kohbanani, kamyar saydi

“…There are many equivalent terms such as sarcasm, satire, quip, ridicule, etc. for it. But not of these equivalents are a comprehensive definition for it. …”
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Newman et la conscience dans son roman Callista et dans son sermon « Ce qui dispose à la foi » by Michel Durand

“…Whilst Loss and Gain (1848) can in no way be described as autobiographical it certainly contains, alongside the author’s brilliant satire of Oxford at the time of the Tractarian Movement, elements of his own experience of conversion to Catholicism. …”
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Église et scandales : Trollope ou la condamnation de l’excès by Hervé Picton

“…Until the end of his life he relentlessly inveighed against the abuses of the « high and dry, » that worldly type of clergy he satirized mercilessly, and denounced corruption, idleness and nepotism, along with the shameless exploitation of poor curates. …”
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DİYARBAKIR ZİYA GÖKALP YAZMA ESER KÜTÜPHANESİNDEKİ SARFA DAİR YAZMA ESERLER BİBLİYOGRAFYASI / MORPHOLOGY MANUSCRIPTS BIBLIOGRAPHY IN DIYARBAKIR ZIYA GOKALP MANUSCRIPT LIBRARY... by Rıfat IŞIK

“…Bunlara ek olarak bu çalışma, bahsi geçen kütüphanedeki sarf ilmine dair eserlerin müelliflerinin isimleri, bu müelliflerin yaşadığı yüzyıl, içerik olarak benzer nüshaların tekrarı, kütüphane demirbaş numaraları, boyutları, kullanılan kâğıt türü, yazı çeşidi, satır ve sayfa sayıları hususunda bilgiler içermektedir.…”
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La « science-fiction bouffe » de Maïakovski. Autour de Mystère-Bouffe, La Punaise, Les Bains et de leur réception par le metteur en scène Antoine Vitez by Flore Garcin-Marrou

“…The last three plays are in line with Jules Verne and HG Wells' time travels: some characters are frozen and come resurrected in 1979, others have the opportunity to ride in a time machine that takes them 2030. These satires denounce what is is going on in political Russia: the transformation of revolutionary utopia into state realism - an authoritarian and repressive reality that will characterize the Stalinist era. …”
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İsmihan ve Mezid’in Hikâyesi: Osmanlı Toplumunda Mahremin Kamusal Alana Taşınma Biçimi Hakkında Bir Değerlendirme by Bayram Ürekli, Muhammed Özler

“…Bu tanımlara ulaşmak için ise şer’iye sicili olarak bilinen, kadılar tarafından tutulan ve mahkeme tutanakları olarak ifade edilen kayıtların satır aralarına bakmak gerekir. Mahkeme tutanakları bireyin gündelik yaşamının ipuçlarını yansıtması ve toplumun sesinin en çok duyulduğu metinleri içinde barındırması bakımından mahrem ve kamusal alan kavramlarının açıklanmasında oldukça kullanışlı kaynaklar olarak değerlendirilebilir. …”
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Thematic Preoccupations of D. A. Ọbasá and Ṣóbọ̀ Aróbíodù on Religion and Colonialism by Ìyábọ̀dé Baliquis Alága, Luqman Abísọ́lá Kíaríbẹ̀ẹ́

“…Also, Ṣóbọ̀ Aróbíodù’s comments on religion are basically to commend Christianity as introduced in Nigeria by the European missionaries, while Ọbasá’s poetry usually satirizes or lampoons Islamic and traditional religions. …”
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“For mine is the bitter, the ale and the lager”: Parodic prayer and the spirituality of humour by A. Houck

“…This article reviews that history, showing that medieval parodic prayers arose from within the Church and often expressed ethical concerns through satire. They could also go further, speaking to the relationship with God that is at the heart of Christian spirituality. …”
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An Artist among the Puritans:Challenging a Cultural Image in Hawthorne’s The Scarlet Letter by Michèle BONNET

“…This essay about The Scarlet Letter explores from a textual and cultural perspective the place of the artist in New England culture, both that of Puritan seventeenth-century Boston and of the nineteenth-century Salem satirized in « The Custom-House ». It shows how, in his typically ironic style, Hawthorne covertly subverts New England’s critical view of the artist who, rather than being an alleged agent of social disruption, turns out to be the cement of the community, indeed a « necessary » element. …”
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Barrès contre Ruskin by Jessica Desclaux

“…However Barrès resisted Ruskin’s ideas, due to his interest in the Italian Renaissance, to his greater affinity with the tastes and sensibility of Walter Pater and of Stendhal, and also maybe as a reaction to fashion, as his satire of Ruskin’s pilgrims shows. To respond to Ruskin, he didn’t write a theoretical essay on art, but he inserted in novel or travel writing short polemical meditations. …”
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« C’est eux contre nous » ou « Qui a peur de qui ? » : la rhétorique post-11 septembre de l’administration américaine vue par la caricature de presse by Dominique CADINOT

“…However, despite the context, on December 15th, three months after the attacks, Atlanta’s major daily newspaper, TheAtlanta Journal-Constitution, ran an editorial cartoon drawn by Mike Luckovich questioning John Ashcroft’s management of the USA PATRIOT Act.The apparent purpose of the caricature is to satirize the way the Arab or Muslim communities are stigmatized as “enemies within” and to critique the artificial dichotomy used by the administration: “Us versus them”.However, the decision to depict John Ashcroft, leader of the domestic war-on-terror apparatus and prominent evangelist, indicates that what is at stake here is the thorny issue of the relations between state power and religion.Since cartoons may provide scholars with a glimpse of the political debate or public opinion surrounding past events, this essay will seek to highlight and reflect on the feelings of millions of Americans who, a few months after the implementation of the national security strategy, initiated a response to those confounding patriotism and bigotry.…”
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Usages du futurisme médical en Chine pré-républicaine : craniotomie et régénération dans deux récits de science-fiction (1904-1905). by Florine Leplâtre

“…This leads to a redefinition of issues at stake in science-fiction, between fascination for technology and satire of contemporary fantasies.…”
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BİST İMALAT SANAYİ SEKTÖRÜNDE FAALİYET GÖSTEREN İŞLETMELERİN NAKİT AKIŞ PROFİLLERİNİN İNCELENMESİ by Mustafa Kısakürek, Haluk Satır

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Komischer Diskurs: kognitiv und kulturbedingt by Oksana Zubach

“…A significant subject in the broad field of discourse was and still is the area of the comic (humor, jokes, satire). The article accepts relevant criteria (sociological, psycholinguistic, communicative, pragmatic, gender-sensitive, etc.) that reflect the expression of humorous elements in the German language and culture. …”
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HİKMETİN İZİNDE BİR FİZİKÇİ: SCHRÖDINGER VE ANLAM KRİZİ by Mehmet Zahit Sezer

“…Biz bu yazıda onun muhtelif zamanlarda halka açık ders dizilerinin bir araya getirilmesi ile vücuda gelen "Doğa ve Yunanlar & Bilim ve Hümanizm" adlı eserini, Schrödinger'i doğa bilimi krizi ve anlam krizi ile yüzleşen bir filozof olarak konumlandırmak sureti ile inceleyeceğiz ve metnin satır aralarına inerek Schrödinger'in varlık ve bilgide yeniden bir birlik tesis etme arzusu üzerinden aslında nasıl bir hikmet talibi olduğunu göstermeye çalışacağız.…”
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Adaptation of Bakhtin's carnival characteristics in Persian "parody" based on the principles of contemporary criticism by Ahmad Goli, Yadollah Nasrollahi, Fereshteh Ahikhteh

“…The most significant theorization in this field is Bakhtin's dialogism, which is based on the language play he names as heteroglossia. after the concept has been discussed in the study of novel and other discourses of social and literary satires such as "Carnival,"  "parody," and so on.‌‌ …”
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